Rolling Stones / Europe 2022 Volume 6: Multicam / 3DVDR

Rolling Stones / Europe 2022 Volume 6: Multicam / 3DVDR / Uxbridge

Groupama Stadium, Lyon, France 19th July 2022,

Hippodrome de Longchamp, Paris, France 23rd July 2022,

Friends Arena, Stockholm, Sweden 31st July 2022

Click image to enlarge

Multi-camera video series of the 60th anniversary tour “Sixty”, which was the biggest pleasure in 2022. The latest bullet is a sudden appearance.
The “EUROPE 2022 MULTICAM” series is a set of three types of “Sixty” multi-camera edited footage. If you were a collection person, you probably know, but I completed all the tour performances up to the 5th edition. However, this work is the sixth in a series that everyone thought was “no more”. The content is “another edit”. It is a video produced by a different maniac than before, and it was announced recently.
And the person who worked on his legal wife was “midiman nz”. As a matter of fact, this mania is not a virgin work this time, and has released several “Sixty” images so far, and it was difficult to evaluate the elaborate style and the highly complete finish. However, this person is an oligarchy. He is not producing all the performances, and he is announcing the latest work even after two months have passed since the end of the tour. Now, let’s check out what kind of “midiman nz” works we have in our store collection.

・ June 1: Madrid performance
・ June 5: Munich performance
* June 9: Liverpool performance
“Mick’s new corona infection”
・ June 21: Milan performance
* June 25 “HYDE PARK 2022 NEW EDITION (Hyde Park)”
* July 3 “HYDE PARK 2022 NEW EDITION (Hyde Park)”
* July 7 “EUROPE 2022 VOLUME 3 (Amsterdam)”
・July 11: Performance in Brussels
・ July 15: Vienna performance
*July 19th: Lyon performance ←★This work DISC 1★
*July 23: Performance in Paris ←★This work DISC 2★
・ July 27: Performance in Gelsenkirchen
*July 31st: Stockholm performance ←★This work DISC 3★
・ August 3: Berlin performance
*Note: “*” marks are “midiman nz” works.

… and it looks like this. “midiman nz” has produced 7 performances, and in this work, the final 3 performances “July 19, 2022 Lyon performance”, “July 23 Paris performance”, and “July 31 Stockholm performance” I am setting.
And the quality certainly surpassed the previous performances for all three performances. The key to multi-camera editing is “materials” and “switching.” The most important thing is the “material”, and the quality greatly depends on how many materials you can collect and whether you can determine the best viewpoint among them. And in this respect, the more latecomers, the better. The amount of material that appears on the internet will never run out, so the more you wait, the more it will become available. We are going to do that “switching” work, but here again time is a powerful ally. After all, it takes a huge amount of time just to find the “best scene” from the bloated footage, and it’s hard to find a higher image quality and a more beautiful angle even in the same scene. It is natural that it is better to examine each one carefully than to put it together in a hurry.
“Actually, this work is worth it.” Since the best images are limited in any performance, it is undeniable that there are many angles that I think “I have seen”, but the frequency / number of different angles that switch between them is different. Shortly after the show was over, there were many works that relied on the finest images and turned long, but in this work, two or three different scenes are inserted more and more. Furthermore, even at the same angle, an upgrade master with better image quality is used, and the scenes between songs that were conventionally confused with still images are also connected with real images. It has evolved to a feeling closer to a professional shot.
All three performances have been upgraded, and the amount of upgrade varies depending on the song. Among them, the most eye-catching is “July 31st Stockholm Performance (DISC 3)”. The up-up of the video as described above is also eye-opening, and it is the sound that can be understood in one shot. The sense of distance is similar to the conventional version, but another recording with a much better sense of stability is used, making it a masterpiece that allows you to thoroughly immerse yourself in the show.
Finally, let’s summarize the three performances drawn with such upgrade quality.

● Common songs for 3 performances (13 songs)
・Street Fighting Man/Tumbling Dice/Out Of Time/You Can’t Always Get What You Want/Living In A Ghost Town/Honky Tonk Women/Miss You/Midnight Rambler/Paint It Black/Start Me Up/Sympathy For The Devil /Jumping Jack Flash/(I Can’t Get No) Satisfaction

Daily songs (11 songs)
・ Disc 1: Let’s Spend the Night Together / Dead Flowers / Angie
・ Disc 2: 19th Nervous Breakdown / Like a Rolling Stone / Wild Horses / Gimme Shelter
・ Disc 3: Let’s Spend the Night Together / Angie / Out of Control / Gimme Shelter
・ Keith Corner: You Got the Silver (Disc 1, 2, 3) / Happy (Disc 1, 2) / Connection (Disc 3)

Now that summer is coming to an end, “Sixty” is about to become a thing of the past. There may be some people who remember a little loneliness. It is a 3-disc set that I would like you to touch by all means. It’s a video collection that not only increases the collection, but also brings back memories of that hot summer more vividly and colorfully. It is a masterpiece group that is perfect for those who are experiencing “Sixty” for the first time, and a fresh big set for those who know the conventional edition. Please enjoy it to your heart’s content.

★ A 3-disc set with audience shots of “July 19, 2022 Lyon / July 23 Paris / July 31 Stockholm”. All three performances are different edited multi-camera images produced by Mr. “midiman nz”, a maniac who is different from the conventional work. Both are upgraded versions that make use of latecomers, making full use of more cuts, and using the same material as before, but using high-quality masters. It is a series extra edition where you can enjoy the final 3 performances of the tour with a certain degree of perfection that was produced over time.

Uxbridge 1754