Metallica / The End Of Anger San Jose 2004 / 2CDR

Metallica / The End Of Anger San Jose 2004 / 2CDR / Shades

HP Pavilion San Jose, CA USA 28th November 2004.

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Live at HP Pavilion, San Jose, CA, USA 28th November 2004 ULTIMATE SOUND

METALLICA in the “ST. ANGER” era, which was revived as the current organization while being driven to the point of dissolution. Introducing an amazing original recording that allows you to experience the final day of the resurrection tour.
The final day is “November 28, 2004 San Jose performance”. It is the transcendental audience recording. 2004 is the year of the revolution when was launched. The official sound board for each performance is now available for purchase, but despite this, this work is a transcendental DAT master that has surprised enthusiasts around the world. In other words, it’s a super-superb live album that leaves the official sound board behind.
Before the quality you care about, first of all, the position of the show. Let’s look back at the big picture of the tour that embarked on a world reconquest with Robert Trujillo.

● 2003
“Released” ST. ANGER “on June 5”
・ July 4-August 10: North America # 1 (20 performances)
・ November 6-14: Japan (6 performances)
・ December 3-20: Europe # 1 (13 performances)
・ December 31: Las Vegas performance
● 2004
・ January 16-February 1: Oceania (10 performances)
・ March 2-May 15: North America # 2 (34 performances)
・ May 26-July 4: Europe # 2 (22 performances)
・ August 16-November 28: North America # 3 (49 performances) ← ★ Coco ★

This is METALLICA in 2003/2004. “North America # 1” is a festival format “SUMMER SANITARIUM TOUR” with LIMP BIZKIT and LINKIN PARK, and the rest is “MADLY IN ANGER WITH THE WORLD TOUR”. The kick-off place is Japan, and this work was a tour Chiakiraku about a year later.
This work recorded at such a show has an amazing sound. As mentioned above, there is also a genuine official sound board, so it can not be said that it is a “sound board” normally, but this work is different. It doesn’t matter if you have an official soundboard or not. Sound board class without any questions … No, “beyond the official sound board”. The direct feeling is completely soundboard grade, and it is much richer and more gorgeous than the soundboard, which had a poor core only. Of course, if you listen carefully with headphones, you can also inhale the sound of the venue, but instead of not feeling a sense of distance, it further strengthens the dynamism and creates a sense of unity in the ensemble. What’s more, even in the noise, the thick core rushes into the brain with a straight ball, and the details and edges are glaring.
The lightly “ exceeded” sound was drawn with a dynamic full show because it was the last day. “MADLY IN ANGER WITH THE WORLD TOUR” put an end to the long-running “nightmare groove era”, and the set that changes violently every day was praised. This work is the last one. Let’s organize the set here.

● Cliff era (7 songs)
・ Kill’Em All: The Four Horsemen / Seek & Destroy
・ Ride the Lightning: For Whom The Bell Tolls
・ Metal Master: Disposable Heroes / Welcome Home (Sanitarium) / Battery / Master Of Puppets
● Since the Jason era (11 songs)
・ Metal Justice: Blackened / One
・ Black Album: The Unforgiven / The God That Failed / Sad But True / Wherever I May Roam / Nothing Else Matters / Enter Sandman
・ Reload: Fuel
・ S & M: No Leaf Clover
・ Saint Anger: Frantic

… And it looks like this. While showing off the rare “No Leaf Clover”, the overall balance is sticking to the “de-groove route”, which is rare after “LOAD”. However, it is not as a slash festival as at the beginning of the tour, and the main axis of the day is “BLACK ALBUM”, followed by a delicious set featuring the “MASTER OF PUPPETS” number. They will also showcase “The God That Failed” after a long absence and the precious “Disposable Heroes”.
And the performance of spinning such a set is wonderful. Chiakiraku is the extreme of whether the tour gets tired or the performance is full of openness, but this work is the latter. The daring goodness of not having to worry about tomorrow’s condition is fully open, and it is dynamic. You can’t expect a tingling tension or an unrivaled sense of construction, but the feeling of full power with one riff, one drum hit, and the exhilaration of accelerating with “Se-no!” Is amazing. Moreover, its dynamism goes well with the “BLACK ALBUM” numbered set. It’s a glorious heavy show that feels like you’ve slipped back in time around 1993/1994.

The “ST. ANGER” era, which has an image of a rehabilitation period, probably because of the movie “Metallica: Some Kind of Truth (SOME KIND OF MONSTER)”. Certainly there was such a color in the live at the beginning of the tour, but this work is different. A full show of METALLICA that showed its true character and completely revived on a careful tour that lasted for a whole year. It is a masterpiece of a live album that you can fully enjoy with a transcendental sound that makes the whole story out of the question even on the official sound board. Please take this opportunity to fully enjoy it.

★ Transcendental audience recording. A marvelous name recording that is far superior to the official sound board of, which has only a core and is poor! !! This is amazing.

 解散寸前にまで追い込まれつつ、現編成となって甦った『ST. ANGER』時代のMETALLICA。その復活ツアー最終日を極上体験できる驚異のオリジナル録音が登場です。
《6月5日『ST. ANGER』発売》
 これが2003年/2004年のMETALLICA。「北米#1」はLIMP BIZKITやLINKIN PARKとのフェス形式“SUMMER SANITARIUM TOUR”で、残りが“MADLY IN ANGER WITH THE WORLD TOUR”。そのキックオフ地は日本であり、本作は約1年後となるツアー千秋楽でした。
 軽々と「livemetallica.com超え」したサウンドで描かれるのは、最終日だからこその豪快なフルショウ。“MADLY IN ANGER WITH THE WORLD TOUR”は、長らく続いた「悪夢のグルーヴ時代」に終止符を打ち、激しく日替わりするセットが絶賛を呼びました。本作は、その最後の1回。ここでセットも整理しておきましょう。
・キル・エム・オール:The Four Horsemen/Seek & Destroy
・ライド・ザ・ライトニング:For Whom The Bell Tolls
・メタル・マスター:Disposable Heroes/Welcome Home (Sanitarium)/Battery/Master Of Puppets
・ブラックアルバム:The Unforgiven/The God That Failed/Sad But True/Wherever I May Roam/Nothing Else Matters/Enter Sandman
・S&M:No Leaf Clover
……と、このようになっています。レアな「No Leaf Clover」を披露しつつ、全体バランスとしては『LOAD』以降が少ない「脱グルーヴ路線」を堅持している。ただし、ツアー初期ほどスラッシュ祭りともなっておらず、この日の主軸は『BLACK ALBUM』であり、次いで『MASTER OF PUPPETS』ナンバーがフィーチュアされる美味しいセット。久々の「The God That Failed」や貴重な「Disposable Heroes」も披露してくれるのです。
 そして、そんなセットを紡ぐパフォーマンスが素晴らしい。千秋楽というのはツアー疲れが出るか、開放感たっぷりの熱演になるか両極端ですが、本作は後者。明日の調子を心配せずに済む思い切りの良さが全開で、やたらとダイナミック。ピリピリとした緊張感や正確無比な構築感は望めないものの、リフ1つ、ドラム一打の全力感や「せーの!」で加速する爽快感が凄い。しかも、そのダイナミズムが『BLACK ALBUM』ナンバー多めのセットによく似合う。まるで1993年/1994年辺りにタイムスリップしたようなグロリアスなヘヴィ・ショウなのです。
 映画『メタリカ:真実の瞬間(SOME KIND OF MONSTER)』のせいか、ややリハビリ期のイメージもある『ST. ANGER』時代。確かにツアー初期にはライヴにもそうしたカラーもありましたが、本作は違う。丸1年に及ぶ入念なツアーで本領発揮・完全復活を果たしたMETALLICAのフルショウ。その一部始終を公式サウンドボードさえ問題外にする超絶サウンドでたっぷり楽しめるライヴアルバムの大傑作です。どうぞ、この機会に存分にご堪能ください。
★超絶級オーディエンス録音。芯だけがムキ出しで貧弱なlivemetallica.comの公式サウンドボードより遙かに優れている驚異の名録音!! これは凄いです。
Disc 1(77:20)
Live at hp Pavillion, San Jose, CA, USA 28th November 2004
1. The Ecstasy Of Gold
2. Blackened
3. Fuel
4. For Whom The Bell Tolls
5. No Leaf Clover
6. Frantic
7. Kirk Doodle #1
8. The Unforgiven
9. Disposable Heroes
10. The God That Failed
11. Junglessence (incl. Orion)
12. Welcome Home (Sanitarium)
13. Sad But True
Disc 2(75:18)
1. Battery
2. Wherever I May Roam
3. Melbourne (Kirk Doodle #2)
4. Nothing Else Matters
5. Master Of Puppets
6. Full Metal Jacket Intro.
7. One
8. Enter Sandman
9. The Four Horsemen
10. Seek & Destroy
11. Message from the band
James Hetfield – Guitars, Vocals
Lars Ulrich – Drums
Kirk Hammett – Guitars
Robert Trujillo – Bass

Shades 1243

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