Roger Waters / Truly Stunning Evening / 4CDR

Roger Waters / Truly Stunning Evening / 4CDR / LEM

Translated text:

The 02 Arena, Greenwich, London, UK 12th May 2011 & 15th May 2011. Digital AUD

Click Image To Enlarge

From the six consecutive performances at the latest Roger Waters’ London O2 Arena, the 12th May 12 concert at Dave Gilmore participated in the Comfortably Numb and became a hot topic (Gilmore participated only on this day during the tour) and , The December 15th performance of London on the 4th day, both of which recorded completely with the highest level super high sound quality audiences recording, fan listening · essential 4 sets are appearing from popular LEM.

First of all, the topic 12th sound source recorded on Disc 1 & 2. Completely recorded with super high sound quality where the treble like feeling the extreme of digital recording worked extraordinarily. I can be confident that there are no people complaining about listening to this sound, it is already a terrible recording. This time, it contains the matrix of two super high sound quality recording masters of the same day that exist today. (Producer is a super-technician in Europe familiar with “IN PERFECT ISOLATION” etc.) Source 1 used in the original sound is SP-BMC-12 microphone, recording with “Section B 3, Row A, Seat 50” The sound is recorded very close to what was done, this time I use this mainly. The source 2 of the sub-tone generator is recorded with “block 111, row l, center”, and the sound quality is good, but it is a slightly narrow and low range weak sound. As processing, it is easier to listen to the sound of Source 1, which is recorded with the highest sound quality but too much loud equalization (work to restore), and bass is added to Source 2, and both are in the best condition I’m building up a mix. All songs are recorded with tremendous high-quality sound, but Parts such as In The Flesh? And especially the room such as The Happiest Days Of Our Lives which is wrapped in heavy bass like in the sensor round can be audited I think that I am overwhelmed by the unusual feeling of that sound. A sense of moderate presence is felt, and the wonderfulness of that recording which it was reasonably able to record from a weak tone to a loud sound can be declared exactly as a masterpiece. It is a feature of this sound source that the musical sound is on so far, although picking up the cheers is also realistic, it is Comfortably Numb that Gilmore comes out with it in a good form. It is already a public fact that saying “Gilmore will appear on this day” is a mild fact, and from the sound of Bring The Boys Back Home the excitement of the venue will be unusually high from around the ending. Comfortably Numb is said to have “started at last” and it feels the excitement of the audience to burn the drama of historical sound starting from now on to the eye. Gilmore on the towering wall is illuminated by the light, when the song starts “There is no pain you are receding”, a great cheer like angry wraps the O2 arena, at that moment Floyd fans absolutely must hear is. Furthermore, the impression of the beginning of the guitar solo in the second minute is a masterpiece, you can enjoy the euphoria beyond the pro shot video of this week’s gift. It is well understood that there is nothing in this neighborhood document over the excellent audience recording which packed the air feeling of the place as it is. The chorus inside of the hall of the chorus, the great cheer which rises with the development of the song makes each one of the greatest excitement for this wonderful event, which makes it possible to realize the impression that “I am listening to really special things” . In the solo of the first half, I was nervous with this historic stage, Gilmour who got a little tired, the last long solo grabs my pace and shows dramatic play. Wall tour afterwards The rugged parts in the second half from the familiar The Show Must Go On to Trial are deployed one after the other to make the listener much satisfied. At the Outside The Wall of the last (although it can be seen on the screen even at the gift DVDR ‘Eyewitness’ only this weekend) Gilmore with guitar in the introduction of Roger reappears. In addition, when Nick Mason appeared in the introduction of Roger, the inside of the hall will be filled with such a big cheer as to break again. Nick appears with Outside The Wall with other members with Tambourine on the stage. Thanks to Tapar for recording this historic live with such a wonderful recording! It is the strongest piece of.

Also on discs 3 & 4, the May 15 show of the 4th show during the O2 Arena 6 performances was also recorded completely with super high quality audience recording. As opposed to the super-sound of the 12th day of the masterpiece, the sound localization is firm, the natural high sound quality should definitely attract fans who recognize the deaf “recording mania” of ear. That should be that, Taper was started by the Clapton & Jeff Beck O2 show, by a familiar recording person who provides a number of ultra-high quality sound sources mainly in London, a showy 12th performance As opposed to the sound of natural, mild, reliable and high-quality sound that makes us feel a high degree of consistency The overall picture of the show is recorded. Less cheers are also totally different from the 12th take, the standard Roger ‘s London live recorded in the best position is still a must – see fan. Of course, it is a take that has not been circulated even among traders. With the arrival of Gilmore, along with the 12th live show which had a strong impact, I recorded another London live and I wanted to get the fans outstanding recordings by all means.

From the London performances where the 6 performances were held, the set of fans who listened to the two performances with the highest sound quality is a limited release decision from the popular LEM label.

★ In 2011, only 20 sets were released, and the name sound source title that gained popularity from fans and media has been re-released for the first time in 7 years.

最新ロジャー・ウォーターズのロンドンO2アリーナにおける6連続公演から、デイブ・ギルモアがComfortably Numbで参加し話題となった2日目の5月12日公演（ギルモアが参加したのはツアー中この日のみ）と、ロンドン4日目の12月15日公演を、どちらも最高レベルの超高音質オーディエンス録音で完全収録した、ファン必聴・必携の4枚組が好評LEMより登場です。

まずは、ディスク１＆２に収録された話題の12日音源。デジタル録音の極みを感じさせるようなトレブルが異様に効いた超高音質で完全収録。この音を聴いて不満を感じる人は皆無と確信できる、それはもう凄い録音です。今回は現状、存在する同日の２種の超高音質録音マスターをマトリックス収録。（製作者は「IN PERFECT ISOLATION」等でお馴染みのヨーロッパのスーパー・テクニシャンです。）原音で使用されたソース１はSP-BMC-12マイクで、「Section B3, Row A, Seat 50」で録音されたもので音が非常に近く録れており、今回はこれをメインに使用しています。サブ音源のソース２は「block 111, row l, center」で録音されており、音質は良好なのですが、やや細めで低域が弱めのサウンドです。処理としては、最高音質で収録されながらもあまりにラウド過ぎるイコライズが施されたソース１のサウンドをより聴きやすく補整し（元に戻す作業）、更にソース２に低音を加え、両者ともにベストな状態でミックスを造り上げています。どの曲も凄まじいばかりの高音質で録れていますが、In The Flesh?や、特に部屋中がセンサラウンドのような重低音に包まれるThe Happiest Days Of Our Livesなどのパートが圧巻で、試聴頂ければ、その音のアンユージュアルな感触に圧倒されると思います。適度な臨場感も感じられ、弱音からラウドなサウンドまで無理なく収録されたその録音の素晴らしさは、まさに圧巻と断言できます。ここまで楽音がオンなのに、歓声もリアルに拾っているのが、本音源のひとつの特徴とも言えますが、それが良い形で効果を出すのが、ギルモアが登場するComfortably Numbです。既にこの日、「ギルモアが登場する」と言うのはなかば公然の事実になっており、Bring The Boys Back Homeのエンディング辺りから会場の興奮が異様に高まってくるのが音から伝わってきます。Comfortably Numbは「ついに始まった」と言った感じで、今から始まる歴史的な音のドラマをその目に焼き付けようという観客の興奮が感じられます。そびえ立った壁の上のギルモアがライトに照らされ、「There is no pain you are receding」と歌がスタートするとき、怒涛のような大歓声がO2アリーナを包む、その瞬間はフロイド・ファンは絶対必聴です。更に２分目のギターソロの始まりの感動は圧巻で、今週のギフトのプロショット映像以上の高揚感を楽しむことができます。この辺のドキュメントは、その場の空気感をそのままパックしたような優秀なオーディエンス録音に勝るものはないというのが良く判ります。サビの場内大合唱、曲の展開と共に沸き起こる大歓声はそのひとつひとつが最高にこの素晴らしきイベントを大いに盛り上げてくれ、「本当に特別なものを聴いているんだな」という感動をリアルに感じることができます。前半のソロでは、この歴史的舞台に緊張したのか、ややとちってしまったギルモアも、最後のロングソロは自分のペースをつかみ、ドラマチックなプレイを披露します。後はウォール・ツアーお馴染みのThe Show Must Go OnからTrialにかけての後半の起伏に富んだパートが次々と展開され、聴き手を大いに満足させてくれます。ラストのOutside The Wallでは（今週末のみのギフトDVDR「Eyewitness」でも画面で見れますが）ロジャーの紹介でギルモアがギターを抱えて再登場。更にニック・メイスンがロジャーの紹介で登場すると場内は再び割れるような大歓声でいっぱいになります。ニックはタンバリンを持っての登場で、他のメンバーと共にOutside The Wallのステージに立ちます。この歴史的なライブを、ここまで素晴らしい録音で収録してくれたテーパーに感謝！の最強の一枚です。

ディスク３＆４には、O2アリーナ６公演中４公演目の5月15日公演をこちらも超高音質オーディエンス録音で完全収録。圧巻の12日のスーパーサウンドとは対極の、音の定位がしっかりした、自然な高音質は、耳の肥えた「録音マニア」を自認するファンを間違いなく魅了するはずです。それもそのはずで、テーパーは、クラプトン＆ジェフ・ベックのＯ２公演を始め、ロンドンを中心に幾多の超高音質音源を提供してくれるお馴染みの録音者によるもので、派手目な12日公演のサウンドとは対照的な、ナチュラルでマイルドで、確かで高度な整合感を感じさせてくれる高品質なサウンドでショウの全貌を記録しています。歓声の少なさも12日テイクとは全く違う点で、最良のポジションで録音した、スタンダードなロジャーのロンドンライブはやはりファン必聴です。ネットは勿論、トレーダー間でも一切出回っていないテイクです。ギルモアの登場により、強烈なインパクトを残した12日ライブと共に、もうひとつのロンドンライブの記録して、ファンには是非とも入手して頂きたい絶品録音。

6公演行なわれた先のロンドン公演より、二つの公演をどちらも最高音質で収録したファン必聴のセットが好評LEMレーベルより限定リリース決定です。

★2011年に限定20セットがリリースされ、ファン・メディアから好評を博した名音源タイトルが7年ぶりに再リリース決定です。

Live at The O2 Arena, Greenwich, London, UK 12th May 2011

Disc 1
1. Intro 2. Outside The Wall Intro 3. In The Flesh? 4. The Thin Ice
5. Another Brick In The Wall Part 1 6. The Happiest Days Of Our Lives
7. Another Brick In The Wall Part 2 8. Roger Speaks 9. Mother 10. Goodbye Blue Sky
11. Empty Spaces 12. What Shall We Do Now 13. Young Lust 14. One Of My Turns
15. Don’t Leave Me Now 16. Another Brick In The Wall Part 3 17. The Last Few Bricks
18. Goodbye Cruel World

Disc 2
1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home
6. Comfortably Numb (with David Gilmour) 7. The Show Must Go On 8. In The Flesh
9. Run Like Hell 10. Waiting For The Worms 11. Stop 12. The Trial
13. Introduction of David Gilmour & Nick Mason 14. Outside The Wall (with David Gilmour, Nick Mason)
Live at The O2 Arena, Greenwich, London, UK 15th May 2011

Disc 3
1. Intro 2. Outside The Wall Intro 3. In The Flesh? 4. The Thin Ice
5. Another Brick In The Wall Part 1 6. The Happiest Days Of Our Lives
7. Another Brick In The Wall Part 2 8. Roger Speaks 9. Mother 10. Goodbye Blue Sky
11. Empty Spaces 12. What Shall We Do Now 13. Young Lust 14. One Of My Turns
15. Don’t Leave Me Now 16. Another Brick In The Wall Part 3 17. The Last Few Bricks
18. Goodbye Cruel World

Disc 4
1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home
6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell
10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall

Roger Waters – Bass & Vocals Dave Kilminster – Guitar G. E. Smith – Guitar
Snowy White – Guitar Jon Carin – Keyboards Graham Broad – Drums Harry Waters – Keyboards
Robbie Wyckoff – Lead Vocals Jon Joyce – Backing Vocals Kipp Lennon – Backing Vocals
Mark Lennon – Backing Vocals Pat Lennon – Backing Vocals

David Gilmour – Guitar & Vocals (Comfortably Numb on 12th May)

Lem 021