Alice Cooper / Hanau 2013 / 1DVDR

Alice Cooper / Hanau 2013 / 1DVDR / Non label

Translated Text:
Live at Amphitheater, Hanau, Germany 30th July 2013

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For the period from January 19 (Friday) to January 23 (Tue), at the shop front or mail order, the general series of Beano, Tricone, Uxbridge, Wardour, Zion, Trial, Masterport etc. Progress series Virtuoso, Sigma, Amity , Gravy Train, Sirene, Ayanami, Windmill, Metal Zodiac, Shades, Power Gate, Black Box, Rising Arrow, DTB, Langley, Calm & Storm, and also two new “Import Title” items of the re-introduction gallery It is an introduction of items of gifts for items you purchased.

★ However, we will only target customers who wish. When purchasing, please tell by telephone, shop front, order form, e-mail.

Alice Cooper who played a miracle visit to Japan for the first time in nine years last year. Such a superb picture of his “Oriente era” appears.
Alice of last year was really intense. “LOUDPARK 17” showed regretfully the shock rock’s emperor, and also from a young man who does not know Alice “He is the No.1 act !!” and a great praise was received. Next to such Alice it was not a woman guitarist, Nita Straus who was the stage of the stage. But she is not the first lady guitarist in the Alice band. That predecessor was that Orianti. It was found in Michael Jackson of later years, and now she is forming a duo with Ritchie Sambora. What is contained in this work is “Hanau Performance July 30, 2013 (Germany)” Orianti and Alice were in line. It’s its finest audience shot.
Anyway, intense is quality. Even if beautiful digital image quality is naturally given to Bali Bali, the one that is abnormal is the angle. A spectacle of direct view of the stage spaciously is like a pro shot of 1 angle. I can not imagine the environment I am shooting a bit. As a position I can understand that it is an arena seat on the right of the stage (Orianti), but I look straight at the stage over the overhead of the arena. Reflecting is about the arm of the audience who plays the smartphone, and only the stage is plenty reflected in the dough. I think that this is the only smartphotography I’ve raised, but in that sense the stability is brisk, even if you hold down the places of interest freely will not shake. Although it seems not to use a tripod, it can stably witness a lot overhead angle in any case anyway.
Particularly bold zooming is overwhelming, as Alice comes close to niche’s facial expression spread all over the screen, clearing up to one of hair and wrinkles. If you move to Orianti, the gleaming mouth bleeding is also brilliant and you can see up to one guitar string per hand, rather than handy. With its visual beauty, we will soon press a lot of creatures and plenty of tricky places … …. It is exactly the overwhelming video work.
Rockin ‘horror show which is too high to be drawn with such quality. The axis of the set is “GOES TO HELL” from the band era of the 1970s + the great song group of “TRASH” “HEY STOOPID”. It’s just like it always, but there’s a new song from the classic sequel “WELCOME 2 MY NIGHTMARE” and “He’s Back (The Man Behind The Mask)” in the Kane Roberts era. In addition, cover time is the biggest feature at this time. At the end of the show, he starts folding “Break On Through (to the Other Side)” with Beatles ‘Revolution “, Jimihen’ s” Foxy Lady “, THE WHO” My Generation “. Especially delicious are “Revolution” and “Foxy Lady”. The official work “RAISE THE DEAD: LIVE FROM WACKEN” has also been released from this tour, but somehow it was cut on video editing DVD (it was recorded in the CD edition). However, here is the most interesting place. In “Revolution” Alice wears sunglasses and dressed as John Lennon, and in “Foxy Lady”, Orianti’s solo is featured. This work can be witnessed with the image beauty that pushes such a delicious scene to the pro shot.
And the biggest sight is Miss Orienti! Of course, it is the protagonist that Alice, Guillotine, electric shock, and various casts daring with dark heroes are the leading role, but the beauty of Orienti is only this time. Although the successor Nita’s evil “metal sister” for the first time was also cool, Orianti is cute. Because it is Alice ‘s show, unlike Michael Jackson or Ritchie Sambora it is shedding blood from his mouth, but it is not a dangerous sex appeal like a lot of exposure as Nita, but the valley zoomed in as well as she got fuzzy Pretty chirarism that I did. In fact, the fingertips move hard like other living things, and the actions taken as locks are decided. Of course, the photographer is also jealous of the charm of such Oriente, and it features the zoom next to Otomi Alice.

Alice shock that shook “LOUDPARK” last year. There is a super masterpiece image beautifully lovely cool oolanti is involved. Lenon-style Alice and Orianti’s solo which were not seen even in the official are firmly complete picture. Please, enjoy this plenty of opportunities!
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1月19日(金)~1月23日(火)の期間、店頭または通販にて、ジェネラル系のBeano, Tricone, Uxbridge, Wardour, Zion, Trial, Masterport等、プログレ系のVirtuoso, Sigma, Amity, Gravy Train, Sirene, Ayanami, Windmill、メタル系のZodiac, Shades, Power Gate, Black Box, Rising Arrow, DTB, Langley、Calm & Storm, また新作及び再紹介ギャラリーの「Import Title」のアイテムを2枚ご購入頂いたお客様へのプレゼント・アイテムのアイテムのご紹介です。


昨年のアリスは本当に強烈でした。“LOUDPARK 17”ではショックロックの帝王ぶりを遺憾なく見せつけ、アリスを知らない若者からも「彼こそがNo.1アクト!!」と大絶賛が寄せられました。そんなアリスに次いでステージの華だったのは女性ギタリスト、ニタ・ストラウスだったのではないでしょうか。しかし、アリス・バンドの女性ギタリストは彼女が最初ではない。その前任だったのは、あのオリアンティ。晩年のマイケル・ジャクソンに見出され、現在はリッチー・サンボラとデュオを組んでいる彼女です。本作に収められているのは、そんなオリアンティとアリスが並び立っていた「2013年7月30日ハーナウ公演(ドイツ)」。その極上オーディエンス・ショットです。
そんなクオリティで描かれるのが最高すぎるロッキン・ホラーショウ。セットの軸は70年代のバンド時代から『GOES TO HELL』まで+『TRASH』『HEY STOOPID』の大代表曲群。それだけならいつもと同じようですが、そこに名作の続編『WELCOME 2 MY NIGHTMARE』からの新曲やケイン・ロバーツ時代の「He’s Back (The Man Behind The Mask)」がまぶされる。さらに、この時期最大の特徴と言えばカバータイム。ショウの終盤でドアーズの「Break On Through (to the Other Side)」を皮切りにビートルズの「Revolution」、ジミヘンの「Foxy Lady」、THE WHOの「My Generation」を畳みかけるのです。特に美味しいのは「Revolution」と「Foxy Lady」。このツアーからは公式作品『RAISE THE DEAD: LIVE FROM WACKEN』もリリースされていますが、なぜか映像編DVDではカットされていた(CD編には収録されていました)。ところが、ここが実に見どころで「Revolution」ではアリスがサングラスをかけてジョン・レノンに扮しますし、「Foxy Lady」ではオリアンティのソロがフィーチュアされている。本作は、そんな美味しいシーンをプロショットに迫る映像美で目撃できるのです。
そして、そのオリアンティ嬢こそが最大の見どころ! もちろん、ダークヒーロー然としたアリスやギロチン、電気ショック、さまざまなキャストと繰り広げるドラマこそが主役なのですが、オリアンティの美しさはこの時期なればこそ。後任ニタの邪悪な“メタル姉御”ぶりもカッコ良かったものの、オリアンティはグッとキュート。アリスのショウですからマイケル・ジャクソンやリッチー・サンボラの時とは違って口から血を流してはいるものの、ニタのように露出多めの危険な色気ではなく、ググッとズームになった谷間もふるふるとした可愛らしいチラリズム。そのくせ、指先は別の生き物のように激しく動き回り、ロック然としたアクションも決まりまくるのです。もちろん、撮影者もそんなオリアンティの魅力にヤラれており、御大アリスに次ぐほどズームでフィーチュアしてくれるのです。


1. Intro / The Underture 2. Hello Hooray 3. House of Fire 4. No More Mr. Nice Guy
5. Under My Wheels 6. I’ll Bite Your Face Off 7. Billion Dollar Babies 8. Caffeine
9. Department of Youth 10. Hey Stoopid 11. Dirty Diamonds with Drum Solo & Band Solos
12. Welcome to My Nightmare 13. Go to Hell 14. He’s Back (The Man Behind the Mask)
15. Feed My Frankenstein 16. Ballad of Dwight Fry 17. Killer 18. I Love the Dead
19. Intro / Raise The Dead Tribute 20. Break On Through (to the Other Side)
21. Revolution 22. Foxy Lady incl. Orianthi’s solo 23. My Generation 24. I’m Eighteen
25. Poison 26. School’s Out (with Another Brick in the Wall)

COLOUR NTSC Approx.95min.

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