Fleetwood Mac / Paris Rumours / 1 CDR

Fleetwood Mac / Paris Rumours / 1 CDR /Non Label

Translated Text:

Live At Le Zenith, Paris, France 14th April 1977. SBD

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Than European tour due to the 1977 “RUMOURS”, about 77 minutes recorded Paris performances of April 14, in the ultra-high-quality stereo sound board recording. 1976 devoted to “RUMOURS” Production, North America through March next 1977 from February, April the United Kingdom and Europe, North America over the 10 months from May, and Australia in December from November and Japan, unprecedented it Akekure to new promotional tour was a great success. This take is around after the album release two months of February, over the whole volume, shows off a play full of great integrity sense of scale. The sound quality is said to best-in-class, in the quiet part, but fine analog noise that seems to have been entered into the original tape will be heard, it will be no problem when the play begins. Definitely, thick sound to the extent that I do not think you have to have directly digitizing the master, the powerful sound will be greatly attract fans. Balance of vocals and instruments is also exquisite, yet, has been recorded in the direct sense of irresistible feel of each musical tone, such as pre-mix, with a question mark have listened to the “Why in this is a bonus treat? Does this leave not to press CD?” It is a very good master, such as it becomes full. Not hear at all cheers between songs, from the texture of the analog seems sound, probably was recorded by the band side, I think it (the beginning has been recorded reel tape of directly connected to the mixing desk to direct, Gyun and reel tape-specific since it started in the sound, probably recorded in the reel rather than a cassette), not felt at all deterioration whether the state of preservation is good, from the beginning to the end, you can enjoy a show with very good sound quality . A blocked sound, is truly not there at all painful feeling to listen to. It is a piece of fan absolute must-have.

 

1977年「RUMOURS」に伴うヨーロッパ・ツアーより、4月14日のパリ公演を超高音質ステレオ・サウンドボード録音で約77分収録。1976年は「RUMOURS」製作に充てられ、翌1977年は2月から3月にかけて北米、4月をイギリスとヨーロッパ、5月から10月にかけて北米、11月から12月は豪州と日本と、空前の大成功を収めた新作プロモーション・ツアーに明け暮れます。本テイクは2月のアルバムリリース2ヶ月後にあたり、全編に渡って、スケールの大きな整合感溢れる演奏を披露しています。音質は最高クラスと言え、静かな部分では元テープに入っていたと思われる微細なアナログノイズが聞こえますが、演奏が始まると全く問題なくなります。間違いなく、マスターを直にデジタル化したとした思えない程に音が太く、その力強いサウンドはファンを大いに魅了することでしょう。ボーカルと楽器のバランスも絶妙で、それでいて、ミックス前のような各楽音のダイレクト感がたまらない感触で収録されており、「なぜにこれがボーナス扱い?このままプレスCDしないのか?」と聴いていて疑問符でいっぱいになってしまうような大変優れたマスターです。曲間では歓声が全く聞こえず、アナログらしい音の質感から、おそらくバンド側によって録音された、ミキシングデスクに直結のリールテープをダイレクトに収録していると思いますが(冒頭、ギューンとリールテープ特有の音でスタートしますので、おそらくカセットではなくリールでの録音です)、保存状態が良かったのか劣化も全く感じられず、最初から最後まで、大変優れた音質でショウを堪能することができます。音が詰まっても、全く聴き辛い感じがないのは流石です。ファン絶対必携の一枚です。

1. Station Man 2. The Chain 3. Dreams 4. Rhiannon 5. Oh Daddy 6. Never Going Back Again
7. Landslide 8. Over My Head 9. Gold Dust Woman 10. You Make Loving Fun 11. Go Your Own Way
12. Oh Well 13. I’m So Afraid 14. World Turning 15. Blue Letter

Christine McVie – Keyboards, Vocals John McVie – Bass Stevie Nicks – Vocals
Mick Fleetwood – Drums Lindsey Buckingham – Guitar, Vocals

STEREO SOUNDBOARD RECORDING

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