Ritchie Blackmores Rainbow / Osaka 1995 Dat Master / 4CDR

The 1995 Japan Tour in 1995, where amazing new excavations have been repeated. The finest original recording set to perfect the collection is now available.
The best audience recorded in this work is “November 16, 1995: Osaka Prefectural Gymnasium” and the “November 19: Osaka Festival Hall” performance. It is a 4 -disc set with 2 performances of Osaka 2 performances by the same recipient. Some people may be coming. The master who worked on this work was a masterpiece of Fukuoka, Kyoto, and Nagoya, which was released the other day and was very popular. It is a secretly digitized stock from the treasured master from the collection. Let’s check on the schedule of which show is due to the same recipient.

・ November 11 “FLY by night (Yoyogi)”
・ November 12 “Return of the Black (Yoyogi)”
* November 14 “Kyoto 1995: Dat Master”
* November 16: Osaka Prefectural Gymnasium ← ★ This work DISC 1-2 ★
* November 17 “NAGOYA 1995 DAT MASTER”
* November 19: Osaka Festival Hall ← ★ Disc 3-4 ★
* November 20 “FUKUOKA 1995 DAT MASTER”
・ November 22 “Killing Floor (Yokohama style)”
・ November 23 “ELECTRIC EVER (NK Hall)”
* Only representative recording on each day. The ” *” mark is an original DAT collection by the same recipient.

The above nine performances were “Kanto (2 performances) → West Japan (5 performances) → Kanto (2 performances)”. The two performances of this work are a show that connects Kyoto, Nagoya, and Fukuoka, and by combining this work and the 3 titles of the Press, you can now pass the 5th performance in Western Japan with the same recording family collection.
This master’s skills are well -known in the press name board, but this work is also a name that also answers that expectation. In fact, Osaka 2 performances are also known for their masterpieces such as “OSAKA 1995 1st Night (Black Box 006)” and “Tears in Black (Shades 044)”, but this work is a completely separate recording. Moreover, this work is also a press -class sound. Compared to “KYOTO 1995 Dat Master (Black Box 045)”, which caused sensation the other day, the hall sounds are inhaled, but that is not a sense of distance (at all!). While adding dynamism to the rugged core exhaled from PA, do not hide the details (at all !!). The key to that is the rush of the core. It reaches straight to break through the sound, and is thick. Although it never pierces the ears, the sound is not cloudy thanks to the rushing force, so it can be delicious as the thickness and gorgeous sound of the sound.
Moreover, the taste is highly low -bass. It is natural that “super” such as guitar, keyboard, and vocals has a rush power, but this work is clear to the base. It is clear that the outline of the attack floats neatly, and it is clear that it is a rosary and spinning the melodious line. This does not mean “I can manage to hear” or “I can follow it properly”. Even if you ignore the bass, it flows into your ears as a counter melody, and you can feel it as a groove of skin sensation. It is a rare name recording that claims the reality unique to the audience and testifies each sound of each person to the official work level.
What is drawn with such a finest sound is 2 performances in Osaka, which has completely different personality. In order to compare with Kyoto and Fukuoka, which will be released the other day, let’s organize it in “fixed songs” and “daily songs”.

● Fixed song (12 songs)
・ Lonely Stranger: Too Late for Tears / Hunting Humans / Wolf to The Moon / Still I’m Sad / Black Masquerade / Ariel / Hall of the Mountain King
Others: Difficalt to Cure / Temple of the King / SINCE YOUEN Gone / Perfect Strangeers / Burn
● Daily songs (7 songs + α)
・ Quasi -fixed song: Spotlight Kid / Long Live Rock’n’Roll / Man on the Silver Mountain (only on the second day)
・ Positional variety song: Street of Dreams / Stone Cold / Maybe Next Time / Smoke On the Water (only on the second day)
・ Others: Traditional Song (only on the first day) / Waltzing Matilda (only on the first day) / GreenSleeves (only on the first day)

… And this looks like this. The personality of the set is a selection of “daily songs”, but this is completely different in Osaka two days. The first day of Osaka (DISC 1-2) is a “playful day”. In 1995, he played various trad songs by using the individuality of Dugy White, which is very improvised, but on this day, the Waltzing Matilda, which is said to be the back national anthem of Austrian, and the familiar “GreenSleeves”. They are also performing three songs.
The second day of Osaka (Disc 3-4) is a set that can be said to be “fan service day”. They had seven songs to play full -time songs, but they all played. There were only three times the day’s seven songs were only three times, “Tokyo”, “Kyoto”, and “Osaka 2” (By the way, “Black Night”, “Woman from Tokyo”, and “Rainbow Eyes” are also taken up. But they were just play -based performances).
The first day of Richie’s mood and plenty of play songs, and the second day to make the original songs prepared tightly as tight. It is a 4 -disc set where you can experience the best of Osaka 2 days with different flavors and taste with the same recording family collection. Furthermore, if the press name “Kyoto 1995 Dat Master (Black Box 045)”, “NAGOYA 1995 DAT MASTER (Black Box 042)”, “FUKUOKA 1995 DAT MASTER (Black Box 046)” are also combined, 5 consecutive performances in western Japan. You can also experience it all at once. A must -have entertainment masterpiece. Please thoroughly taste it!

★ The finest audience recording set of “November 16, 1995: Osaka Prefectural Gymnasium” and “November 19: Osaka Festival Hall” performance. Press masterpiece “Kyoto 1995 Dat Master (Black Box 045)”, “NAGOYA 1995 DAT MASTER (Black Box 042)”, “FUKUOKA 1995 DAT MASTER (Black Box 046)” are the same recording collection, and the quality is the gold sign. A wonderfulness that does not pollute. In conjunction with the above 3 titles, it is the latest miracle series that allows you to complete the western Japan performance with the finest sound.