GiGinJapan Artwork of Japanese CDs (mostly) Eric Clapton / Osaka 1974 2nd Night / 2CD / Tricone
Translated Text:
Live at Koseinenkin Kaikan, Osaka, Japan 6th November 1974.
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Tricone label releasing good quality Japanese performances by Eric Clapton From this week, two vintage masters who have been time warped will be released at the same time! The second main board is the complete recording title of the full length version made from a good quality audience master on the second day of Osaka performance in 1974. This board is a master donor of the 5 November performance at “OSAKA 1974 1ST NIGHT” which will be released at the same time this time was produced by offering full length version master tape of this day. In other words, it is a good quality master guaranteeing the same level of sound quality as the audience disk of “OSAKA 1974 1ST NIGHT”. As I mentioned in the review of “OSAKA 1974 1ST NIGHT”, so it will be iterative, let’s see how this Osaka performance was positioned in the activities of this year’s Clapton.
· June 19th and 20th 1974: Warm-up · Gig in Northern Europe for the nation’s comeback tour
· June 28 – August 4,
1974 : National Tour «August 5, 1974: Album” 461 OCEAN BOULEVARD “Release»
· August 1974 – September: Recording album “THERE’S ONE IN EVERY CROWD” in Miami
· September 28 – October 6,
1974 : 2 nationwide tour · October 31, 1974: First visit to Japan, First concert at Nippon Budokan
· November 1, 1974: Second day of Nippon Budokan Performance
· 1974 November 2nd: Nippon Budokan Day 3 Performance (Additional Performance)
· November 5, 1974: Osaka Health Pension Center First Day Performance
· November 6, 1974: Osaka Health Pension Center Second Day Concert (Japan Performance Sun) ← ★ Coco ★
· November 27 – December 5, 1974: European tour
The final show of my first visit to Japan was this day. The fun of this day is that it is different from the previous day and you can see Clapton ‘s drunkenness. The day before, Clapton who developed feet on that ground so much that it will return to this appearance in just one day …. However, it is about the MC to the last. The performance itself shows a high quality, except that the ending of songs and songs is prolonged. It seemed probable that the first Japanese performance is likely to be finished safely while it was well received, it was a result of a toasting cheerfully before the stage. Attractive is that the set list is quite different from the previous day, and this day is unusual to play Honey Bee of Muddy Waters in accoustic, as well as Key To The Highway, Steady Rollin ‘Man, Crossroads, Encore I play a rare number such as Mainline Florida from “461 OCEAN BOULEVARD” (Steady Rollin ‘ Man, Crossroads, Mainline Florida was played only this day on this Japan tour). In addition, I played with Layla all I Have To Do Is Dream on this day and played in the last. It is said that the set list will change so much …. It can be said that it is a sound source that tells the height of the potential of the Clapton band “Tulsa Tops” at the time. Clapton also used the Gibson Explorer on Singing The Blues since that time. Just like the day before, you can enjoy the luxurious sound with this guitar fat if this high quality sound. Since Clapton used this guitar was only this Japan tour and the subsequent short-term Europe tour, the main board that it can hear can be said to be a very precious sound source even on his guitar itinerant (After this, Clapton gave this guitar to Bob Marley & The Wailers guitarist, Junior Marvin, with Pon.) It is not precious to it. Actually, on the last day, Clapton played “bracky” with two encore songs. There are few fans who watched this Japanese performance more than once, and since it was a remote place called Tokyo and Osaka, not all the performances are reported at the moment. In such a situation, it was a certain fact that I played Blackie on the last day ‘s encore. On the contrary, playing Blackie became a more precious performance. Please enjoy the high sound quality of the newly acquired audience master. This book will also be released on the limited press CD only for the first time, so please order as soon as possible. I used the Gibson Explorer since Blues. Just like the day before, you can enjoy the luxurious sound with this guitar fat if this high quality sound. Since Clapton used this guitar was only this Japan tour and the subsequent short-term Europe tour, the main board that it can hear can be said to be a very precious sound source even on his guitar itinerant (After this, Clapton gave this guitar to Bob Marley & The Wailers guitarist, Junior Marvin, with Pon.) It is not precious to it. Actually, on the last day, Clapton played “bracky” with two encore songs. There are few fans who watched this Japanese performance more than once, and since it was a remote place called Tokyo and Osaka, not all the performances are reported at the moment. In such a situation, it was a certain fact that I played Blackie on the last day ‘s encore. On the contrary, playing Blackie became a more precious performance. Please enjoy the high sound quality of the newly acquired audience master. This book will also be released on the limited press CD only for the first time, so please order as soon as possible. I used the Gibson Explorer since Blues. Just like the day before, you can enjoy the luxurious sound with this guitar fat if this high quality sound. Since Clapton used this guitar was only this Japan tour and the subsequent short-term Europe tour, the main board that it can hear can be said to be a very precious sound source even on his guitar itinerant (After this, Clapton gave this guitar to Bob Marley & The Wailers guitarist, Junior Marvin, with Pon.) It is not precious to it. Actually, on the last day, Clapton played “bracky” with two encore songs. There are few fans who watched this Japanese performance more than once, and since it was a remote place called Tokyo and Osaka, not all the performances are reported at the moment. In such a situation, it was a certain fact that I played Blackie on the last day ‘s encore. On the contrary, playing Blackie became a more precious performance. Please enjoy the high sound quality of the newly acquired audience master. This book will also be released on the limited press CD only for the first time, so please order as soon as possible. As a result, the status of all the performances is not reported at the moment. In such a situation, it was a certain fact that I played Blackie on the last day ‘s encore. On the contrary, playing Blackie became a more precious performance. Please enjoy the high sound quality of the newly acquired audience master. This book will also be released on the limited press CD only for the first time, so please order as soon as possible. As a result, the status of all the performances is not reported at the moment. In such a situation, it was a certain fact that I played Blackie on the last day ‘s encore. On the contrary, playing Blackie became a more precious performance. Please enjoy the high sound quality of the newly acquired audience master. This book will also be released on the limited press CD only for the first time, so please order as soon as possible.
エリッククラプトンによる良質な日本公演をリリースするTriconeレーベル今週から、タイムワープされた2人のヴィンテージマスターが同時にリリースされるでしょう！ 2枚目のメインボードは、1974年の大阪公演の2日目に良質のオーディエンスマスターが作った全長バージョンの完全収録タイトルです。このボードは11月5日のパフォーマンス「OSAKA 1974 1ST NIGHT」のマスタードナーです。今回はフルサイズのマスターテープを提供することで今回もリリースされる予定です。言い換えれば、「OSAKA 1974 1ST NIGHT」のオーディエンスディスクと同レベルの音質を保証する良質なマスターです。 「OSAKA 1974 1ST NIGHT」のレビューで触れたように、繰り返しますので、今年のクラプトンの活動にこの大阪のパフォーマンスがどのように位置付けられたかを見てみましょう。
・1974年6月19日と20日：北ヨーロッパでのウォームアップ・ギグ
・6月28日〜8月4日、
1974：ナショナルツアー«1974年8月5日：アルバム「461 OCEAN BOULEVARD」リリース»
・1974年8月〜9月：マイアミのアルバム「Every Crown in EveryE CROWD」を収録
・9月28日〜10月6日、
1974年：全国ツアー2回・1974年10月31日：初の日本訪問、日本武道館初演
・1974年11月1日：日本武道館公演の2日目
・1974年11月2日：日本武道館3日目のパフォーマンス（追加パフォーマンス）
・1974年11月5日：大阪健康増進センター初日公演
・1974年11月6日：大阪健康保険センター第2日コンサート（日本公演日）←★ココ★
・1974年11月27日〜12月5日：ヨーロッパツアー
私の最初の日本訪問の最後のショーはこの日でした。この日の楽しみは、前日と違って、クラプトンの酔っ払いを見ることができるということです。前日は、その地面に足を踏み入れて、ただの一日でこの姿に戻ってくるクラプトン….しかし、それは最後のMCです。パフォーマンス自体は、曲や曲の終わりが長くなることを除いて、高品質を示します。日本の最初のパフォーマンスは、それがうまく受け入れられている間に安全に終了する可能性が高いように思われました。これは、ステージ前に快活に乾杯した結果でした。魅力的なのは、セットリストが前日とはかなり違っていて、この日はマッド・ウォーターズのハニー・ビーを楽器で演奏することは珍しいことですが、キー・トゥ・ザ・ハイウェイ、ステディ・ローリン・マン、クロスロード、アンコール「461 OCEAN BOULEVARD」からのメインラインフロリダ（フロリダ州本線はこの日のツアーでは本日のみ演奏されていました）。さらに、私はLaylaと一緒にこの日にDream I Is Dreamをプレイし、最後にプレイしました。セットリストはそんなに変わると言われています….それは、その時点でクラプトンのバンド「Tulsa Tops」の可能性の高さを示す音源であると言えます。その時以来、ClaptonはSinging The BluesのGibson Explorerを使用していました。前日と同じように、この高音質のギターを使って豪華なサウンドを楽しむことができます。クラプトンがこのギターを使用して以来、この日本ツアーとその後の短期ヨーロッパツアーだけだったので、聞くことができるメインボードはギター巡回時でも非常に貴重な音源といえるでしょう（この後、ClaptonはこのギターをBob Marley＆The Wailersのギタリスト、Junior Marvin、Pon。）それは貴重ではありません。実際、最後の日に、クラプトンは2曲のアンコール・ソングで「ブラッキー」を演奏しました。この日本公演を何度も観たファンは少なく、東京と大阪という遠く離れた場所だったので、現時点ですべての公演が報道されているわけではありません。そのような状況では、私は最後の日のアンコールでブラックイーを演じたという事実がありました。逆に、Blackieの演奏はより貴重な演奏になりました。新たに獲得したオーディエンスマスターの高音質をお楽しみください。この本は限られたプレスCDで初めてリリースされるため、できるだけ早くご注文ください。私はブルース以来ギブソンエクスプローラを使用していました。前日と同じように、この高音質のギターを使って豪華なサウンドを楽しむことができます。クラプトンがこのギターを使用して以来、この日本ツアーとその後の短期ヨーロッパツアーだけだったので、聞くことができるメインボードはギター巡回時でも非常に貴重な音源といえるでしょう（この後、ClaptonはこのギターをBob Marley＆The Wailersのギタリスト、Junior Marvin、Pon。）それは貴重ではありません。実際、最後の日に、クラプトンは2曲のアンコール・ソングで「ブラッキー」を演奏しました。この日本公演を何度も観たファンは少なく、東京と大阪という遠く離れた場所だったので、現時点ですべての公演が報道されているわけではありません。そのような状況では、私は最後の日のアンコールでブラックイーを演じたという事実がありました。逆に、Blackieの演奏はより貴重な演奏になりました。新たに獲得したオーディエンスマスターの高音質をお楽しみください
Disc 1 (58: 33)
1. Intro 2. Let It Grow 3. Can not Find My Way Home 4. Honey Bee
5. Singing The Blues 6. Willie And The Hand Jive 7. Get Ready 8. Key To The Highway
9. I Shot The Sheriff
Disc 2 (53: 18)
1. Badge 2. Tell The Truth 3. Steady Rollin ‘Man 4. Crossroads
5. Layla 6. All I Have To Do Is Dream ★ 1: 25 – 1: 39
Additional sound source supplement 7. Mainline Florida 8. Let It Rain
Tricone 167/168
