Beatles / Anthology Complete Works 5 / 2CD

Beatles / Anthology Complete Works 5 / 2CD / Digital Archives Promotion

Anthology Complete Works

Click Image To Enlarge

Anthology that traces the history of the Beatles is newly released as a new editing expansion revised version “Complete Works” series!
The latest definitive edition of the rare sound source collection with greatly upgraded contents including the first appearance sound source! !!
[Original press board imported directly from overseas]

★ Typical studio outtakes & demos / live concerts have been greatly expanded. Recorded with the latest upgrade remaster by new editing with a different sound source from the original!
★ Many monaural sound sources are recorded in the first appearance version converted to real stereo by the latest AI sound source analysis!
★ Newly edited and revised version with additional recordings of sound sources newly excavated after 1995 and officially unrecorded sound sources.

“The Beatles Anthology”, which traces the history from before the formation of The Beatles to its dissolution in chronological order with rare sound sources and live performances, is a documentary composed of video images, books, and a trilogy album in 1995.・ Announced as a project. The three-part album will be released mainly on numerous studio outtakes, demo sound sources, live sound sources of existing TV broadcasts and concerts, and a new song “Free as” based on the sound source left by John Lennon.・ “A Bird” and “Real Love” were also recorded and attracted worldwide attention. Three kinds of VOL.1 to 3 were released in sequence on 2CD, including the first appearance sound source and unreleased songs that were not known until then, and the Beatles collector was also shocked and attracted attention at that time. Since then, the discovery of sound source sources has progressed over the past 20 years, and many sound sources, including sound sources that were not recorded in 1995, have evolved to be closer to the original sound, unedited, and the sound source quality has improved. doing. In addition, the remastering technology has improved and the sound quality has been further improved. Attempts that have never been seen in the past are evolving, such as the conversion of monaural sound sources to real stereo by the latest AI sound source analysis. “Complete Works” is basically re-edited based on the best sound source at the moment while following the original anthology trilogy. Furthermore, it is an expanded and revised version with longer episodes and versions than the original. Not only is the content significantly increased compared to the original, but the difference in sound quality that has been updated can be seen by listening to it. As a sound source collection that traces the history of The Beatles in chronological order, it covers all the basic rare sound sources and additionally records new excavated sound sources, making it a highly recommended attention series that can be said to be the latest edited version that is also ideal for collectors’ introductory editions. I am.

[Contents of Anthology Complete Works 5] The Beatles produce the first two-disc blockbuster album “The Beatles (White Album)” based on a new song born after a meditation trip to Rishikesh, India in 1968. CD1 contains the latest stereo remastered sound source that can be said to be a documentary in India, as well as a private recording at Kinfounce called “Esher Demo”. And the production process of the album “The Beatles (White Album)” is recorded almost in chronological order, such as “Helter Skelter” at acoustic rehearsal and unreleased “Gone Tomorrow Here Today” in monaural. Many monaural sound sources have been changed to real stereo, from the outtakes of “Revolution” and “Hey Jude” to the demo sound source in the latter half of the session. It has been updated with improvements and longer recordings. The content has evolved from the original anthology trilogy, and while each member’s soloization has appeared, the maturity of the band has also been seen, and the two-disc masterpiece album “The Beatles”, which has become even more highly acclaimed in recent years. This is the 5th installment of the remarkable anthology series, which contains many studio sound sources that approach the core of The Beatles (White Album).

ビートルズの歴史を辿るアンソロジーが新編集拡張改訂版『コンプリート・ワークス』 シリーズとして新たに登場!
初登場音源含め内容が大幅にアップグレードしたレア音源コレクションの最新決定版!!
【海外直輸入オリジナル・プレス盤】

★代表的なスタジオ・アウトテイク&デモ/ライブ等が大幅に内容拡張。オリジナルとは音源ソースが異なる新編集による最新アップグレード・リマスターで収録!
★多くのモノラル音源が最新AI音源解析によるリアル・ステレオに変換された初登場バージョンで収録!
★95年以降に新たに発掘された音源や公式未収録音源も追加収録された新編集改訂版。

ザ・ビートルズの結成前から解散に至るまでの歴史を時系列にレア音源やライブで辿った『ザ・ビートルズ・アンソロジー』は1995年にビデオ映像と書籍、3部作のアルバムで構成されたドキュメンタリー・プロジェクトとして発表されました。3部作のアルバムには数多くのスタジオ・アウトテイクスやデモ音源、現存するTV放送やコンサートのライブ音源等を中心に公開され、さらにジョン・レノンが残した音源を元にした新曲「フリー・アズ・ア・バード」「リアル・ラブ」も収録され世界的に話題を呼びました。2CDでVOL.1から3まで順次3種リリースされそれまで知られていなかった初登場音源や未発表曲も含まれており当時はビートルズ・コレクターも衝撃を受け注目されました。その後現在に至る20数年の間には音源ソースの発掘も進み95年時点で未収録だった音源はじめ多くの音源がより原音に近づいたり未編集であったり音源クオリティも向上していたりと進化しています。またリマスター技術も進歩して音質も一段と向上。モノラル音源も最新AI音源解析によるリアル・ステレオに変換されたりと過去にはない試みも進化しています。『コンプリート・ワークス』ではオリジナルのアンソロジー3部作を踏襲しながらも基本的に現時点で最良の音源ソースを元に再編集。さらにオリジナルより長いエピソードやバージョンに入れ替えた拡張改訂版となっています。オリジナルと比較して大幅に内容が増えているだけでなく聴き比べるとアップデイトされたその音質クオリティの違いが判ります。ザ・ビートルズの歴史を時系列に辿る音源コレクションとして基本的なレア音源はすべて網羅し新発掘音源も追加収録されておりコレクター入門編にも最適な最新編集版といえる大推薦の注目シリーズとなっています。

【アンソロジー・コンプリート・ワークス5の内容】
1968年インド・リシケシュへの瞑想の旅を経て生まれた新曲を元に初の2枚組大作アルバム『ザ・ビートルズ(ホワイト・アルバム)』を制作するビートルズ。CD1にはインドでのドキュメンタリーといえる音源が最新ステレオ・リマスターで収録されている他”イーシャー・デモ”と呼ばれるキンファウンスでのプライベート・レコーディングもステレオ・リマスターで収録。そしてアルバム『ザ・ビートルズ(ホワイト・アルバム)』の製作過程をほぼ時系列で収録しておりアコースティック・リハーサルでの「ヘルター・スケルター」や未発表の「ゴーン・トゥモロウ・ヒア・トゥデイ」等がモノラルからステレオ化されているのを始め「レヴォリューション」「ヘイ・ジュード」のアウトテイクからセッション後半のデモ音源までこれまで多くのモノラルだった音源がリアル・ステレオに変更されている他、音質クオリティの向上やより長い収録であったりとアップデイトされています。オリジナルのアンソロジー3部作からより進化した内容となっており各メンバーのソロ化が表れている一方でバンドとしての成熟も見られ近年更なる高評価となっている2枚組大作アルバム『ザ・ビートルズ(ホワイト・アルバム)』の核心に迫るスタジオ音源が数多く収録された注目のアンソロジー・シリーズ第5弾です。

CD1
1. ALMOST SHANKARA (Take 1)
(stereo) EMI Abbey Road Studio, London, UK January 12th 1968
2. WHEN THE SAINTS GO MARCHING IN / YOU ARE MY SUNSHINE
/ JINGLE BELLS / SHE’LL BE COMING ROUND THE MOUNTAIN
3. HAPPINESS RUNS
4. RISHIKESH JAM / BLOWIN’ IN THE WIND / HARE KRISHNA MANTRA
5. O SOLE MIO / CATCH THE WIND
(stereo) Recording at Rishikesh, India March 1-14th 1968
6. SPIRITUAL REGENERATION / HAPPY BIRTHDAY MIKE LOVE
(stereo) Recording at Rishikesh, India March 15th 1968
7. HAPPINESS IS A WARM GUN (Demo)
8. GLASS ONION (Demo)
9. SOUR MILK SEA (Demo)
(stereo) Demo Recording at Kinfauns, Esher May 28th 1968
10. MEAN MR. MUSTARD (Demo)
11. POLYTHEN PAM (Demo)
(stereo) Demo Recording at Kinfauns, Esher May 29th 1968
12. CIRCLES (Demo)
13. JUNK (Demo)
14. PIGGIES (Demo)
15. HONEY PIE (Demo)
(stereo) Demo Recording at Kinfauns, Esher May 28th 1968
16. REVOLUTION 1 (Take 20)
17. DON’T PASS ME BY (Studio Chat / Take 3&5)
(stereo) EMI Abbey Road Studio, London, UK June 4th 1968
18. COTTONFIELDS / GOODBYE KENNY JINGLE
(stereo) BBC “Kenny Everett Show” EMI Abbey Road Studio, London, UK June 6th 1968
19. HELTER SKELTER / GONE TOMORROW HERE TODAY (Rehearsal)
20. BLACKBIRD (Rehearsal)
21. MOTHER NATURE’S SON (Rehearsal)
22. BLACKBIRD (Rehearsal)
23. BLACKBIRD (Take 4)
(stereo) EMI Abbey Road Studio, London, UK June 11th 1968
24. A BIGINNINGS – George Martin Orchestra
(stereo) EMI Abbey Road Studio, London, UK July 22nd 1968
25. GOOD NIGHT (Rehearsal / Take 34)
(stereo) EMI Abbey Road Studio, London, UK June 28th / July 22nd 1968
26. OB-LA-DI, OB-LA-DA (Take 26&5)
(stereo) EMI Abbey Road Studio, London, UK July 15th 1968
27. REVOLUTION (Rehearsal / Take 10&16)
(stereo) EMI Abbey Road Studio, London, UK July 13th 1968
28. CRY BABY CRY (Take 1)
(stereo) EMI Abbey Road Studio, London, UK July 16th 1968
29. HELTER SKELTER (Take 2)
(stereo) EMI Abbey Road Studio, London, UK June 18th 1968

CD2
1. SEXY SADIE (Take 6)
2. FUCK A DUCKIE
3. BRIAN EPSTEIN BLUES
(stereo/mono) EMI Abbey Road Studio, London, UK June 19th 1968
4. WHILE MY GUITAR GENTLY WEEPS (Take 1)
(stereo) EMI Abbey Road Studio, London, UK June 25th 1968
5. WHEN I WAS A ROBBER / HEY JUDE (Take 2)
(stereo) EMI Abbey Road Studio, London, UK June 29th 1968
6. ST.LOUIS BLUES
7. LAS VEGAS TUNE
8. HEY JUDE (Take 25)
(stereo) EMI Abbey Road Studio, London, UK June 30th 1968
9. MOTHER NATURE’S SON (Take 3)
(stereo) EMI Abbey Road Studio, London, UK August 9th 1968
10. NOT GUILTY (Take 102)
(stereo) EMI Abbey Road Studio, London, UK August 8/9-12th 1968
11. WHITE JAM
(stereo) EMI Abbey Road Studio, London, UK August 13th 1968
12. WHAT’S THE NEW MARY JANE (Take 2&4)
(stereo) EMI Abbey Road Studio, London, UK August 14th 1968
13. ROCKY RACCOON (Take 9&8)
(stereo) EMI Abbey Road Studio, London, UK August 9th 1968
14. BACK IN THE U.S.S.R. (Session Chat / Take 6)
(stereo) EMI Abbey Road Studio, London, UK August 22nd/23rd 1968
15. DEAR PRUDENCE (Take 1)
(stereo) EMI Abbey Road Studio, London, UK August 29th 1968
16. YER BLUES (Alternate Mix)
(stereo) EMI Abbey Road Studio, London, UK August 20th 1968
17. HELTER SKELTER (Session Chat / Take 18&19)
18. HELTER SKELTER (Take 21)
(stereo) EMI Abbey Road Studio, London, UK September 9/10th 1968
19. CAN YOU TAKE ME BACK (Take 19)
20. STEP INSIDE LOVE (Take 34)
21. LOS PARANOIAS (Take 35)
22. THE WAY YOU LOOK TONIGHT
23. DOWN IN HAVANA
24. I WILL (Take 1)
(stereo) EMI Abbey Road Studio, London, UK September 16th 1968
25. HAPPINESS IS A WARM GUN (Take 65)
(stereo) EMI Abbey Road Studio, London, UK September 25th 1968
26. I’M SO TIRED (Take 3&6&9)
(stereo) EMI Abbey Road Studio, London, UK October 8th 1968
27. WHY DON’T WE DO IT IN THE ROAD (Take 4)
(stereo) EMI Abbey Road Studio, London, UK October 9th 1968
28. GLASS ONION (Take 33)
(stereo) EMI Abbey Road Studio, London, UK September 26th 1968
29. JULIA (Take 2 / Session Chat)
(stereo) EMI Abbey Road Studio, London, UK October 13th 1968

Digital Archives Promotion. DAPB069CD1/2

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.