Rod Stewart / Budokan 1981 Final Night / 2CDR

Rod Stewart / Budokan 1981 Final Night / 2CDR / Uxbridge
Live at Budokan, Tokyo, Japan 13th May 1981


Play sample :

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Rod Stewart during the “FOOLISH BEHAVIOUR” era, which carried out the biggest Japan tour of his career. An original recording that allows you to experience the special performance is now available.
The performance of “May 13, 1981: Nippon Budokan” is imbued in this work. It is the best audience recording. Speaking of the 1881 Budokan, the TV pro shot broadcasted on the “Young Music Show” symbolizes and reigns, but it is a different performance from this work. In order to explain the circumstances around that, let’s first unravel from the schedule of coming to Japan at the time when it was at the peak of popularity.

・ April 24th + 25th: Aichi Prefectural Gymnasium (2 performances)
・ April 27th + 28th: Nippon Budokan (2 performances)
・ May 1 + 2: Osaka Festival Hall (2 performances)
・ May 5th + 6th: Fukuoka Sports Center (2 performances)
・ May 8: Nippon Budokan
・ May 11: Nippon Budokan
・ May 12: Nippon Budokan ← * TV broadcast
· May 13: Nippon Budokan ← This work

[The final day of the phantom not even on the tour date] A total of 12 performances. The total number is amazing, but 6 times at Nippon Budokan is also intense. Of these, the TV broadcast was the second to last show, and what was recorded in this work was the concert on the final day of the next day. Also, this day was also a phantom live that was not easily listed on the tour date. Actually, this day was a special performance sponsored by a certain publisher S. Tickets are not sold to the general public, but distributed free of charge as a gift for readers. Of the approximately 100,000 applicants, 150,000 were selected and were able to view it.
The quality of this work, which vacuum-packed such a special scene, is also special. It is an original recording excavated on the initial Trial label, but the sound is really clear and fresh. Although the tone that feels a little distant is not the type to be mistaken for a sound board, the feeling of air is beautifully transparent, and the core that penetrates the middle is sharp like a laser beam. Despite the large family of eight people, the performance sound of each person is transmitted firmly. Of course, the singing voice of the leading rod that reaches the performance team is so detailed that you can hear every word of the lyrics.

[Full show full of masterpieces that could not be seen on TV] What is more wonderful than the clear sound is the full show woven by the masterpieces of the heyday. The TV broadcast pro shot mentioned above was digested along the broadcast frame of about 50 minutes, but this work is a consistent recording unique to the audience. You can fully experience the show for about 1 hour and 40 minutes. Let’s organize the set while comparing it with the TV broadcast pro shot, even in the sense of realizing the scale.

Kick off to tomorrow (4 songs)
・Hot Legs / You’re In My Heart / (If Loving You Is Wrong) I Don’t Want To Be Right (★) / I Was Only Joking
● Pandora’s Box (4 songs)
・Gi ‘Me Wings/Passion(★)/She Won’t Dance With Me(★)/Oh God, I Wish I Was Home Tonight
● Others (8 songs)
・ Solo: Maggie May (★) / (I Know) I’m Losing You / Sweet Little Rock’n’Roller / Sailing (★) / Tonight’s The Night (★) / Da Ya Think I’m Sexy?
・Others: Stay With Me (★) / I Just Want To Make Love To You (★)
* Note: “★” marks are songs that could not be heard in the TV broadcast pro shot.

… and it looks like this. Although it was in 1981, I came to Japan about half a year before the release of “TONIGHT I’M YOURS”. While focusing on the two works “FOOT LOOSE & FANCY FREE” and “FOOLISH BEHAVIOUR”, he will show off plenty of famous songs from the 70’s. I can understand that the rare Muddy Waters cover “I Just Want To Make Love To You” was cut on TV, but if you look closely, you can see classics such as “Maggie May” and “Tonight’s The Night” and the popular song “Sailing”. ” was also deleted. In this work, you can fully enjoy such famous songs.
The final performance was jam-packed with young fans who finally won after sending out many postcards. It is an original recording that allows you to experience the scene of such a special Nippon Budokan with exquisite clear sound. It is also a wonderful piece of music that allows you to enjoy a full show at the height of its popularity, and it is also a sound evidence that there was a live performance known to those in the know. A piece of cultural heritage that is irreplaceable no matter how you listen to it. Please enjoy it to the fullest.

★ “May 13, 1981: Nippon Budokan” performance of the best audience recording. It is a live album of a special performance where tickets were distributed as a present for Shogakukan readers on the final day different from the famous TV broadcast. It is a clear and fresh beautiful recording, the air is beautifully transparent, and the core that penetrates the middle is sharp like a laser beam. “I Don’t Want To Be Right,” “Passion,” “She Won’t Dance With Me,” “Maggie May,” “Sailing,” “Tonight’s The Night,” “Stay With Me,” “I Just Want To Make Love To You,” etc. , You can enjoy plenty of famous songs that were not in the TV broadcast pro shot.

キャリア最大のジャパン・ツアーを敢行した『FOOLISH BEHAVIOUR』時代のロッド・スチュワート。その特別公演を極上体験できるオリジナル録音が登場です。
 そんな本作に吹き込まれているのは「1981年5月13日:日本武道館」公演。その極上オーディエンス録音です。1881年の武道館と言えば“ヤング・ミュージック・ショウ”で放送されたTVプロショットが象徴して君臨してもいますが、本作とは別公演。その辺の事情をご説明する為にも、まずは人気絶頂だった当時の来日スケジュールから紐解いてみましょう。
 
・4月24日+25日:愛知県体育館(2公演)
・4月27日+28日:日本武道館(2公演)
・5月1日+2日:大阪フェスティバルホール(2公演)
・5月5日+6日:福岡スポーツセンター(2公演)
・5月8日:日本武道館
・5月11日:日本武道館
・5月12日:日本武道館 ←※TV放送
・5月13日:日本武道館 ←★本作★
 
【ツアーデートにもない幻の最終日】
 以上、全12公演。その総数も凄いですが、日本武道館で6回というのも強烈。そのうちTV放送があったのは最後から2番目のショウであり、本作に記録されているのはその翌日の最終日にあたるコンサートでした。また、この日はツアーデートにもなかなか載っていない幻のライヴでもありました。実は、この日は某出版社Sが主催した特別公演。チケットは一般販売されるのではなく、読者プレゼントとして無料配布。応募総数は約10万通のうち当選した1万50000人が観覧できたのです(ちなみに応募宛先は「S学館ロッド・スチュワート事務局」。なかなかジワる企画です)。
 そんな特別すぎる現場を真空パックした本作は、クオリティも特別。初期Trialレーベルで発掘されたオリジナル録音なのですが、そのサウンドは実にクリアで瑞々しい。やや距離も感じる音色はサウンドボードと間違えるタイプではないものの、空気感が綺麗に透き通り、そのド真ん中を貫く芯はレーザー光線のようにシャープ。8人の大所帯にも関わらず、1人ひとりの演奏音がしっかりと伝わる。もちろん、その演奏陣を切り裂くように届く主役ロッドの歌声は歌詞の一語一語まで聞き取れる細やかさです。
 
【TV放送でも観られなかった名曲山盛りのフルショウ】
 そのクリア・サウンド以上に素晴らしいのは、全盛の名曲群が織りなすフルショウ。前述したTV放送プロショットは約50分の放送枠に沿ってダイジェストされていましたが、本作はオーディエンスならではの一貫録音。約1時間40分のショウをフル体験できるのです。そのスケールを実感する意味でも、TV放送プロショットと比較しながらセットを整理してみましょう。
 
●明日へのキック・オフ(4曲)
・Hot Legs/You’re In My Heart/(If Loving You Is Wrong) I Don’t Want To Be Right(★)/I Was Only Joking
●パンドラの匣(4曲)
・Gi’ Me Wings/Passion(★)/She Won’t Dance With Me(★)/Oh God, I Wish I Was Home Tonight
●その他(8曲)
・ソロ:Maggie May(★)/(I Know) I’m Losing You/Sweet Little Rock’n’Roller/Sailing(★)/Tonight’s The Night(★)/Da Ya Think I’m Sexy?
・その他:Stay With Me(★)/I Just Want To Make Love To You(★)
※注:「★」印はTV放送プロショットでは聴けなかった曲。
 
……と、このようになっています。1981年ではありますが、来日したのは『TONIGHT I’M YOURS』発売の約半年前。『FOOT LOOSE & FANCY FREE』『FOOLISH BEHAVIOUR』の2作を軸としつつ、70年代の名曲群をたっぷりと披露してくれる。レアなマディ・ウォーターズのカバー「I Just Want To Make Love To You」をTV放送でカットしたのは理解できますが、よく見ると「Maggie May」「Tonight’s The Night」といったド定番や人気曲「Sailing」も削られていたわけです。本作は、そんな名曲群をたっぷりフルで味わい尽くせるのです。
 何枚も何枚もハガキを送ってようやく当選した若いファンでギュウ詰めになった最終公演。そんな特別すぎる日本武道館の現場を絶品クリア・サウンドで現場体験できるオリジナル録音です。人気絶頂のフルショウを味わう音楽作品としても素晴らしく、知る人ぞ知るライヴが存在していたという音の証拠品でもある。どのように聴いてもかけがえのない文化遺産の一作。どうぞ、存分にお楽しみください。
 
★「1981年5月13日:日本武道館」公演の極上オーディエンス録音。有名なTV放送とは異なる最終日で、小学館の読者プレゼントでチケットが配布された特別公演のライヴアルバムです。クリアで瑞々しい美録音で、空気感が綺麗に透き通り、そのド真ん中を貫く芯はレーザー光線のようにシャープ。「I Don’t Want To Be Right」「Passion」「She Won’t Dance With Me」「Maggie May」「Sailing」「Tonight’s The Night」「Stay With Me」「I Just Want To Make Love To You」など、TV放送プロショットにはなかった名曲もたっぷり楽しめます。
 
Disc 1(69:59)
1. Gi’ Me Wings
2. Sweet Little Rock’n Roller
3. Tonight’s The Night
4. Hot Legs
5. Passion
6. She Won’t Dance With Me / Little Queenie
7. Maggie May
8. You’re In My Heart
9. I Just Want To Make Love To You
10. (If Loving You Is Wrong) I Don’t Want To Be Right
11. (I Know) I’m Losing You
 
Disc 2(30:26)
1. Oh God I, Wish I Was Home Tonight
2. Da Ya Think I’m Sexy?
3. Sailing
4. I Was Only Joking
5. Stay With Me
 
Rod Stewart – Vocal
Jim Cregan – Guitar
Robin Le Mesurier – Guitar
Danny Johnson – Guitar
Jay Davis – Bass
Carmine Appice – Drums
Kevin Savigar – Keyboards
Jim Zavala – Saxophone

Uxbridge 1642

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