Pink Floyd / Live At Pompeii Quadraphonic Separate Mixes For Front & Rear Speakers / 2CDR

Pink Floyd / Live At Pompeii Quadraphonic Separate Mixes For Front & Rear Speakers / 2CDR / Non Label

Translated Text:
The Audio Was Taken From A 35mm Cinemascope 4-Track Magnetic Striped print of Live at Pompeii featuring the quadraphonic mix

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This is a press board of Instrument Parts of Omoto, 4 recording channel sound to the respective two discs for the front speakers and the rear speakers for the theater. Front speakers to the first piece, recorded the voice for the rear speakers to the second piece. As I mentioned in the commentary text of press board, this sound source mix of 4 channel system has been extracted from the 35mm Cinemascope-4-track magnetic sound track which has been made, in this case there is only divided into front and rear, and features in each it has become a specific mix. First sheet, in the impression that voice can be heard evenly of each instrument, but I feel the orthodox mix you hear normally even alone, that hear second sheet with a termination strange mix balance it would be point of this bonus title. The second piece is whether it is a balance, such as to complement the front speakers as a whole, it is a mix that was pretty sounds hollow, you can see pretty unbalanced interesting mix and listen alone. Drum and bass is weak, but the guitar has been recorded in large, distinctive mix of guitar that was confirmed in a press machine body rampage The most comprehensive is, here in the hear further noticeable, at a point where ringing guitar Anyway repeatedly come and go throughout the round and the left and right, such as looking into secretly the original story of the 4 channel mix, it might to be falling into a little strange feeling. However, if the listening usually by repeated, again it is just to be honest to say that it would become what is intentionally mixed as main press platen, each of the mix are those separated is very interesting, and There is no difference in that it is a highly material of item. If you are familiar to this area, I might Otsu even the try to make the “Pompeii My original mix” from these two Disc.

今回のプレス盤の大元の音源パーツである、劇場用のフロント・スピーカーとリア・スピーカー用の4チャンネル音声をそれぞれ２枚のディスクに収録。1枚目にフロント・スピーカー、2枚目にリア・スピーカー用の音声を収録。プレス盤の解説本文でも触れましたが、4チャンネル方式のミックスがなされた35mmシネマスコープ・4トラック磁気サウンドトラックから抽出された本音源、ここではフロントとリアに分かれているだけあり、それぞれに特徴的なミックスとなっております。1枚目は、各楽器の音声が満遍なく聞こえる印象で、単体でも普通に聞けるオーソドックスなミックスに感じますが、2枚目が終始異様なミックスバランスで聞けるのが本ボーナスタイトルのポイントでしょう。2枚目は全体的にフロントスピーカーを補足するようなバランスなのか、かなりスカスカしたミックスであり、単体で聞くとかなりアンバランスな面白いミックスが確認できます。ドラムやベースは弱いのですが、ギターは大きめに収録されており、プレス盤本体で確認できたギターが縦横無尽に暴れ回る特徴的なミックスが、ここではさらに目立って聞こえ、ギターの鳴る箇所ではとにかく終始グルグルと左右を行ったり来たりを繰り返し、4チャンネルミックスの元ネタをこっそり覗いているような、ちょっと不思議な感覚に陥るかも知れません。もっとも、リピートして普段聞くのであれば、やはり本体プレス盤のように敢えてミックスされたものになるのであろうと言うのが正直なところですが、これら分離されたそれぞれのミックスが非常に興味深く、かつ資料性の高いアイテムであることに違いはありません。この方面に詳しい方であれば、これら2枚のDiscから「ポンペイ・マイ・オリジナル・ミックス」を作ってみるのも乙かも知れませんね。

Disc 1(64:05)

Quad Mix For Front Speakers

1. Intro 2. Echoes, Part 1 3. Careful With That Axe, Eugene 4. A Saucerful Of Secrets 
5. One Of These Days 6. Set The Controls For The Heart Of The Sun 7. Mademoiselle Nobs
8. Echoes, Part 2

Disc 2(64:05)

Quad Mix For Rear Speakers

1. Intro 2. Echoes, Part 1 3. Careful With That Axe, Eugene 4. A Saucerful Of Secrets 
5. One Of These Days 6. Set The Controls For The Heart Of The Sun 7. Mademoiselle Nobs
8. Echoes, Part 2