Aerosmith / Fukuoka 2000 Dat Master / 2CDR

Aerosmith / Fukuoka 2000 Dat Master / 2CDR / Shades
Live at Fukuoka Dome, Fukuoka, Japan 4th January 2000

Play sample :

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AEROSMITH in 2000 came to Japan to celebrate the beginning of the new millennium (dead language). A newly excavated original recording that brings back the New Year mood 23 years ago is now available.
The “January 4, 2000: Fukuoka Dome” performance is imbued in this work. It is the super-superb audience recording. At that time, it was the peak of popularity with the four major dome tours for two consecutive years, and the TV broadcast pro shot “OSAKA DOME 1999 NEW YEARS EVE (Shades 1356)”, which should be said to be a symbol of it, also reigns as a standard. First, let’s check each position in the schedule at that time.

● 1999
・December 29: Osaka Dome
・ December 31: Osaka Dome ← * TV broadcast
●2000
・January 2: Nagoya Dome
・January 4: Fukuoka Dome ← This work
・January 6: Tokyo Dome
・January 7: Tokyo Dome

This is the schedule for the end of 1999/beginning of 2000. As the title suggests, “OSAKA DOME 1999 NEW YEARS EVE” was a New Year’s Eve countdown live. AEROSMITH at the beginning of the year has toured domes in various places, and this work was the Fukuoka edition.
This work, which vacuum-packed such a scene, is a superb product that you can’t believe is a dome. Although it is the latest bullet in the DAT master series that has released a series of great masterpieces, this work is a special level even in that collection. The most amazing thing is the direct feeling of the thick core. There is no sense of distance at all. I do not mistake it for a sound board because it also sucks in real enthusiasm, but the essential performance sound is just like the sound board itself. In fact, even if you mix it with the New Year’s Eve live TV broadcast “OSAKA DOME 1999 NEW YEARS EVE” and play it, you won’t give up half a step … No, the natural beauty is about to win.
Speaking of dome recordings, it’s natural to be boa-boi and blurry. Even though it was a miracle just being recorded at another venue level, it was a sound board class. Why could there be such a sound … Maybe the dome on the day was fully open? Although it’s hard to imagine that it would be full throttle in the cold January weather, Fukuoka was sunny all day long. Above all, it is a superb sound with zero echoes that can only be thought of.
A full show similar to but different from the symbolic pro shot “OSAKA DOME 1999 NEW YEARS EVE” is depicted with such an ultra-direct sound. Let’s compare and organize the sets here.

70’s Classics (10 songs)
·fly! Aerosmith: Same Old Song And Dance/Train Kept A Rollin’/S.O.S. (Too Bad) (★)
・Yamiyo no Heavy Rock: Big Ten Inch Record（★）／Walk This Way／Sweet Emotion
・Others: Dream On/Mama Kin/Lick And A Promise (★)/Mother Popcorn
●After the 80’s (13 songs)
・Get A Grip: Eat The Rich/Livin’ on the Edge/Cryin’
・Cover: Red House (★) / Stop Messin’ Around
・Others: Let The Music Do The Talking/Rag Doll/Dude (Looks Like a Lady)/Love In An Elevator/Janie’s Got A Gun/Falling In Love (Is Hard On The Knees)/Pink/I Don’t Want To Miss A Thing
* Note: “★” marks are songs that could not be heard in the pro shot “OSAKA DOME 1999 NEW YEARS EVE”.

… and it looks like this. “OSAKA DOME 1999 NEW YEARS EVE” was longer than the regular performance only for the countdown live, but there was plenty of repertoire that could not be heard there. Especially “S.O.S. (Too Bad)”, “Lick And A Promise” and “Red House” sung by Joe Perry are valuable.
“Anyway, it’s an astonishingly tight recording.” This is more than just good sound. Even if the sound is away from the dome, the show content and spectacle are undeniably a huge dome performance. And even though it is a soundboard class, it also absorbs a real on-site sensation that cannot be experienced with a soundboard. A new masterpiece that allows you to fully experience the popular AEROSMITH with such a different dimension dome sensation. Here is a magnificent new excavation.

★ Superb audience recording of “January 4, 2000: Fukuoka Dome” performance. The direct feeling of the very thick core is intense, and there is no sense of distance. While absorbing real enthusiasm, the essential performance sound is just like the sound board itself. Even if it is mixed with the same TV broadcast pro shot “OSAKA DOME 1999 NEW YEARS EVE” and played back … No, the natural beauty is about to win. (Too Bad)”, “Lick And A Promise”, “Red House”, etc. You can experience a delicious full show with famous songs that you can not listen to in Osaka Pro Shot.

Shades 1671