Bob Dylan / Prague 1995 2nd Night / 2CDR

Bob Dylan / Prague 1995 2nd Night / 2CDR / Uxbridge

Kongresovy sal, Prague, Czech Republic 12th March 1995


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This time, not only Dylan’s 1995 European tour first day, but also Prague on the second day will be released at the same time. This may be the highlight of this release. Of course, this is also based on the master cassette that also used “12 /-A POUND”, but after all, there were only 7 songs recorded as bonus tracks, and the full-length version is This is the first appearance.
Since the same taper was recorded at the same venue, the state of the sound source such as the sound image is similar to the previous day. However, since it is the second day at the same venue, the balance of the sound output at the venue is better than the first day, and the point is that the sound image of Dylan’s singing voice is even closer.

In addition to that, Dylan himself sang more freely than the day before when he was able to sing as much as he wanted in a singer state, probably because he had completed a different formation (= not playing the guitar) stage the day before due to an unexpected situation. It is remarkable that “I Don’t Believe You” was not played the day before. The arrangement that reminds me of the 1966 tour with The Band is very attractive, and Dylan who does not play the guitar is singing enthusiastically here.
Rather, maybe it tasted the day before, in the following “All Along The Watchtower”, the band’s performance was cut into a harmonica solo, and the venue applauded for the enthusiasm of the next “Just Like A Woman”.
Ironically, because Dylan doesn’t play the guitar, then Dylan band guitarist John Jackson is playing as hard as he can without worrying about his unreasonable guitar (laughs). Thanks to that, “Tangled Up In Blue” captures the band sound that can only be heard in this short period of time when Dylan’s guitar is played less frequently, such as Jackson playing a hard riff that is usually in the back. Very rare.
Also, maybe Dylan himself wasn’t too lazy, because he didn’t play the guitar in this song, he shouted with the engine fully open, and he told me a lot of great songs that I don’t think he had any problems with his physical condition more than the day before.

Also, on this day, Dylan is playing Strat in “Ballad Of A Thin Man” as well as the same two songs as the previous day, but unlike the previous two songs, he played the unreasonable lead guitar throughout the performance. I’m playing to my heart’s content, and it’s interesting to return to the normal Dylan & band sound of this era. The ending also ends with his guitar phrase. Listening to this scene made me keenly aware of how the members matched Dylan, and that’s why the ensemble only at this time, in which Dylan didn’t play the guitar in most of the songs, was in a precious and neatly organized state (laughs). Will be reminded.
And the second day in Prague, which until now could only be seen as a bonus of “12 / -A POUND”, was so fulfilling. Even the day before, the level of performance was high, and this day was even better. In addition, Dylan’s enthusiastic singing without playing the guitar on this day and the band’s dashing performance released from his curse (bitter smile) are overwhelming, coupled with the audience recording that is outstandingly easy to hear. The missing part is also made up from another source on the same day, and while it is released on CD-R, we are making every effort in terms of content!

★ The full length version of the sound source that was partly recorded in the bonus of the already released board “12 /-A Pound”.

★ Compensated with another source to realize non-stop complete recording of all songs

今回はディランの1995年ヨーロッパ・ツアー初日だけでなく、二日目のプラハも同時にリリースいたします。今回のリリースで目玉となるのは、むしろこちらかもしれません。もちろんこれまた「12/- A POUND」も使われていたマスターカセットを元にしているのですが、何と言ってもそこではボーナストラック扱いで7曲が収録されていたに過ぎず、全長版は今回が初登場となるからです。
 同じテーパーが同じ会場で捉えたオーディエンス録音ですので、音像など音源の状態は前日と似た聞き心地。ただし同じ会場で二日目という事から会場の出音のバランスが初日よりも良く、ディランの歌声の音像がさらに近いものとなっているのがポイント。
 
 それに加えてディラン自身も不測の事態からいつもと違うフォーメーション(=ギターを弾かない)ステージを前日に遂げたからか、ただでさえシンガー状態で思う存分歌えてた前日以上にのびのびと歌っている。それが顕著なのが前日に演奏されなかった「I Don’t Believe You」。ザ・バンドとの1966年ツアーを偲ばせるアレンジだけでも非常に魅力的なところ、ここではギターを弾かないディランがもの凄く熱唱している。
むしろ前日で味をしめたのか、続く「All Along The Watchtower」ではバンドの演奏にハーモニカ・ソロでグイグイと切り込んできますし、次の「Just Like A Woman」の熱唱ぶりには会場も拍手喝采。
皮肉なことに、ディランがギターを弾かないことで当時ディラン・バンドのギタリストのジョン・ジャクソンは彼の理不尽なギターに気を遣うことなく(笑)思いっきり弾きまくっているという。おかげで「Tangled Up In Blue」では普段バックに回っているジャクソンがハードなリフを弾くなど、ディランのギターを弾く頻度が減ったこの短期間でしか聞かれないバンドサウンドが捉えられているのが非常にレア。
それにディラン自身もまんざらでなかったのか本曲でギターを弾かない分、エンジン全開でシャウトしまくっており、前日以上に体調に問題があったとは思えない絶好調な歌いっぷりを聞かせてくれます。
 
またこの日は前日と同じ二曲だけでなく「Ballad Of A Thin Man」でもディランがストラトを弾いているのですが、それまでの二曲と違い演奏全編に渡って例の理不尽なリードギターを思う存分に弾いており、この時代の通常のディラン&バンドサウンドに戻っているのが面白い。エンディングも彼のギターフレーズに合わせてユルっと終わる。この場面を聞けばいかにメンバーがディランに合わせていたのか痛感させられ、だからこそディランが大半の曲でギターを弾かないという、この時期だけのアンサンブルがいかに貴重でスッキリとまとまった(笑)状態であったかを思い知らされます。
そして今まで「12/- A POUND」のおまけだけでしか窺い知れなかったプラハ二日目がこれほどまでに充実していたとは。前日ですら演奏のレベルが高かった上に、この日はさらなる好調ぶり。おまけに聞きやすさ抜群のオーディエンス録音と相まって、なおさらこの日のギターを弾かないディランの熱唱ぶりと、彼の呪縛から解放された(苦笑)バンド威勢のいい演奏っぷりが圧巻。こちらも欠損部は同日の別ソースから補填しており、CD-Rでのリリースながら内容面においても万全を期しています!
 
★既発盤「12/- A Pound」のボーナスに一部が収録されてた音源の全長盤。
 
★別ソースで補填し、全曲ノンストップ完全収録を実現
 
Disc 1 (41:35)
01. Introduction
02. Crash On The Levee (Down In The Flood)
03. I Don’t Believe You (She Acts Like We Never Have Met)
04. All Along The Watchtower
05. Just Like A Woman
06. Tangled Up In Blue
07. Watching The River Flow ★演奏直後5:40以降別ソース補填
 
Disc 2 (64:34)
01. Mr. Tambourine Man ★0:00-0:10(演奏前)別ソース補填
02. Desolation Row
03. Don’t Think Twice, It’s All Right
04. God Knows
05. Man In The Long Black Coat ★演奏後7:54以降別ソース補填
06. Maggie’s Farm ★0:00-0:18別ソース補填 / 演奏後アンコール待ち部7:56-11:04別ソース補填
07. Ballad Of A Thin Man
08. It Ain’t Me, Babe
 
Bob Dylan – vocal & guitar
Bucky Baxter – pedal steel guitar & electric slide guitar
John Jackson – guitar
Tony Garnier – bass
Winston Watson – drums & percussion
 
Uxbridge 1442

 

Uxbridge 1442

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