GiGinJapan Artwork of Japanese CDs (mostly) Linda Ronstadt / Los Angeles 1977 Final Night：Mike Millard First Generation Cassette / 1CD / ZION
Live at Universal Amphitheatre, Los Angeles, CA, USA 3rd October 1977
Play sample :
Many of the audience masters left behind by Mike Millard have been revealed by the efforts of the JEMS team in recent years, and the dream situation continues for maniacs all over the world. Thanks to this, we have been able to make CDs from numerous masters of exceptional audiences who captured the stage of the peak of Led Zeppelin and Pink Floyd with the highest quality, but in addition to the stage of such a big group, Millard It was a great achievement to find out that they were recording various artists.
Among these excavations, Linda Ronstadt’s series of 1977 LA performances became a big bestseller. Speaking of 77, it was the year of the eternal masterpiece “Eddie”, and it was also the climax of Millard’s recording history. In addition, it is no exaggeration to say that the conditions for producing excellent recordings were met because her live venue was also in LA, or it was promised.
Like ZEP, Millard recorded several performances with Linda, but among them, “LOS ANGELES 1977 MIKE MILLARD 1ST GEN” became a big bestseller because of its excellent sound quality. It combines an on-sound image that can only be achieved with his recordings, and an exquisite sense of realism that “appears where it comes out and retreats where it retreats.” If it is such a quality, it is a level that even general music fans can listen to smoothly.
In that case, it was natural that it would be sold out, but it would be a waste of money if it became difficult to obtain a press board with such a special sound source. Rather, it should be an evergreen audience album that can be obtained at any time. It was a masterpiece that had many requests for re-release from enthusiasts who could not get it otherwise.
Needless to say, the basics are the finest sound sources, so straight reissues are easy. However, this time we asked “GRAF ZEPPELIN” to supervise because it was such an exceptional mirrored recording. He carried out an overhaul suitable for re-release.
However, there was only one thing that made “GRAF ZEPPELIN” called “perfect recording”, and it was only a total fine-tuning. Still, there is no doubt that he added the final touch to the masterpiece audience, and even just a wonderful recording for everyone from beginners to enthusiasts has finally evolved into a state where you can listen to it with peace of mind.
After all, I can only say that I was really lucky that Millard captured Linda’s stage at its peak with perfect sound quality. Not only is the sound image turned on, but Linda’s unique singing voice, and all of the backing by the masters balance the sound board as well. It’s at the peak, and it’s hard to believe that this is the last day of the Universal Amphitheater 12 nights of continuous performances, and it’s exceptional that you can enjoy Linda’s singing voice, which is fully open with the engine, with the clearest sound quality.
After that, Millard’s achievement of capturing the theater performance just before his popularity rose further and evolved into an arena singer with the finest sound quality is too great. And since Elvis Presley died two months later, she covered “Love Me Tender” in 1977. The long-awaited re-appearance of Millard’s masterpiece audience album, which is no longer perfect in sound quality and content, under the supervision of “GRAF ZEPPELIN”. This is Linda’s version of “Eddie”!
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REMASTERED BY GRAF ZEPPELIN
* Phase correction
★Perfect sound with close sound pressure
★EQ is only adjusted slightly after 10khz
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ZION-239
