David Bowie / Enter Galactic / 2CDR

David Bowie / Enter Galactic / 2CDR / Trial

Live At International Ballroom, Atlanta, USA 10th October 1997.Live At International Ballroom, Atlanta, USA 10th October 1997.

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The drum & bass is boldly introduced, than world tour that accompanies the title “earth ring” of 1997 Bowie impact that exudes controversial, middle American tour that took place on a large scale over the two months, October the the 10th Atlanta performance, and complete recording of the fan must listen item first appeared in ultra-high quality audience recordings comparable to the sound board! Back members, in the familiar foursome even the second half of the OUTSIDE TOUR, including overwhelm Reeves Gabrels everything you hear in the phantasmagoric of guitar, the band play that has made a breath that was forged in the long tour over the full length was allowed hear us. Acoustic to time, and sometimes hard dynamics, it can be plenty enjoy the ultimate ensemble fused with technique and physical of emotion is high dimension. I’m Afraid the electronics which became a hot topic and boldly introduced exciting sound is frequently played even now Of Americans, Looking For Satellites, even “earth ring” From such spacey Little Wonder also said that the album representative music It can be plenty fluent in number. Acoustic Tikal of Quicksand and continue from opening to start from the Supermen,, ending of Fame, White Light, to White Heat, is a well Torimaze was set list all 19 songs old and new, is enough to meet listening over the whole volume. Superb performance content and enormously wonderful sound quality of this startle,. Fan is a big recommendation board that you would like in addition to the collection definitely.

Now pretty is a tour when the album “Earth ring” that appeared was a unique October 10, 1997 Atlanta performances and has become, the ultimate title appeared was recorded based on the best audience recording source. But is presumed to be a DAT recording, sound pressure and force up to stunning has overwhelming difference with other bootleg, illusion of looking at a live in front of the eyes to participate in exactly the venue It is a thing of much cause. Great sound quality that can be enjoyed without hyperbole from opening until the end. Also, because it is also the side of the Bowie earnestly digests tour, with the highest peak in about there is no need to say playing course, Bowie also seems fairly strong. What “My Death” with the back playing Nevertheless unusually sounds fresh, no doubt that again it can be impressed by the goodness of its melody. Become a now it would be nostalgic “The Man Who Sold The World” a song that that must not be forgotten arrangements. Also the “outside” music in spite of the tour was released in quick succession as “earth ring” has already been playing has been reduced, and probably worries featured music is too much, but tighten the previous encore “Little Wonder “is still innovative sense. Probably because in the live of October 8 had been playing all music it had at the time of this tour in the past the longest super long set list, this day even less after the encore “O Superman,” “All The Young Dudes” is also playing like sorry that was Sarezu informal Noh play. I just glad when such full version of Day 8 show is released, if possible but, remains that as a small 10 days more than this is a title that not be expected not. It is a quality that I want to try by all means listen.

ドラムン･ベースを大胆に導入し、物議をかもし出した1997年ボウイ衝撃のタイトル「アースリング」に伴うワールド･ツアーより、2ヶ月間に渡って大規模に行われたアメリカン･ツアーの中盤、10月10日アトランタ公演を、サウンドボードに匹敵する超高音質オーディエンス録音で完全収録したファン必聴アイテムが初登場！バック･メンバーは、変幻自在のギターで聴くもの全てを圧倒するReeves Gabrelsを始めとするOUTSIDE TOURの後半でもお馴染みの4人組で、全編に渡って長いツアーで鍛えた息の合ったバンド･プレイを聴かせてくれます。時にアコースティック、時にハードダイナミクスと、テクニックとフィジカルなエモーションが高い次元で融合した究極のアンサンブルをたっぷりと堪能することが出来ます。話題となったエレクトロニクスを大胆導入した刺激的なサウンドは現在でも頻繁にプレイされているI’m Afraid Of Americans, Looking For Satellites、さらにはアルバム代表曲とも言えるスペイシーなLittle Wonderといった「アースリング」収録ナンバーでたっぷりと堪能できます。アコースティカルなQuicksand、そして続くSupermenからスタートするオープニングから、エンディングのFame、White Light, White Heatまで、新旧を上手く取り混ぜたセットリスト全19曲は、全編に渡り聴き応え十分です。極上の演奏内容、そして桁外れに素晴らしいこの驚愕の音質。ファンは間違いなくコレクションに加えて頂きたい大推薦盤です。

今となってはかなり異色だったと思われるアルバム「アースリング」時のツアーである1997年10月10日アトランタ公演を、極上のオーディエンス録音ソースを元に収録した究極のタイトルが登場。DAT録音だと推測されるが、見事なまでの音圧並びに迫力は他のブートレグとは圧倒的な差があり、正に会場内に参加して目の前でライブを見ているような錯覚を起こすくらいの代物だ。オープニングから最後まで掛け値なしに楽しめる素晴らしい音質。また、ボウイの側もツアーがこなれまくっているので、演奏は当然言う必要もないくらいに最高峰で、ボウイもかなり好調のようだ。なんと云ってもバック演奏付きの「My Death」は異常に新鮮に聞こえ、その旋律の良さに改めて感動できることは間違いない。今となっては懐かしい「The Man Who Sold The World」のアレンジも忘れてはならない一曲だろう。『アウトサイド』『アースリング』と立て続けにリリースしたツアーの割には既に演奏されている楽曲は減ってきているのも、秀逸な楽曲が多すぎる悩みなのだろうが、アンコール前を締める「リトル・ワンダー」はやはり斬新なセンス。10月8日のライブでは過去最長のスーパーロングセットリストでこのツアー時に持っていた楽曲全てを演奏していたためか、この日はアンコール後も少なく「O Superman」「All The Young Dudes」なども演奏されず仕舞だったのが残念。できれば8日のショウの完全版などがリリースされると嬉しいところだが、10日のショウとしてこれ以上は望めないタイトルであることに変わりはない。是非聴いてみてもらいたいクオリティだ。

Disc 1
1. Quicksand 2. The Supermen 3. Waiting For The Man 4. My Death 5. The Jean Genie
6. I’m Afraid Of Americans 7. Look Back In Anger 8. Seven Years In Tibet 9. Strangers When We Meet
10. The Man Who Sold The World 11. Fashion

Disc 2
1. Looking For Satellites 2. Under Pressure 3. Panic In Detroit 4. Hallo Spaceboy
5. Scary Monsters (And Super Creeps) 6. Little Wonder
encores
7. Fame 8. White Light, White Heat

David Bowie – vocals + 12 string guitar + sax Reeves Gabrels – guitar + vocals.
Gail Ann Dorsey – bass + vocals + keyboard Zachary Alford – drums + percussion
Mike Garson – piano

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