Paul McCartney / Freshen Up Las Vegas 2019 The Video / 1DVDR

Paul McCartney / Freshen Up Las Vegas 2019 The Video / 1DVDR / Non Label

T Mobile Arena Las Vegas NV USA 28th & 29th June 2019. NTSC

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The North American tour of 2019 that was finally completed. A unique multi-camera image that can witness the scene is a gift release decision.
Included in such a work is “June 28th + 29th Las Vegas performance” on June 28, 2019. This is the only audience shot taken at the same venue performance in this North American tour. In our shop, we have reported on the latest tours in real time on live albums “LEXINGTON 2019”, “GREEN BAY 2019”, “MOLINE 2019” and “ARLINGTON 2019” on Uxbridge label, but this work is a video. First of all, let’s check the show position on the schedule.

・ May 23-30 (3 performances)
・ June 1 “LEXINGTON 2019”
・ June 3 + 6 (2 performances)
・ June 8 “GREEN BAY 2019”
・ 11th June “MOLINE 2019″
・ June 14 “ ARLINGTON 2019 ”
・ June 22 + 26 (2 performances)
・ June 28th + 29th: Las Vegas 2 performance ← ★ Coco ★
・ July 6-13 (3 performances)

Above, all 16 performances. The Las Vegas performance of this work was the concert of the 12th and 13th performances, which is the final stage. Since it was filmed in 2 performances, it’s like 2 times … this work is a little different. It is an edited video that mixes the two performances. Moreover, it is very individual. In fact, the video used is a combination of two images taken by the same person who participated in the two performances. That alone is not unusual, but the editing is interesting. Although the main camera repeats the first and second days alternately one by one, in fact, it is a multi-camera specification that mixes two days even within one song (of course, “Can’t Buy only on the first day” Like “Me Love” and “Save Us” on the second day, songs that are only for one day and songs that are difficult to switch are composed from the first day). This is also interesting because it is also very skillful. (Perhaps the audio is passed through one song at a time in one day) Even if it switches, there is almost no sense of incongruity of cutting, and it does not feel that it is another show. Every time the video changes, the “1ST NIGHT” and “2ND NIGHT” telops are also included, which is really full of playfulness.
No matter how individual it is, there is no point in useless or stupid images, but there is no worry about this work. On the first day, from the side on the right side of the stage, the second day is also an angle looking down from the front while leaning to the right, but there is no shielding. In addition, the zoom that was so bold that you couldn’t get a sense of distance was enough to fill the screen with half of Paul’s body. The sound is clear enough for the spectacular view, and even if it is a full video of every day, it is a masterpiece video that would make you want to introduce it in two sets.
Furthermore, it is a long and large set that was realized by mixing 2 days of interesting and delicious food. In addition to the “Can’t Buy Me Love” and “Save Us” mentioned above, there are plenty of songs for just one side. “Birthday” on the first day only, “All My Loving” and “I Saw Her Standing There” on the second day can be seen together as a full show (“Junior’s Farm” on the first day and two days) The “Letting Go” that I played was n’t recorded for some reason, so it ’s not all songs.)
Also not to be missed is the “Helter Skelter” of Angkor. On the first day, AEROSMITH’s Steven Tyler will be a guest. Only this song, not only the original video of the produced mania, but also the original left-hand front angle of this work, it has been finished more easily.

Not only can you experience the latest North American tour with a superb view, it is also a masterpiece video of mania’s playfulness. Rather than aiming for a “professional shot”, this is a fun multi-camera video that allows you to taste the “private” of an audience shot. Please fully enjoy this opportunity.

そんな本作に収められているのは「2019年6月28日+29日ラスヴェガス公演」。今回の北米ツアーで唯一の同会場公演で撮影されたオーディエンス・ショットです。当店では、Uxbridgeレーベルのライヴアルバム『LEXINGTON 2019』『GREEN BAY 2019』『MOLINE 2019』『ARLINGTON 2019』で最新ツアーをリアルタイム・レポートしてきましたが、本作は映像編。そのコレクション整理も併せ、まずは日程でショウのポジションを確認しておきましょう。

・6月1日『LEXINGTON 2019』
・6月8日『GREEN BAY 2019』
・6月11日『MOLINE 2019』
・6月14日『ARLINGTON 2019』

以上、全16公演。本作のラスヴェガス公演はその終盤にあたる12公演目・13公演目のコンサートでした。2公演で撮影されたから2回分……かと思いきや、本作はちょっと違う。2公演の映像を混ぜ合わせた編集映像なのです。しかも、非常に個性的。実は、使われている映像は2公演に参加した同一人物が撮影した2種を組み合わせている。それだけなら別に珍しくもありませんが、その編集が面白い。おおよそメインカメラは1曲ずつ初日・2日目を交互に繰り返しているものの、実は1曲内でも2日分を混ぜてマルチカメラ仕様にしているのです(もちろん、初日だけの「Can’t Buy Me Love」や2日目だけの「Save Us」のように1日だけの曲、演奏的に切り替えづらい曲も1日分から組まれています)。これがまた非常に巧みだから面白い。(恐らく音声は1曲ずつ1日分で通しているのか)切り替わってもブツ切りの違和感がほとんどなく、別ショウなのを感じさせない。映像が切り替わる度に「1ST NIGHT」「2ND NIGHT」のテロップも入り、実に遊び心に溢れているのです。
さらに、面白くも美味しいのが2日分混ぜている事で実現した長大なセット。前述の「Can’t Buy Me Love」「Save Us」だけでなく、一方だけの演奏曲もたっぷり。初日だけの「Birthday」、2日目だけの「All My Loving」「I Saw Her Standing There」もまとめて1回のフルショウのように観られるのです(初日の「Junior’s Farm」や2日間とも演奏した「Letting Go」はなぜか未収録なので全曲ではありません)。
また、さらに見逃せないのがアンコールの「Helter Skelter」。初日にAEROSMITHのスティーヴン・タイラーがゲスト参加するのです。この曲のみ、製作したマニアのオリジナル映像だけでなく本作独自に左寄りの正面アングルも交え、より見やすく仕上げました。


1. Intro
2. A Hard Day’s Night
3. Save Us
4. Can’t Buy Me Love
5. All My Loving
6. Who Cares
7. Got to Get You Into My Life
8. Come On to Me
9. Let Me Roll It
10. I’ve Got a Feeling
11. Let ‘Em In
12. My Valentine
13. Nineteen Hundred and Eighty-Five
14. Maybe I’m Amazed
15. I’ve Just Seen a Face
16. In Spite of All the Danger
17. From Me to You
18. Dance Tonight
19. Love Me Do
20. Blackbird
21. Here Today
22. Queenie Eye
23. Lady Madonna
24. Eleanor Rigby
25. Fuh You
26. Being for the Benefit of Mr. Kite!
27. Something
28. Ob-La-Di, Ob-La-Da
29. Band on the Run
30. Back in the U.S.S.R.
31. Let It Be
32. Live and Let Die
33. Hey Jude
34. Birthday
35. I Saw Her Standing There
36. Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
37. Helter Skelter (with Steven Tyler) ★正面からのショットを独自インサートしました。
38. Golden Slumbers/Carry That Weight/The End

COLOUR NTSC Approx.139min.

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