GiGinJapan Artwork of Japanese CDs (mostly) Aerosmith / Monsters of Rock Netherlands 1990 / 1CD / ZODIAC
Galgenwaard Stadion, Utrecht, Netherlands 26th August 1990
Play sample :
Click image to enlarge
AEROSMITH in the “PUMP” era, which has renewed its heyday by sending out masterpieces that are also called the best masterpieces of the Geffen era. Two new masterpieces will be released at the same time!
Engraved on this first work is “Utrecht performance on August 26, 1990”. It is a super-superb audience recording when performing in the Netherlands performance of the “MONSTERS OF ROCK Tour” that swept Europe as a festival tour. The simultaneous release “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990 (Zodiac 574)” was an upgrade master of a large standard recording, but this is the first appearance sound source excavated through its own route. It is also an ultra-high-quality live album like a soundboard, raised by the Omoto master.
Before the quality that you care about, first of all, the position of the show. Let’s look back from the overall picture of the world tour aiming for success over the 70’s.
● 1989
《“Pump” released on September 12th》
・October 18-November 26: Europe #1 (26 performances)
・December 15-31: North America #1a (10 performances) ← *LANDOVER 1989
● 1990
・January 1-March 31: North America #1b (45 performances)
・ April 17-May 28: North America # 2 (28 performances)
・ June 17-July 28: North America # 3 (29 performances)
・August 15-September 3: Europe #2 (10 performances) ← Coco
・ September 8: Las Vegas performance
・ September 12-22: Japan (7 performances)
・ September 29-October 15: Australia (8 performances)
This is the 1989/1990 “PUMP Tour”. Among them, the “MONSTERS OF ROCK Tour” is “Europe # 2” about a year after the album was released, but it was not a full performance. From this “Europe # 2”, “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990” and co-starring video “MARQUEE 1990” with Jimmy Page were also left, so let’s zoom in on the schedule further.
● Details of “Europe #2”
・ August 15: Dublin
* August 18: Donington
・ August 20 “MARQUEE 1990 (with Paige)”
* August 23: West Berlin
* August 25: Dortmund
* August 26: Utrecht ← This work
* August 30: Bologna
・August 31 “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”
* September 1: Mannheim
*September 3: Paris
*Note: The “*” marks are “MONSTERS OF ROCK” performances, and the “・” marks are headline performances.
… and it looks like this. The Utrecht performance of this work was a semi-bird performance of MOR performances with WHITESNAKE, POISON, and QUIREBOYS. This work, which vacuum-packed such a scene, is a shocking new excavation master. Recently, KISS officials outflow master has been a big break at our shop, but this work was also brought from the same route. Moreover, it is a branded product that has been digitized directly from the Omoto master.
Moreover, super superb. Compared to the genuine FM sound board “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”, the sound has an audience-like tone, but the quality itself is not lost, so I am surprised. Each instrument has an abnormal outline and separate feeling, and it is clear and clear up to one note. Stephen’s singing voice is not just one word of the lyrics, but the nuances contained in it are a solid ear sensation.
The factor that realized that much sound is probably the environment. “Stadion Halgenwald”, which was the scene, is an open-type soccer stadium with a wide opening in the sky, and there is no sound echo. Of course, if it is far from the PA, it will become empty, but there is no such worry in this work. The sound emitted from the PA is inhaled without a sense of distance, and it is a fiercely direct super-superb sound. It is just an imagination, but considering from the excavation route, it may be recorded at the official seat.
AEROSMITH stepped into a dimension that could not be achieved in the 1970s, not satisfied with simply reviving. It is a live album where you can experience the hot stage at its finest. If you enjoy rare songs only for a short set for festivals, we recommend “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”, but if you want the momentum of the enriched set and the feeling of the scene at its peak, this work is the only place. A new excavation master that boasts the real pleasure of the audience that can not be tasted by any sound board, while also having the transcendental quality of line recording. Please fully experience the permanent preservation press CD.
★ Superb audience recording of “August 26, 1990 Utrecht performance”. It is a newly excavated recording brought by its own route and is a digitized product from Omoto Master. The core of zero echo is super clear only in the open stadium, and each instrument has a great outline and separate feeling. Stephen’s singing voice is not just a word of the lyrics, but the nuances contained in it are a solid ear sensation. You can experience the super-excellent scene of the “PUMP” era, which has reached its heyday beyond the 70’s.
ゲフィン時代最高傑作の呼び声も高い名作を送り出し、全盛を更新した『PUMP』時代のAEROSMITH。その新名盤が２作同時リリース決定です！
第一弾である本作に刻まれているのは「1990年８月26日ユトレヒト公演」。フェス・ツアーとして欧州を席巻した“MONSTERS OF ROCK Tour”のオランダ公演に出演した際の超・極上オーディエンス録音です。同時リリースの『WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990（Zodiac 574）』は大定番録音のアップグレード・マスターでしたが、こちらは独自ルートで発掘された初登場音源。それも大元マスターから起こされた、サウンドボードばりの超高音質ライヴアルバムなのです。
その気になるクオリティの前に、まずはショウのポジション。70年代以上の成功を目指したワールド・ツアーの全体像から振り返ってみましょう。
●1989年
《９月12日『パンプ』発売》
・10月18日ー11月26日：欧州#1（26公演）
・12月15日ー31日：北米#1a（10公演）←※LANDOVER 1989
●1990年
・１月１日ー３月31日：北米#1b（45公演）
・４月17日ー５月28日：北米#2（28公演）
・６月17日ー７月28日：北米#3（29公演）
・８月15日ー９月３日：欧州#2（10公演）←★ココ★
・９月８日：ラスベガス公演
・９月12日ー22日：日本（７公演）
・９月29日ー10月15日：豪州（８公演）
これが1989年／1990年の“PUMP Tour”。この中で“MONSTERS OF ROCK Tour”にあたるのはアルバム発売から約１年後の「欧州#2」ですが、全公演ではありませんでした。この「欧州#2」からは『WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990』やジミー・ペイジとの共演映像『MARQUEE 1990』も残されましたので、さらに日程をズームしてみましょう。
●「欧州#2」の詳細
・８月15日：ダブリン
＊８月18日：ドニントン
・８月20日『MARQUEE 1990（ペイジ共演）』
＊８月23日：西ベルリン
＊８月25日：ドルトムント
＊８月26日：ユトレヒト ←★本作★
＊８月30日：ボローニャ
・８月31日『WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990』
＊９月１日：マンハイム
＊９月３日：パリ
※注：「＊」印は“MONSTERS OF ROCK”公演で、「・」印はヘッドライン公演。
……と、このようになっています。本作のユトレヒト公演は、WHITESNAKEやPOISON、QUIREBOYSとのMOR公演の準トリ出演でした。そんな現場を真空パックした本作は、衝撃の新発掘マスター。最近、当店ではKISSの関係者流出マスターが大ブレイクしていますが、本作も同じルートからもたらされたもの。しかも大元マスターからダイレクトにデジタル化された銘品なのです。
しかも、超極上。正真正銘のFMサウンドボードである『WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990』と比較すると音色にオーディエンスらしさはありますが、クオリティそのものは負けてないから驚き。各楽器は輪郭もセパレート感も異常で、１音１音に至るまでクッキリはっきり。スティーヴンの歌声も歌詞の一語一語どころか、そこに込められたニュアンスまでしっかり耳元感覚なのです。
それだけのサウンドが実現した要因は、恐らく環境。現場となった“スタディオン・ハルヘンワールト”は上空に大きく開けたオープン型のサッカー・スタジアムで音を反響ゼロ。もちろんＰＡから遠ければスカスカになってしまうわけですが、本作にその心配はない。ＰＡから吐き出される出音を距離感なく吸い込んでおり、猛烈ダイレクトな超極上サウンド。あくまで想像ですが、発掘ルートから考えると関係者席で録音されているのかも知れません。
単に復活するだけでは飽き足らず、70年代には成し得なかった次元にまで踏み込んでいったAEROSMITH。その熱いステージを超極上体験できるライヴアルバムです。フェス用のショートセットだけにレア曲を楽しむなら『WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990』をお薦めしますが、濃縮セットの勢いと一大全盛の現場感覚なら本作の独壇場。いかなるサウンドボードでも味わえないオーディエンスだけの醍醐味を誇りつつ、ライン録音ばりの超絶クオリティを併せ持った新発掘マスター。どうぞ、永久保存プレスCDで存分にご体験ください。
★「1990年８月26日ユトレヒト公演」の超絶級オーディエンス録音。独自ルートでもたらされた新発掘録音で、大元マスターからデジタル化された銘品です。オープン・スタジアムだけに反響ゼロの芯が超鮮明で、各楽器は輪郭もセパレート感も絶大。スティーヴンの歌声も歌詞の一語一語どころか、そこに込められたニュアンスまでしっかり耳元感覚です。70年代を越える全盛に達した『PUMP』時代の現場を超・極上体験できます。
AEROSMITH in the “PUMP” era, which has renewed its heyday by sending out masterpieces that are also called the best masterpieces of the Geffen era. Two new masterpieces will be released at the same time!
Engraved on this first work is “Utrecht performance on August 26, 1990”. It is a super-superb audience recording when performing in the Netherlands performance of the “MONSTERS OF ROCK Tour” that swept Europe as a festival tour. “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990 (Zodiac 574)” released at the same time was an upgrade master of a large standard recording, but this is the first appearance sound source excavated through its own route. It is also an ultra-high-quality live album like a soundboard, raised by the Omoto master.
Before the quality that you care about, first of all, the position of the show. Let’s look back from the overall picture of the world tour aiming for success over the 70’s.
● 1989
《“Pump” released on September 12th》
・October 18-November 26: Europe #1 (26 performances)
・December 15-31: North America #1a (10 performances) ← *LANDOVER 1989
● 1990
・January 1-March 31: North America #1b (45 performances)
・ April 17-May 28: North America # 2 (28 performances)
・ June 17-July 28: North America # 3 (29 performances)
・August 15-September 3: Europe #2 (10 performances) ← Coco
・ September 8: Las Vegas performance
・ September 12-22: Japan (7 performances)
・ September 29-October 15: Australia (8 performances)
This is the 1989/1990 “PUMP Tour”. Among them, the “MONSTERS OF ROCK Tour” is “Europe # 2” about a year after the album was released, but it was not a full performance. From this “Europe # 2”, “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990” and co-starring video “MARQUEE 1990” with Jimmy Page were also left, so let’s zoom in on the schedule further.
● Details of “Europe #2”
・ August 15: Dublin
* August 18: Donington
・ August 20 “MARQUEE 1990 (with Paige)”
* August 23: West Berlin
* August 25: Dortmund
* August 26: Utrecht ← This work
* August 30: Bologna
・August 31 “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”
* September 1: Mannheim
*September 3: Paris
*Note: The “*” marks are “MONSTERS OF ROCK” performances, and the “・” marks are headline performances.
… and it looks like this. The Utrecht performance of this work was a semi-bird performance of MOR performances with WHITESNAKE, POISON, and QUIREBOYS. This work, which vacuum-packed such a scene, is a shocking new excavation master. Recently, KISS officials outflow master has been a big break at our shop, but this work was also brought from the same route. Moreover, it is a branded product that has been digitized directly from the Omoto master.
Moreover, super superb. Compared to the genuine FM sound board “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”, the sound has an audience-like tone, but the quality itself is not lost, so I am surprised. Each instrument has an abnormal outline and separate feeling, and it is clear and clear up to one note. Stephen’s singing voice is not just one word of the lyrics, but the nuances contained in it are a solid ear sensation.
The factor that realized that much sound is probably the environment. “Stadion Halgenwald”, which was the scene, is an open-type soccer stadium that is wide open in the sky, and there is no sound echo. Of course, if it is far from the PA, it will become empty, but there is no such worry in this work. The sound emitted from the PA is inhaled without a sense of distance, and it is a fiercely direct super-superb sound. It is just an imagination, but considering from the excavation route, it may be recorded at the official seat.
AEROSMITH stepped into a dimension that could not be achieved in the 1970s, not satisfied with simply reviving. It is a live album where you can experience the hot stage at its finest. If you enjoy rare songs only for a short set for festivals, we recommend “WINTERTHUR MUSIKFESTWOCKEN FESTIVAL 1990”, but if you want the momentum of the enriched set and the feeling of the scene at its peak, this work is the only place. A new excavation master that boasts the real pleasure of the audience that can not be tasted by any sound board, while also having the transcendental quality of line recording. Please fully experience the permanent preservation press CD.
★ Superb audience recording of “August 26, 1990 Utrecht performance”. It is a newly excavated recording brought by its own route and is a digitized product from Omoto Master. The core of zero echo is super clear only in the open stadium, and each instrument has a great outline and separate feeling. Stephen’s singing voice is not just a word of the lyrics, but the nuances contained in it are a solid ear sensation. You can experience the super-excellent scene of the “PUMP” era, which has reached its heyday beyond the 70’s.
(63:35)
1.Intro.
2. The Train Kept A-Rollin’
3.Young Lust
4. FINE
5.The Other Side
6. Janie’s Got a Gun
7. Sweet Emotion Inc. Peter Gunn
8.What It Takes
9. Rag Doll
10. Mama Kin
11.Dude (Looks Like a Lady)
12.Dream On
13.Love in an Elevator
14.Walk This Way
Steven Tyler – Vocals
Joe Perry – Guitar
Brad Whitford – Guitar
Tom Hamilton – Bass
Joey Kramer – Drums
ZODIAC 573
