Led Zeppelin / Listen To This Eddie Mike Millard Master Tapes Flat Transfer / 3CD

Led Zeppelin / Listen To This Eddie: Mike Millard Master Tapes: Flat Transfer / 3CD / Non Label

The Forum, Inglewood, CA, USA 21st June 1977 Definitely the best sound quality and content ever

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Mike Millard’s sound source, which JEMS has been releasing every Sunday since the beginning of this year, really keeps enthusiasts excited. However, a huge number of audience recordings are left behind, and the tendency of JEMS is that it has the impression that the sound source that surprises “Millard also recorded such an artist” is stored first. .. The best examples are Suzi Quatro and Return to Forever. Therefore, everyone was wondering if the recordings of Led Zeppelin’s names, which enthusiasts all over the world would have been waiting for, would be postponed.
However, it was released on Sunday three weeks ago, which surprised enthusiasts all over the world. Yes, because the master tape sound source of the LA Forum performance on June 21, 1977, which is the gold standard in ZEP audience recording and the prestigious masterpiece of mirrored recording, has been uploaded easily. In a good way, it can be said that I was struck by the shoulder. Everyone thought that someday after the series of releases by JEMS started, but it would appear so easily!

The upper feeling unique to the recording from the master that was finally realized is really vivid. In the case of Eddie’s day, not just from the master, the version that was going around so far was a copy via VHS, even if it was low generation, and Dolby was on there. However, the master is in a state where it is off, so the freshness and clearness are completely different. When I hear the sound from the master this time, even the latest “purple jacket” looks like a mokomoko. The upper feeling is overwhelmingly wonderful so that even the expression “natural” sounds lukewarm.

Until now, most of the mirrored sound sources that have been on the market among traders are low-gene copies via VHS, but they are those that a taper traded from Millard in his later years. By this time, Millard was quite eccentric, and it is said that he had VHS drop it from the first generation he had made for backup rather than copying it from the master.
It was the basis for the items that had branched off and were released under the name of SIRA’s Rose Eddie, Stamp Eddie, and many more “LISTEN TO THIS, EDDIE”. The master tape of Eddie’s day, which enthusiasts have been waiting for, is finally revealed. In the fall of 2020, Mike Millard’s masterpiece and ZEP 1977’s masterpiece was finally heard from the master!

JEMSが今年の初めから毎週日曜日にリリースしているマイクミラードの音源は、本当に熱狂的なファンを興奮させています。しかし、膨大な数のオーディエンス録音が残されており、JEMSの傾向としては、「ミラードもそのようなアーティストを録音した」という驚きの音源が先に保存されている印象があります。 ..最良の例は、スージークアトロとリターントゥフォーエバーです。そのため、世界中の愛好家が待ち望んでいたレッド・ツェッペリンの名前の録音が延期されるのではないかと誰もが考えていました。
しかし、3週間前の日曜日にリリースされ、世界中の愛好家を驚かせました。はい、1977年6月21日のLAフォーラム公演のマスターテープ音源は、ZEPオーディエンスレコーディングのゴールドスタンダードであり、ミラーレコーディングの名門であるため、簡単にアップロードできます。いい意味で、肩に打たれたと言えます。 JEMSによる一連のリリースが始まってからいつかは誰もが思っていましたが、それはとても簡単に現れるでしょう！

ついに実現したマスターからのレコーディングならではのアッパー感がとても鮮やかです。エディの時代の場合、マスターからだけでなく、これまでのバージョンは、低世代であってもVHS経由のコピーであり、ドルビーがそこにありました。ただし、マスターはオフの状態なので、鮮度と透明度が全然違います。今回マスターからの音を聞くと、最新の「パープルジャケット」もモコモコのように見えます。アッパーフィーリングが圧倒的に素晴らしく、「ナチュラル」という表現もぬるぬるに聞こえます。

これまで、トレーダーの間で市場に出回っているミラーリングされた音源のほとんどは、VHSを介した低遺伝子コピーですが、それらは、ミラードが晩年にテーパーで取引したものです。この時までに、ミラードはかなり風変わりで、マスターからコピーするのではなく、バックアップ用に作成した最初の世代からVHSにドロップさせたと言われています。
それが分岐し、SIRAのローズエディ、スタンプエディ、その他多くの「LISTEN TO THIS、EDDIE」の名前でリリースされたアイテムの基礎となりました。愛好家が待ち望んでいたエディの時代のマスターテープがついに公開される。 2020年の秋、ついにマイク・ミラードの傑作とZEP 1977の傑作がマスターから聞かれました！

Disc 1 (70:10)
1. Intro ● It is great that the sound is good, about 2 seconds longer than our existing one.
2. The Song Remains The Same
3. Sick Again
4. Nobody’s Fault But Mine
5. Over The Hills And Far Away
6. Since I’ve Been Loving You
● 8: 34-8: 40 Equalize and supplement Source 3. The compensation time is 6 seconds shorter than the previous one, and that part is the first sound source.
7. No Quarter

Disc 2 (52:44)
1. MC
2. Ten Years Gone
● 5: 12 -5 : 25 Compensated with Source 3. Compensation is 10 seconds shorter than the previous one, and that part is the first sound source.
■ FLAT TRANSFER is still missing, so I made up for it from MASTERED, but I used MILLARD TAPE for about 1 second longer. Results 5: 13-5: 25 compensated
3. The Battle Of Evermore
4. Going To California
5. Black Country Woman
6. Bron-Y-Aur Stomp
7. White Summer / Black Mountain Side
8. Kashmir
■ From 9:22 Since FLAT TRANSFER has been deleted until the end, it is supplemented from MASTERED (about 3 seconds).
● The last moment fades out

Disc 3 (74:45)
1. MC
■ 0:00 –0 : 02 Compensation already issued. The intro is longer than the one that has already been issued.
● It was missing for 2 seconds around 1:21, so I made up for it.
2. Over The Top
3. Heartbreaker
4. Guitar Solo
5. Achilles Last Stand ● 9:23 ―― 9:27 I made up for the missing part. The abnormal noise at 9:27 was originally.
6. Stairway To Heaven ● 12:35 –12:40 Source 3 Equalize and make up. Compensation is 5 seconds shorter than the previous one, and that part is the first sound source.
7. Whole Lotta Love
8. Rock And Roll ● Compensation from 4:26 to the end. The outro was about 2 seconds shorter, so I made up for it without any discomfort.