Iron Maiden / Complete Beat Club 1981 / 1DVD

Iron Maiden / Complete Beat Club 1981 / 1DVD / Zodiac

Translated text:

Beat Club, Bremen, Germany 22nd January 1981. PRO-SHOT

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IRON MAIDEN Historical …… No, it was a big impact shocking the music genre “Heavy Metal” “COMPLETE BEAT-CLUB 1981”. The longest and highest peak in the Paul Diano era Multi-camera Pro shot and that super masterpiece that shook the metal people all over the world is a permanent preservation press DVD decision!

【Impact image greatly updating No.1 of Diano era】
“COMPLETE BEAT – CLUB 1981” is the ultimate video title that recorded a big hit that will be released gifts the other day. It is the best professional shot of West German specialty television program “BEAT – CLUB” shot at “Bremen January 22, 1981”. This program is also famous for various bands / artists left a masterpiece image, IRON MAIDEN edition also has become a large number of air check · boot. However, this work differs fundamentally from such preexisting group. Most recently unearthed unedited edition master, the scene that was performed on the day was recorded for more than an hour regardless of the program frame of about 30 minutes. The masterpieces that were not seen in the broadcast are first released, and the quality is also the first class. Its concentration and volume surpassed the traditional official work “LIVE AT THE RAINBOW” lightly, and it was the No.1 picture of the Diano era without complaint.
The impact is now running around the world at this moment, but this work is one piece that permanently preserves the best image of the century. It is a big decision board which is contained in the press DVD. Before talking about the details of the impact in detail, first of all, the position of the show. Let’s look back on the flow from Adrian Smith’s participation to Diano withdrawal here.

● 1980
“November: Dennis withdrawal → Adrian subscription”
· November 21 – December 21: UK (13 performances)
● 1981
· January 22: BEAT-CLUB appearance ← ★ Coco ★
“February 2” KILLERS “release”
· February 17 – April 29: Europe # 1 (64 shows)
· May 21 – May 24: Japan (5 shows)
· June 3 – August 4: North America (42 performances)
· August 15 – September 10: Europe # 2 (13 performances)
“October: Withdrawal from pole -> Bruce subscription”

This is an overview of “Diano / Adrian” era. So far “BEAT – CLUB” has been known as “April 29”, probably this is a broadcasting day. This time, it turned out that the recording was January just before the release of “KILLERS”. This was the first live in 1981, it was “next” of “LIVE AT THE RAINBOW” which was also the last stage of 1980.

【Super rare songs and super realistic troubles are also included completely】
Contents engraved on such new excavation master are just a series of shocks. What is amazing more than anything else is the unscheduled performance scene. Four songs “Charlotte The Harlot” “Transylvania” “Running Free” “Killers” are completely new appearance, and “Remember Tomorrow” “Sanctuary” also includes a takeover that became a part in addition to the OK take broadcasted I am doing it. “Charlotte The Harlot” and “Running Free” are two numbers that were not seen even in the official “LIVE AT THE RAINBOW”, and in particular “Charlotte The Harlot” has never had any professional shot / soundboard A very rare song (“THE EARLY DAYS” was also an AUD shot). It is a treasure picture of treasure inside.
It was a shock that even such a treasure was gazing, Remake Tomorrow “Remember Tomorrow # 1”. At first, the performance starts comfortably, but an abnormal sound is generated from the microphone of Diano after about two minutes. The performance will be canceled as it is. This scene is terribly fresh and raw. Although it is a concert style that the audience also entered the station studio, it is really cherry blossoms. While Diano explained a word that “the equipment has become useless”, it has an atmosphere in which she has no connection between places. Every member also smiled as much as to say “I’m sorry” “Beauty” with a beer and Diano is talking to the staff on the stage sleeve. Although this work has vividness of uncut unedited even between songs, this scene is unprecedented. It is completely different from a concert filled with excited fans, “The scene of TV recording” is reflected in realism.
Although it is a series of intense rare songs / intense passionate / rare scenes, in fact, the real value of this work is not there. The quality that penetrates everything is the shock. In any case, it was BEAT – CLUB itself that excavated this master. Outside the problem such as air check · master so far, not only the dubbing trace is zero, but also the freshness which was not played asleep in the warehouse for many years correctly deteriorated zero. Often the best professional shot is described as “official grade”, but this work is not the official grade of the standard at the time. It is the quality of transcendence which can be officially released with modern digital standards.

Beyond the dimension of 1 band anymore, it is a cultural heritage of NWOBHM, it is a super best professional shot which will become the monument of the music genre “Heavy Metal”. To be able to meet such a picture is exactly 2018 year ‘s love. This press press DVD edition containing the joy and glow for eternity. I want to touch everyone who loves heavy metal in the UK, it is a piece of gold

IRON MAIDEN史上の……いえ、音楽ジャンル“Heavy Metal”を揺るがす一大衝撃作だった『COMPLETE BEAT-CLUB 1981』。ポール・ディアノ時代の最長・最高峰マルチカメラ・プロショットにして、全世界のメタル者を震撼させたあの超傑作が永久保存プレスDVD化決定です!

『COMPLETE BEAT-CLUB 1981』とは、先日ギフト・リリースされるや大ヒットを記録した超極上の映像タイトル。「1981年1月22日ブレーメン」で撮影された西ドイツの名物テレビ番組“BEAT-CLUB”の最高峰プロショットです。この番組は様々なバンド/アーティストが傑作映像を残していることでも有名で、IRON MAIDEN編も数々のエアチェック・ブートが大定番となってきました。しかし、本作はそんな既発群とは根本から異なる。ごく最近になって発掘された未編集版マスターで、約30分の番組枠とは関係なく、当日演奏された光景が1時間以上も記録されていた。放送では観られなかった名曲が初公開され、クオリティも超一級。その濃度とボリュームは、伝統のオフィシャル作品『LIVE AT THE RAINBOW』をも軽々と凌駕し、文句なしにディアノ時代No.1映像だったのです。

・1月22日:BEAT-CLUB出演 ←★ココ★

これが“ディアノ/エイドリアン”時代の概要。これまで“BEAT-CLUB”は「4月29日」として知られてきましたが、恐らくこれは放送日。今回、収録は『KILLERS』発売直前の1月だったことが判明しました。これは1981年で最初のライヴという事であり、1980年最後のステージでもあった『LIVE AT THE RAINBOW』の“次”だったわけです。

そんな新発掘マスターに刻まれている内容は、まさに衝撃の連続。何よりも凄いのは、未放送の演奏シーン。「Charlotte The Harlot」「Transylvania」「Running Free」「Killers」の4曲は完全初登場ですし、さらに「Remember Tomorrow」「Sanctuary」は放送されたOKテイクに加え、ボツとなったやり直しテイクも収録しているのです。「Charlotte The Harlot」「Running Free」の2曲は公式『LIVE AT THE RAINBOW』でも観られなかったナンバーですし、特に「Charlotte The Harlot」はこれまで一切のプロショット/サウンドボードが存在しなかった激レアな1曲(『THE EARLY DAYS』でもAUDショットでした)。まさにお宝中のお宝映像なのです。
そんなお宝さえも霞む衝撃だったのが、没テイク「Remember Tomorrow #1」。最初は快調に演奏が始まるものの、2分ほどしたところでディアノのマイクから異音が発生。そのまま演奏が中止になってしまうのです。このシーンが凄まじく生々しい。局内スタジオには観客も入ったコンサート風ではあるものの、いかにもサクラ。ディアノが「機材がダメになっちまった」と一言説明はしつつ、場つなぎもなくシラーッとした雰囲気。メンバー各人もビールを片手に「やれやれ」「まいったね」と言わんばかりに苦笑いし、ディアノはステージ袖でスタッフと話し込んでいる。本作は曲間でもノーカット未編集の生々しさがあるのですが、このシーンは空前絶後。興奮したファンが詰めかけるコンサートとはまるで違う“テレビ収録の現場”がリアルに映し出されるのです。

もはや1バンドの次元を超え、NWOBHMの文化遺産であり、音楽ジャンル“Heavy Metal”の金字塔となる超極上プロショットです。これほどの映像に出逢えるとは、まさに2018年の僥倖。この喜び、輝きを永久に封じ込めたプレスDVDエディション。英国ヘヴィメタルを愛するすべての方に触れていただきたい、黄金の1枚です。

1. Ides Of March
2. Prowler
3. Charlotte The Harlot ★初登場
4. Wrathchild
5. Remember Tomorrow #1 ★機材トラブル(初登場)
6. Remember Tomorrow #2
7. Transylvania ★初登場
8. Running Free ★初登場
9. Innocent Exile
10. Sanctuary #1
11. Killers ★初登場
12. Another Life
13. Phantom Of The Opera
14. Iron Maiden
15. Sanctuary #2 ★初登場

Paul Di’Anno – Vocals Steve Harris – Bass Dave Murray – Guitar
Adrian Smith – Guitar Clive Burr – Drums



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