Billy Joel / Bottom Line 1976 Upgrade / 2CDR+1Bonus DVDR / Trial
Live At The Bottom line , New York , USA 10th June 1976 Plus Bonus DVDR ” The Old Grey Whistle Test” Stereo. SBD
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An upgraded version of the bottom line performance will be released in New York on June 10, 1976, when “TURN STILES”, which has been a standard sound source for fans since the past, was announced. It surpasses the existing board in all points such as freshness, punch, spread, and clearness of the sound, making it a must-listen for fans. At the beginning, the opening announcement that has not been received and the outro of Souvenir and DJ at the show end are also recorded. Returning to his hometown of New York, he played most of the songs from his self-produced “TURNSTILES”. At the opening, the dynamic Prelude-Angry Young Man will be played from the same album, and the later representative song, New York State Of Mind, will also be played in the middle stage. Even better, the performance in Amsterdam on March 5, 1978 was additionally recorded with ultra-high-quality stereo sound board recording. This is a short take of about 34 minutes, but you can enjoy the live performance of the time when “Stranger” was announced with high quality sound. Just The Way You Are, she’s Always A Woman, Vienna is a must-listen for fans.
★ This is a review summary of beatleg magazine vol.80 (March 2007 issue). For your reference.
Speaking of the bottom line performance on June 10, 1976, it is the most sound source of Billy’s bootleg, and despite the sound board recording from FM broadcasting, the one with good sound is released at all. Since it is not done, it has been regarded as a sound source that fans should pay attention to. However, this upgraded version of Kishikaisei is the first song played because it has a thicker sound quality than all the past boards, DJ intro & outro, and after all, you can listen to “Souvenir” which is not recorded on most boards. It is worth noting that the complete recording of. Unless it is officially released, it will be the top, not to mention the goodness of performance. Since it is a representative of the early live sound source, it is a must-have item for those who have become fans after watching the performance in Japan. Anyway, I want you to go to the top and feel the momentum of Billy in his youth who was trained in live performances. If you listen to this, you can nod that the popularity explosion in “The Stranger” the following year is natural. Even in Japan, it is a sound source that was incompletely broadcast on an FM program called “Live From The Bottom Line” only once in the early 1980s. The bonus 1978 Amsterdam is also a good FM sound source, but it’s not a complete recording, so it’s a good idea to think of it as a bonus. It’s just before appearing on the famous BBC, Germany, and Bremen TV, so the performance itself can be heard even hotter.
★ The 1976 NY bottom line performance decision board, which has received high praise from fans and the media, will be re-released for a limited time with a newly designed new jacket with a high-quality bonus DVDR.
Billy Joel / The Old Grey Whistle Test / 1DVDR / Non label
Live at BBC Television Theater, Shepherds Bush, London, UK 14th March 1978 PRO-SHOT
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Approximately 45 minutes of the “Old Gray Whistle Test” live concert recorded at the BBC Television Theater in London when the masterpiece “STRANGER” was announced on March 14, 1978. Both the image quality and sound quality are recorded as beautifully as the official one, and you can fully enjoy the lively performance that can be said to be Billy’s best time. Billy’s sharp and crisp piano play is also captured at an ideal camera angle, which is very spectacular. She’s sorry for the screen breaks at the ending of She’s Always a Woman (2:56) and Just the Way You Are at 1:43, but other than that, the lively stage unique to this time is the best. You can enjoy it in the state of.
1978年3月14日、名盤「STRANGER」発表時にロンドンのBBCテレビジョン・シアターで収録された「Old Grey Whistle Test」ライブ・コンサートを約45分収録。画質・音質ともにオフィシャル並にキレイに収録されており、ビリーの最良の時期とも言えるはつらつとしたパフォーマンスをたっぷりと堪能することができます。シャープで歯切れの良いビリーのピアノ・プレイも理想的なカメラアングルで捉えられており非常に見応えがあります。She’s Always a Womanのエンディング(2:56)とJust the Way You Areの1:43で、画面の途切れが発生するのが残念ですが、それ以外はこの時期ならではの躍動感溢れるステージを最良の状態で楽しめます。
1. Intro. 2. Miami 2017 3. Movin’ Out 4. New York State Of Mind
5. The Entertainer 6. She’s Always a Woman 7. Root Beer Rag
8. Just the Way You Are 9. Souvenir 10. Ain’t No Crime
11. Only the Good Die Young
PRO-SHOT COLOUR NTSC Approx.45min.