Beatles / Let It Be Day By Day In Black & White Outtakes / 3CD+2DVD Wx Slipcase

Beatles / Let It Be Day By Day In Black & White Outtakes / 3CD+2DVD Wx Slipcase / Misterclaudel

Translated Text:

Twickenham Film Studios & Apple Studios From January 2 To January 21 1969. Digitally Remastered

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■ Initial appearance Including images Total 133 minutes + Alpha
■ Numerous images to be released for the first time this time
■ Session footage in chronological order in chronological order
■ Synchronize real-time audio to traditional silent video

It is a material of the Beatles with a feeling of boiling down considerably, but I am very pleased to present the surprised title to the people of maniac here. It is a set of sound source and video from get back session which included the first appearance video abundantly. In January 1969, the enormous material shot and recorded at Twickenham Film Studio and Apple Studio. Systematic ones were released, but this was not the case for the video. Since many of the sound sources contain a signal to be synchronized with the image of pea, it was predicted that a lot of video material is still preserved, but until now almost no sunny eyes have been seen and fragments As for the video that I was able to see in the same way, the date credit was obscene, and there was no one systematically summarizing the image of the get back session. This work is an epoch-making title that can organize the video in order of date in order and synchronize with the actual session schedule.

The video of the get back session was recorded on the premise of the movie. For this reason, the session is held in Twickenham’s film studio instead of the recording studio in the first half. While listening to music, you can see the fact that it is a project that focuses on shooting. As you all know, the movie is a full-color work, but there are two types of flowing images, color and monochrome, that strange things happen. Among the shots I suppose they were shot at the same time at the same place, why monochrome images exist, this is originally color was converted to monochrome in the process of leakage, and contents are also almost dub Rather, it is a mystery just to exist as a completely different picture. This series entitled “LET IT BE DAY BY DAY in color”, “LET IT BE DAY BY DAY in black & white” was entitled to be released separately for color image set and monochrome image set. This work is a monochrome section.

January 3 is a scene where John and Yoko are watching George playing “All Things Must Pass” while watching cigarettes. Even January 8, the scene of “All Things Must Pass” is the main. However, cameras are directed to John rather than George, and a lot of friends and moments with Yoko are captured in particular. Indeed it is not only that Yoko was present at the studio but also he was in the vicinity of John during the performance. It is as if the behavior of a member is like a member, and it is honest impression that John often forgives this. January 9 is a video version of sound source known for a long time as “Sweet Apple Trax”. It seems strange that it is possible to see scenes singing one after the other, which were the main ones in that album, with images. On January 14th, the band members are seated and seated and discussions are held. Paul hangs his legs and hears that John is talking so hard.

The stage is reflected in the studio in the earlier stage that is going to rehearse on January 21, as reflected in the Apple studio. It is impressive that the apples are silent trying to see the apples bored as they are trying. George silently smokes. January 23 is Yoko’s exclusive place. John puts the guitar on the knee and gives out a distinctive tone by hitting it, and Yoko cries out on the back. It is interesting that John is trying to make various mysterious sounds using the guitar. I tried trying to bring out something different, just to put it close to the microphone or to bring howling close to the amp. In the performance scene of “Get Back”, they are still playing with sitting in a chair, whether it is still a light fitting stage. Also sitting in the studio and listening to playback scenes are recorded. I can see that many visitors other than members were visiting the studio. January 24 is the member’s arrival scene. When John and Yoko who got off from the white car got off, they quickly got in hand and go into the building. George, with the guitar holding a lot of documents, gets off the car and shakes off the fans who seek the sign in front of the building and goes inside. While the apple is being called by the fans, he gently enters the building with a conversation. Individuality appears in response to the three parties. In the studio, John and Yoko are sitting side by side with white and white clothes in line.

The main on January 25 is “Two Of Us” recording. As the Beatles are rehearsing hard, Yoko brings a brush and India ink to the studio and starts a calligraphy. I do not know what it is written because it is too long, but I am writing letters with kanji while thinking toward paper. Believe it or not, Yoko is calligraphy, next to the Beatles playing. Besides Yoko who was there, I write it with unknown kanji. Indeed I do not know the feelings that other members thought unwillingly for Yoko.

On January 26th it is interesting that it is possible to see the state of John singing “Let It B, C, D · · ·” familiar with the sound source with images. It is also worth noting that Mike is also given to Yoko. This time, it is recorded for the first time that pretty Heather is beside Paul and John. On January 27 it seems that he is listening to playback in the studio. John ‘s characters are exactly what John is aware of the camera and is dangerous. Of course, Yoko is stuck closely next to you. A state of rehearsal with Billy Preston on January 28. On January 29, while John is retightening the shoelaces at the studio, Yoko is sending it somehow at his ear. What is the entrance into the sacred and inviolable Beatles studio and what John is talking to John? Although other members are playing with instruments, John is only listening to it by the hands. And, on the roof top day January 30, while the actual performance scene in color is abundantly left as much, there are records of valuable preparations before riding up to the rooftops though short here. Yoko is breaking down John ‘s hair. And the last day January 31 is another shot image of “Two Of Us” excavated in recent years. I am surprised by the fact that such things existed. Not only the members themselves playing but also the staff who is shooting it feel the intention that this image was taken in the camera.

I think that it will be understood by looking through, but unlike the color image shot for movies, the one recorded in this work is another camera, and the main is John and Yoko. The video of either day is photographed mainly by John and Yoko. Is not this a big clue that can guess the origins of these images? Obviously this is a stuff taken by John and Yoko staff separately from the movie and I do not know if I was watching something in the future in the future but it can be inferred that Paul and other members are not involved .

This monochrome video also has a plurality of cameras rotated, and there is an image called another shot of the same scene. Here, the plurality of cameras can be compared in parallel. Especially, comparison between color image and monochrome image is interesting as it is understood what was being taken for each target. For Heather, it seems that the studio is like a playground with a dad, or how lying on the floor of the studio is lying down.

【DVD: The Glen Campbell Goodtime Hour】
This is a TV program that was broadcast at the time, including the performance scene of “Get Back” from the rooftop concert.

【The Beatles Songbook – The Ed Sullivan Show】
And at the end of the film ‘s work, Ed Sullivan Show, which was broadcast on February 25, 1970, is recorded in its entirety. It is not an air check even if saying it is an outflow image recorded from the opening cliche. On this day is a special program entitled “The Beatles Songbook”, “Beatles ‘latest picture” Two Of Us “etc was broadcasted and other projects that various artists will unveil the Beatles’ songs individually and show off . Time-consuming dance, ballet, performance may be said to be a highlight. It is interesting that young Dionne · Warwick and Peggy · Lee will be shown “Yesterday” in the direction of singing along with the image of Paul himself at the time of broadcasting in 1965. It can be said that it is an epochal attempt even considering the times.

Although the order to introduce was reversed, in this work three CDs are recorded at the same time separately from the picture. Until the beginning of Disc 1 and Disc 2, from January 22, 1969 through the rooftop concert, 31 stereo sound sources at Apple Studio are recorded.

【CD: USA RADIO SHOW KOOL – 94.5 PHOENIX, November 2003】
At first, I do not know why, but it is a radio program that was produced to match the release of 2003 Naked, but it is a sound source that entered the store without being broadcasted after all. Paul and an interview of an apple are recorded while listening to the sound source of get back session. While listening to the sound source of “One After 909” at that time, there is a scenes that Mr. Paul sings according to it in 2003. The second half is EPK of radio broadcasting. Even this kind of thing was made, it can be seen that the broadcasting station was putting much emphasis on this program. Recorded on Disc 3 is a radio show that was broadcast in the United States in November 2003. As you can see from the track list, you can see that the above-mentioned program that had entered the storage form was re-edited with a change in shape and was broadcast like this.

【’LET IT BE’ DAY BY DAY in black & white】
It is a valuable collection of images of Get Back Session in January 1969, including Mania Career M Claudel Label, which includes many first-appearing images. Moreover, because it is recorded in the order of the date, it is made with high material value. Until now, there are a lot of sound sources, almost everything is draining out, but this was a lonely situation as it became a picture. This work is a must-see picture to solve such a situation. I am confident that this work will be accepted into mania with surprise in the circumstances surrounding the material of the Beatles, which was pretty difficult to release the first appearance sound source or video. Permanent preservation of a beautiful picture / disk specification A tightly pressed press. Slip case included.



ゲット・バック・セッションの映像は、映画を前提として収録されたものである。そのため前半はレコーディング・スタジオではなくトウィッケンナムのフィルム・スタジオでセッションが行なわれている。音楽もさることながら、撮影に重点を置いたものである企画であるという事実が伺える。ご存知の通り映画は全編カラー作品であるが、不思議な事に流出映像はカラーとモノクロの2種類が存在する。同じ時に同じ場所で撮影されたと思しきショットもある中で、何故モノクロ映像が存在するのか、これは本来カラーであったものが流出の過程でモノクロに変換されたものなのか、そして内容もほとんどダブらず、まったく別の映像として存在するだけに謎である。本シリーズは、「LET IT BE DAY BY DAY in color」「LET IT BE DAY BY DAY in black & white」と題し、カラー映像セットとモノクロ映像セットでわけてリリースされることになった。本作はモノクロの部である。

1月3日は「All Things Must Pass」を演奏するジョージをジョンとヨーコがタバコをふかしながら見ているシーンである。1月8日においても「All Things Must Pass」のシーンがメインである。ただしジョージよりもジョンにカメラが向けられており、特にヨーコとの仲睦まじい瞬間が多くとらえられている。なるほどヨーコは単にスタジオに同席していたというだけでなく、演奏中もジョンの近くにいたというのがわかる。まるでメンバーのひとりのような立ち振る舞いで、よくジョンはこれを許しているなというのが正直な感想である。1月9日は古くから『Sweet Apple Trax』として知られる音源の映像版という感じである。まさにあのアルバムでメインとなっていたオールディーズ・ナンバーを次々に歌うシーンが映像で見られるというのが不思議な感じがする。1月14日はバンド・メンバーが円形になり着座しディスカッションをしている様子が収められている。ポールは足をぶらぶらさせながらジョンが一生懸命しゃべっているのを聞いている。

舞台はアップルスタジオに映された1月21日はリハーサルに入るその更に前段階のスタジオの様子である。メンバーがあれこれ試行しているところをリンゴが退屈そうに黙って観ているのが印象的である。ジョージは黙々と煙草をふかしている。1月23日はヨーコの独壇場である。ジョンがギターを膝の上に乗せ、叩くことで独特の音色を出しており、それをバックにヨーコが叫ぶものである。ジョンがギターを使って様々な不思議な音を出そうとしているのが面白い。マイクに近づけたり、アンプに近付けてハウリングを起こしたり、とにかく何か違った音を出そうと試行している。「Get Back」の演奏シーンでは、まだ軽く合わせる段階なのか、皆椅子に座って演奏している。また仲良くスタジオに座ってプレイバックを聴くシーンなども収録されている。メンバー以外にも数多くの来客がスタジオを訪れていたのがわかる。1月24日はメンバーの到着シーンである。白い車から降り立ったジョンとヨーコが降りるなりすぐに手を繋いでビルの中に入って行く。ジョージはギターと共に何やら書類を多く抱えて車を降り、ビルの前でサインを求めるファンを振り払って中に入って行く。リンゴもファンに声をかけられながら、軽く会話を交わしてビルに入って行く。三者三様の対応に個性が出ているのではないか。スタジオではジョンとヨーコがお揃いの上下白い服装で並んで座っている。

1月25日のメインは「Two Of Us」のレコーディングである。ビートルズが一生懸命リハーサルをしている横で、なんとヨーコはスタジオに筆と墨汁を持ち込み習字を始めるのである。達筆過ぎて何と書いてあるのかわからないが、紙に向かって考えながら漢字で文字を綴っている。信じられないだろうが、ヨーコが、ビートルズが演奏している横で、お習字をしているのである。その場にいたヨーコ以外には意味不明な漢字で書いているのである。なるほど他のメンバーがヨーコを疎ましく思った気持ちがわからないでもない。

1月26日は音源ではお馴染みの「Let It B、C、D・・・」と歌うジョンの様子が映像で見る事が出来るのが興味深いところ。またヨーコにもマイクが与えられているのにも注目である。今回映像としては初めて可愛らしいヘザーちゃんがポールやジョンの横ではにかんでいる様子も収録されている。1月27日はスタジオでプレイバックを聴いている様子である。ジョンがカメラを意識しておどけているのがいかにもジョンのキャラが出ている。もちろん隣にはヨーコがぴったりくっついている。1月28日はビリー・プレストンを交えてのリハーサルの様子。1月29日、ジョンがスタジオで靴紐を締め直している最中、ヨーコが耳元で何やら伝えている。神聖不可侵なビートルズのスタジオに入って、ジョンに一体何を話しているのだろうか。他のメンバーが楽器を持って演奏しているにもかかわらずジョンは手ぶらでただそれを聴いているのみである。そしてルーフトップの日1月30日は、カラーで実際の演奏シーンがあれだけ豊富に残されているのに対し、ここでは短いながら屋上に上がる前の準備の貴重な様子が収録されている。ヨーコがジョンの髪をとかしている。そして最終日1月31日は近年発掘された「Two Of Us」の別ショット映像。こんなものが存在した事実そのものに驚く。演奏しているメンバーそのものだけでなく、それを撮影しているスタッフごとカメラに収められている所に、この映像が撮影された意図が感じられる。



【DVD : The Glen Campbell Goodtime Hour】
これは当時放送されたテレビ番組で、ルーフトップ・コンサートから「Get Back」の演奏シーンが含まれている。

【The Beatles Songbook – The Ed Sullivan Show】
そして本作の映像の最後は、1970年2月25日に放送されたエド・サリバン・ショウをまるごと収録している。といってもエアチェックではなく冒頭のカチンコから収録した流出映像である。この日は「The Beatles Songbook」と題された特別番組で、ビートルズの最新映像として「Two Of Us」などが放送された他、様々なアーティストがビートルズの曲を独自にカバーして披露するという企画である。時代がかったダンスやバレエ、パフォーマンスが見どころと言えるかもしれない。興味深いのは若きディオンヌ・ワーウィックとペギー・リーが、1965年放送時のポール本人の映像と一緒に歌うという演出で披露された「Yesterday」であろう。時代を考慮しても画期的な試みであると言える。


【CD : USA RADIO SHOW KOOL – 94.5 PHOENIX, November 2003】
最初は、いかなる理由かわからないが、2003年ネイキッドのリリースに合わせて制作されたラジオ・プログラムであるが、結局放送されずにお蔵入りとなった音源である。ゲット・バック・セッションの音源を聴きながらポールやリンゴのインタビューなどが収録されている。「One After 909」の当時の音源を聴きながら、2003年のポールがそれに合わせて歌うという萌えるシーンなどがある。後半はラジオ放送のEPKである。このようなものが作られた事からも、このプログラムにかなり放送局が力を入れていた事がわかる。 ディスク3に収録されているのは、2003年11月にアメリカで放送されたラジオ・ショウである。トラック・リストを見てわかる通り、お蔵入りとなった先述のプログラムが、形を変えて再編集され、このように放送されたものであるというのがわかる。

【’LET IT BE’ DAY BY DAY in black & white】

January 22, 1969
01. Don’t Let Me Down

January 23, 1969
02. I’ve Got a Feeling
03. Get Back
04. Get Back

January 24, 1969
05. Teddy Boy
06. Two Of Us #1
07. Two Of Us #2
08. Two Of Us #3

January 25, 1969
09. For You Blue #1
10. For You Blue #2
11. For You Blue #3

January 26, 1969
12. Octopus’ Garden
13. You Really Got A Hold On Me
14. The Long And Winding Road
15. Shake Rattle And Roll
16. Kansas City – Miss Ann
17. Lawdy Miss Clawdy
18. Dig It
19. Let it Be

January 27, 1969
20. Get Back
21. The Walk

January 28, 1969
22. Get Back reprise

January 29, 1969
23. Besame Mucho

January 30, 1969
24. Get Back
25. Don’t Let Me Down
26. I’ve Got A Feeling
27. One After 909
28. Dig A Pony
29. Get Back

January 31, 1969
01. Two Of Us
02. Let It Be
03. The Long And Winding Road #1
04. The Long And Winding Road #2

05. Introduction – I Me Mine
06. Sessions Dialogue – Dig A Pony
07. One After 909
08. Because I Know You Love Me So
09. All Things Must Pass
10. I’ve Got A Feeling
11. Piano Jam – Dialogue
12. Sessions Dialogue
13. Two Of Us
14. For You Blue
15. Get Back
16. Blue Suede Shoes
17. Two Of Us
18. Maggie Mae – Fancy Me Chances with You
19. Don’t Let Me Down – Get Back
20. The Long And Winding Road
21. Let it Be
22. Across The Universe – Outroduction

23. New Version
24. One After 909
25. One After 909
26. Brothers
27. Modern Technology
28. The Long And Winding Road
29. The Long And Winding Road
30. Break Up
31. Remix Versions
32. New Mix
33. I’ve Got A Feeling 1
34. I’ve Got A Feeling 2
35. Let it Be

USA RADIO SHOW KOOL – 94.5 PHOENIX, November 2003
01. Introduction – I Me Mine
02. Sessions Dialogue – Dig A Pony
03. One After 909
04. Because I Know You Love Me So
05. All Things Must Pass
06. I’ve Got A Feeling
07. Piano Jam – Sessions Dialogue
08. Sessions Dialogue
09. Two Of Us
10. For You Blue
11. Get Back
12. Blue Suede Shoes
13. Two Of Us
14. Maggie Mae – Fancy Me Chances with You
15. Don’t Let Me Down – Get Back
16. The Long And Winding Road
17. Let it Be
18. Across The Universe – Outroduction

19. Segment #1
20. Segment #2
21. Segment #3
22. Segment #4
23. Segment #5

Twickenham Film Studios 1969
: January 3
All Things Must Pass

January 8
All Things Must Pass #1
All Things Must Pass #2
All Things Must Pass #3
All Things Must Pass #4
George and Ringo talks

January 9
The House of the Rising Sun

January 14
With Peter Sellers
Apple Studios, Savile Row

January 21
Dig A Pony

January 22
Dig A Pony
Don’t Let Me Down

January 23
Jamming with Yoko
Jamming With Billy
Get Back #1
Get Back #2
Get Back #3
Get Back #4 A Roll
Get Back #5 B Roll
Get Back #6
Get Back #7
Get Back #8/ I’ll Get You
I’ve Got A Feeling
Help / Please Please Me
Control Room Playbacks

January 24
Get Back

January 25
Two Of Us #1
Two Of Us #2
Two Of Us #3
By Bye Love
Two Of Us #4
For You Blue #1
For You Blue #2
For You Blue #3
Control Room Playbacks
For You Blue #4
For You Blue #5
Control Room Playbacks
Let It Be #1
Let it Be #2
Let it Be #3
Control Room Playbacks

January 26
Let it Be
Miss Ann/Lawdy Miss Clawdy
Jamming with Heather
I Told You Before

January 27
Control Room Playbacks

January 28
I’ve Got A Feeling Jam
Can You Dig It
I Want You (She’s So Heavy)

January 29
All Things Must Pass
Besame Mucho
Three Cool Cats

January 30
Before the Concert

January 31
Two of Us #1 breakdown
Hey Good Lookin’
Take This Hammer
Long Lost John
Five Feet High and Rising
Bear Cat Mamma
Run for your Life
Two Of Us #2 breakdown
Two Of Us #3 breakdown
Step Inside Love #1/ Friendship
Two Of Us #4 breakdown
Step Inside Love #2 / Let it Be
Let it Be Take 27A

January 23 A Roll vs B Roll
Miss Ann / Lawdy Miss Clawdy B/W Outtake vs Film Version
Besame Mucho Black & White vs Color Outtake
Let it Be Take 27A Black & White vs Color Outtake

The Glen Campbell Goodtime Hour – Get Back clip

The Beatles Songbook – The Ed Sullivan Show – Recorded Feb 25, 1970
Two Of Us – The Beatles
We Can Work It Out/ A Hard Day’s Night – Dionne Warwick
Octopuses Garden – The Muppets
Something – Peggy Lee
Lucy In The Sky with Diamonds / Beatles -NY Ballet
Steve Lawrence & Edie Gorme:
Can’t Buy Me Love
Fool on the Hill
With a little Help From My Friends
Obladi Oblada/ All My Loving
Duke Ellington: She Loves You/ All My Loving/ Eleanor Rigby/She’s Leaving Home/ Norwegian Wood/ Ticket to Ride – Maxwell’s Silver Hammer – Peggy Lee
Yesterday – Paul McCartney/ Dionne Warwick/ Peggy Lee
Sgt. Deniro’s Troupe: Sgt. Pepper’s/Yellow Submarine/Good Day Sunshine/ Her Majesty – Let It Be – The Beatles
Hey Jude (The Cast) / End Credits

Misterclaudel. MCCD-667-671

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