AC/DC / Detroit 1990 / 1DVDR

AC/DC / Detroit 1990 / 1DVDR / Non Label

Translated Text:
Live at The Palace of Auburn Hills, Detroit, MI. USA 24th November 1990 PRO-SHOT

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For the period from January 19 (Friday) to January 23 (Tue), at the shop front or mail order, the general series of Beano, Tricone, Uxbridge, Wardour, Zion, Trial, Masterport etc. Progress series Virtuoso, Sigma, Amity , Gravy Train, Sirene, Ayanami, Windmill, Metal Zodiac, Shades, Power Gate, Black Box, Rising Arrow, DTB, Langley, Calm & Storm, and also two new “Import Title” items of the re-introduction gallery It is an introduction of items of gifts for items you purchased.

★ However, we will only target customers who wish. When purchasing, please tell by telephone, shop front, order form, e-mail.

“The RAZOR’S EDGE TOUR 1990-1991” which grabbed a ticket to a superstar. That outflow multi camera camera shot is a gift release decision.
This “RAZOR’S EDGE TOUR” was a tour that decided the fate of AC / DC. Of course, their biggest hit was “BACK IN BLACK” and I was exploring the top with the No. 1 hit in the “FOR THOSE ABOUT TO ROCK WE SALUTE YOU” following. However, it was sluggish since Simon Wright joined in the mid-1980s. The high dimension was kept but the era continued to be not a heyday. It was “THE RAZOR ‘S EDGE” that blew it away. In addition to not only sending it to second place nationwide in the chart, it eventually became a big hit with a dignity to record 5 million copies in the United States exceeding “FOR THOSE ABOUT TO ROCK”. With this re-break, AC / DC is among the biggest things that will not be pushed or pushed. I reached the “another dimension” that the best 10 hits without any doubt as to how long I could empty the album interval.
It was definitely a tour that supported such a hit. For the first time in perfect condition, he swept the entire Earth, creating official work “LIVE” and “LIVE AT DONINGTON”, a myriad of different take takes place. This work is also a special one such “THE RAZOR’S EDGE TOUR”. It is a multi camera · pro shot of “Detroit performance on November 24, 1990”. As mentioned above, there is also “LIVE AT DONINGTON” from this tour, so let’s imagine the position of the show from the whole tour including it.

“September 24” THE RAZORS EDGE “Release”
· November 2 – December 16: North America # 1 (33 performances) ← ★ Coco ★
· January 11 – February 22: North America # 2 (27 performances)
· March 20 – April 27: Europe # 1 (27 performances)
· May 24 – July 14: North America # 3 (36 performances)
· August 10 – September 28: Europe # 2 (20 performances) ← ※ Official
· October 14 – November 16: Oceania (18 performances)

This is the outline of “THE RAZOR’S EDGE TOUR”. The official “LIVE AT DONINGTON” was in England at the end of the tour, but this work is in the beginning early. It was a concert that was the 16th show of “North America # 1”.
The site “The Palace of Auburn Hills” is a venue to say a treasure trove of pro shots in the early 1990s, and a lot of treasure images of various bands are taken in a lot. KISS, MOTOLEY CRUE, WINGER, RUSH, JUDAS PRIEST, METALLICA, MEGADETH (PRIEST undercard), ANTHRAX are running out even in the band close to HR / HM. Depending on the band, this “Auburn Hills Pro Shot” is really officially released, but this work becomes its AC / DC version.
If one of these titles also has a look, it seems to come with a pin, but its quality is superb. Although the drum is off at the beginning “Thunderstruck”, the audience seats do not appear almost, etc. Truly it does not go to the big spectacle of the official “LIVE AT DONINGTON”, but on the contrary the freshness unique to the spill is terrible. The great cheers are also the sound quality of the remote desk directly connected sound board, probably the angle of the super dead-up continuation which seems to be for the screen is powerful. The refreshing Chris Slade ‘s drum also has a brain level with Malcolm’ s guitar which raises groan and groan. Instead of having a spectacle on the scale of the hall, the sense of sync with the band far exceeds “LIVE AT DONINGTON”.
Moreover, the momentum of the show drawn with that quality is also amazing. If “LIVE AT DONINGTON” served as a giant festival bird, this work is the early momentum that took control of the world in response to a big hit. Anyway, it is the 16th tour of World Tour. There was not much dust, such as exhaustion, the engine warmed up and the full power operation began. “LIVE AT DONINGTON” is also popular as “an image where intense angus can be seen”, but this work approaches even closer to the further raging Angus.
And, because it is early in the tour, unlike ‘LIVE AT DONINGTON’, you can also enjoy ‘Sin City’, ‘Who Made Who’, ‘The Razor’s Edge’ and ‘That’s the Way I Wanna Rock And Roll’ which were not seen in the official video . Of course, I could listen to these songs as “LIVE”, but it is completely different from mystery editing which interfacial fading, realism of a completely different one with a field of view of multi camera. Especially “The Razor’s Edge” “That’s the Way I Wanna Rock And Roll” will not be played at all even after Phil Rudd’s return, this tour is the last. This work is a pro shot that is precious.

AC / DC that came back gloriously and jumped to a height one step higher. This work is a masterpiece of a vivid flowing pro shot that recorded its appearance. As another set version of “LIVE AT DONINGTON”, it is the best one to watch as a video version of “LIVE”. Please, enjoy it.

1月19日(金)~1月23日(火)の期間、店頭または通販にて、ジェネラル系のBeano, Tricone, Uxbridge, Wardour, Zion, Trial, Masterport等、プログレ系のVirtuoso, Sigma, Amity, Gravy Train, Sirene, Ayanami, Windmill、メタル系のZodiac, Shades, Power Gate, Black Box, Rising Arrow, DTB, Langley、Calm & Storm, また新作及び再紹介ギャラリーの「Import Title」のアイテムを2枚ご購入頂いたお客様へのプレゼント・アイテムのアイテムのご紹介です。


超大物への切符を掴んだ“THE RAZOR’S EDGE TOUR 1990-1991”。その流出マルチカメラ・プロショットがギフト・リリース決定です。
この“THE RAZOR’S EDGE TOUR”は、AC/DCの運命を決定づけたツアーでした。もちろん、彼らの最大ヒットは『BACK IN BLACK』であり、続く『FOR THOSE ABOUT TO ROCK WE SALUTE YOU』の全米No.1ヒットで頂点を究めていました。しかし、80年代中期にサイモン・ライトが加入してからは低迷。高い次元はキープしつつも、全盛期とは言えない時代が続いていたのです。それを吹っ飛ばしたのは『THE RAZOR’S EDGE』。チャートで全米2位に送り込んだだけでなく、最終的には『FOR THOSE ABOUT TO ROCK』を超える全米500万枚を記録する堂々の大ヒットとなりました。この再ブレイクでAC/DCは押しも押されもせぬ超大物の仲間入り。アルバム間隔が何年空こうともお構いなしにベスト10ヒットになるという“別の次元”に到達したのです。
そんなヒットを支えたのは間違いなくツアー。絶好調ぶりは地球を丸ごと席巻し、公式作品『LIVE』や『LIVE AT DONINGTON』、無数のテイク違いシングルを生み出していきました。本作は、そんな“THE RAZOR’S EDGE TOUR”でも特別な1本。「1990年11月24日デトロイト公演」のマルチカメラ・プロショットです。先述の通り、このツアーからは『LIVE AT DONINGTON』もありますので、それを含めてツアー全容からショウのポジションをイメージしてみましょう。

《9月24日『THE RAZORS EDGE』発売》

これが“THE RAZOR’S EDGE TOUR”の概要。公式『LIVE AT DONINGTON』はツアー終盤のイギリスでしたが、本作は逆に序盤。「北米#1」の16公演目にあたるコンサートでした。
現場となった“The Palace of Auburn Hills”は、90年代初期のプロショットの宝庫とも言うべき会場で、さまざまなバンドのお宝映像が大量に撮影されています。HR/HMに近いバンドに限ってもKISSやMOTOLEY CRUE、WINGER、RUSH、JUDAS PRIEST、METALLICA、MEGADETH(PRIESTの前座)、ANTHRAXが流出している。この“Auburn Hillsプロショット”は、バンドによっては本当に公式リリースしているほどなのですが、本作は、そのAC/DC版になるわけです。
これらのタイトルの1つでもご覧になったことがある方ならピンとくると思われますが、そのクオリティは極上。冒頭「Thunderstruck」でドラムがオフになっていたり、観客席がほとんど映らない等、さすがに公式『LIVE AT DONINGTON』の一大スペクタクルには及びませんが、逆に流出ならではの生々しさが凄まじい。大歓声も遠い卓直結サウンドボードの音質、恐らくスクリーン用と思われる超ドアップ連続のアングルはド迫力。溌剌としたクリス・スレイドのドラムもグキグキと唸りを上げるマルコムのギターも脳内レベル。会場規模のスペクタクルがない代わりに、バンドと一体になるシンクロ感は『LIVE AT DONINGTON』を遙かに凌駕しているのです。
しかも、そのクオリティで描かれるショウの勢いがまた凄い。『LIVE AT DONINGTON』が巨大フェスのトリを務めた熱演だとすれば、本作は大ヒットを受けて世界の再制覇に乗り出した初期の勢い。何しろ、ワールドツアーの16公演目。まだまだ疲れなど微塵もなく、エンジンも暖まって全力運転が始まった頃です。『LIVE AT DONINGTON』も「激しいアンガスが見られる映像」として人気ですが、本作はさらに一層苛烈なアンガスの極間近にまで迫るのです。
そして、ツアー初期だからこそのセットも『LIVE AT DONINGTON』とは異なり、公式映像では観られなかった「Sin City」「Who Made Who」「The Razor’s Edge」「That’s the Way I Wanna Rock And Roll」も楽しめる。もちろん、こうした曲は『LIVE』でも聴けたわけですが、いちいち曲間フェイドする謎編集とはまったく違う一気貫通のリアリズムとマルチカメラの視界付き。特に「The Razor’s Edge」「That’s the Way I Wanna Rock And Roll」はフィル・ラッド復帰後も一切演奏されず、このツアーが最後。本作はその貴重極まるプロショットなのです。

見事に返り咲き、さらに一段上の高みに飛び上がったAC/DC。本作は、その姿を記録しきった生々しい流出プロショットの大傑作です。『LIVE AT DONINGTON』の別セット版として、『LIVE』の映像版として観ても最高な1本。どうぞ、存分にお楽しみください。

1. Intro 2. Thunderstruck 3. Shoot To Thrill 4. Back In Black 5. Fire Your Guns 6. Sin City
7. Heatseeker 8. Who Made Who 9. Jailbreak/Angus Solo 10. The Jack 11. The Razor’s Edge
12. That’s the Way I Wanna Rock And Roll 13. Moneytalks 14. Hells Bells 15. High Voltage
16. You Shook Me All Night Long 17. Dirty Deeds Done Dirt Cheap 18. Whole Lotta Rosie
19. Let There Be Rock 20. Highway To Hell 21. T.N.T. 22. For Those About To Rock

Brian Johnson – Vocal Angus Young – Guitar Malcom Young – Guitar Cliff Williams – Bass
Chris Slade – Drums

PRO-SHOT COLOUR NTSC Approx. 132min.

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