GiGinJapan Artwork of Japanese CDs (mostly) Jackson Browne / The Institute Benefit Concert 1990 Mike Millard First Generation Tapes / 1CDR / Uxbridge
Live at Shrine Auditorium, Los Angeles, CA, USA 16th November 1990
Play sample :
Jackson Browne in 1990 who performed at a charity event with Bruce Springsteen and Bonnie Raitt. Introducing an absolute masterpiece live album that allows you to experience the scene in the best possible way.
It was “November 16, 1990 Los Angeles performance” that was imbued with such a work. This is a superb audience recording when he appeared in the charity event “THE CHRISTIC INSTITUTE BENEFIT CONCERT”. The main act of this show is Bruce Springsteen, whose pattern has also been formalized as “THE CHRISTIC SHOWS 1990”. This work can be said to be the Brown edition, but on the other hand, in his history, it was also a part of the “WORLD IN MOTION” era. First, let’s look back on that process and confirm the position of the show.
● 1989
“Released” WORLD IN MOTION “on June 6”
・ June 6-August 27: North America # 1 (36 performances)
・ September 29-October 10: Japan (6 performances)
● 1990
・ April 7: Appearance of Farm Aid
・ April 16: Nelson Mandela Tribute appearance
・ April 24: Stand Up & Dance Benefit appearance
・ June 21st-September 9th: North America # 2 (23 performances)
・ October 12 + 13: Appearance of An Embrace of Hope
・ October 26: Bridge School Benefit appearance
・ November 16th + 17th: The Christic Institute Benefit (2 performances) ← ★ Coco ★
・ November 28: Appeared in The Annual Salute To The American Songwriter
This is Jackson Browne in 1989/1990. The two US tours “North America # 1” and “North America # 2” were the main axes, and in the meantime, they visited Japan for the first time in nine years and performed at various events. “The Christic Institute Benefit” of this work is also one of such events and will be held for two days “November 16th / 17th”. As a matter of fact, this event is also known to have left a soundboard recording, but it was the second day (November 17th). This work was a different concert on the first day (November 16th).
This work recorded on such a stage is, as always, the best audience recording with “super”. Speaking of mirrored recording, it is always described as “sound board”, yet “it has beauty that cannot be found in sound board”. This work perfectly embodies such a standard. That’s clear when compared to the soundboard recording on the second day. The sound board on the second day is also called “official class”, but once you hear this work, it’s dull and totally boring. Whether it’s a piano or a guitar, a small phrase shines in a glossy terra terra with an exquisite hall sound, and it’s as beautiful as a candle flame lit in the darkness of silence.
Moreover, its brilliance is not only warm but also transparent. This is also a visual analogy, like red wine with brown vocals poured into a crystal glass. While praising the sex appeal firmly, it also has a sense of transparency, and it looks brighter than a glass without pouring anything. It has the same powerful direct feeling as a sound board with no sound at all, but it is full of beauty that can not be said. It is a world of beauty that can only be drawn by the audience recording of the absolute master Millard.
The stage that is spelled out with such a brilliant beautiful sound is a stage suitable for calling it “Jackson Browne version of THE CHRISTIC SHOWS 1990”. The main is Springsteen, and Brown has about an hour. Let’s organize the contents as well.
● 70’s
・ For Everyman: Our Lady Of The Well / For Everyman
・ Late for the Sky: Farther On
・ Pretender: Sleep ’s Dark And Silent Gate / The Pretender
・ Lonely runner: Cocaine
● After the 1980s
・ Lives in the Balance: Soldier Of Plenty (★) / In the Shape of a Heart
・ World In Motion: The Word Justice / World In Motion (★)
・ I’m Alive: I’m Alive
* Note: The “★” mark is a co-starring song with Bonnie Raitt.
…… And it looks like this. On the actual stage, he also performed two other songs, “Highway 61 Revisited” and “Across the Borderline”, where he also performed with Springsteen & Bonnie Raitt. Millard also recorded those two songs, but since it is also recorded in the official “THE CHRISTIC SHOWS 1990”, it seems that “JEMS” was omitted and released.
On the other hand, “Soldier Of Plenty” and “World In Motion”, in which only Bonnie participates as a guest, are recorded firmly. I co-starred in the album, but the beauty of the intertwined singing voice is the same as that of the studio work … No, the ensemble is more simple than the album.
It is a masterpiece of a live album that is delicious as a collection paired with the sound board on the second day and is enough to enjoy as “Brown version of THE CHRISTIC SHOWS 1990”. No, it’s actually more beautiful than a soundboard and deeper than the official Springsteen board. How wonderful the mirrored sound is … It’s a piece that reminds me of that. It’s a beautiful recording. Please chew it to your heart’s content with this work.
★ Superb audience recording of “November 16, 1990 THE CHRISTIC INSTITUTE BENEFIT CONCERT performance”. Bruce Springsteen’s stage has been formalized as “THE CHRISTIC SHOWS 1990”, but this work is as good as the official one … no, it’s winning. The on-core with zero sense of distance is soundboard grade, but the hall sound around it is beautiful. Whether it’s a piano or a guitar, the small phrases shine in the glossy terra terra, and it’s as beautiful as the flames of a candle lit in the darkness of silence. “Soldier Of Plenty” and “World In Motion” with Bonnie Raitt as a guest can also enjoy a delicious show in a beautiful world that can only be drawn by the audience recording of the absolute master Millard.
