Paul McCartney / Complete Tokyo Dome 2013 #2 Original Arena Recordings / 6CDR

Paul McCartney / Complete Tokyo Dome 2013 #2 Original Arena Recordings / 6CDR / PM

Translated Text:

Live At Tokyo Dome, Tokyo, Japan 18th, 19th & 21st November 2013.

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PAUL McCARTNEY – COMPLETE TOKYO DOME 2013 # 2 Original Arena Recordings (Free 6CDR) Live at Tokyo Dome, Tokyo, Japan 18th, 19th & 21st November 2013 TRULY AMAZING / PERFECT SOUND (from Original Masters) 27 Friday, December 12 – period (month), by mail order or over-the-counter, Amity Beano of the general system, Tricone, Uxbridge, TRIAL, Wardour, ZION, MP, LUXOR, etc., of the progressive system, Gravy Train, Virtuoso, Sigma, Sirene, Ayanami 30日month , the introduction of the item of gift items to customers who purchased two items in this corner of the “Import Title” Shades Windmill, of metal-based, Power Gate, Rising Arrow, DTB, Langley, also Calm & Storm, is. ★ However, it will be considered only for the customers who wish. When you purchase, please tell us phone, over-the-counter, order form, by e-mail. ★ Please refrain from the hope of more than one of the same title.Second edition Tokyo Dome three performance title of Paul using the original sound source was very popular, which was released last week of “COMPLETE TOKYO DOME 2013” is an appearance. From the stand by the same taper seat, previous work was a collection of high-quality sound source while long distance somewhat. Alternatively, all of which are using the recording sound source in the arena, that amount, closer, this film, you can enjoy high-quality sound of the scale perfect score is sound image. Taper Are You a separate, it is a taper’s our familiar to everyone, are familiar recording, you can be in peace, and enjoy the full picture of the show of the day without stress. First of all the first day of the 18th instrument it is on disc 1.2. And I think in a surprise “This is a gift?” The goodness of the sound of Eight Days A Week of said first face of this set. By a 5-row block B7, good seat position can be recorded directly to the sound of the left PA in front of the left screen. The greatly reduced was the feeling that sound is bouncing bass is too large as a whole, is subjected to a moderate equalization, I finish to sound very easy to listen. So close the sound anyway, I can experience the real feeling of the direct sound of the day, is loud feeling. In this block of B front, cheers was Bowa~tsu of the dome and distinctive sense of reality has been recorded with exquisite balance. This would be a must-listen-must-have as a record of the day. Was recorded to disk 3.4, sound source the 19th second day followed. This mean that 11 columns C15 block, is a recording from the right side on the stage, the minute, the tone is impressive farsighted slightly from the first day of the sound source. That more of C to diffuse sound than B, audience noise will also be a little too much, the brightness of the sound is lowered will understand. However, take due by taper as described above, was familiar recording, a sense of stability of the sound is distinguished, without even Bleachers book pitch, the tone is being obstructed by the cheers, at an appropriate sound balance constant, the whole picture of the show You can enjoy. The 21st last day sound source was recorded to disk 5.6 last. With that said third row of B18 block, even if I say the same block B, unlike the first day that was recorded in the best position, this is a substantial right end is here. Feeling closeness of the sound is not the first schedule, but such close than the second day, it is the sound of the street to be imagined at the position of the seat.However, than the first day you too will be recorded in loud, shaking occurs in the sound image somewhat, it has been recorded in the sound image of mature and stable, no doubt, as a result, in the pole three days sound source collection of this time, It becomes the most excellent recording take. that it is due to take place taper is also familiar recording equivalent is obvious, it would be love no doubt, customers of our store, is a recording that really good. Natural, audience recording Korezo just sound … of a tone-friendly ear and plump, a moderate sense of reality! It is best to take it becomes really glad you are listening with. As much as I think Na want turned into press CD from such personally, take the recommendations as it seems listening to this, you did not absolutely Paul fans unimpressed. 3 this performance of “COMPLETE TOKYO DOME 2013” gift series, in a total of six take, when viewed from any point of view, is the best recording. It is a take of excitement that would listened keenly to the Na I say audience recording. I think by all means, this weekend, and want to enjoy the pole last day in this take. (Might be a little far, but it is Perfect Sound Korezo personally. It is a very good sound.) Big record collection of three-day Tokyo Dome of the pole made ​​up of excellent all original recordings. Because of limited release, the person of the fan, please get all means. Live at Tokyo Dome, Tokyo, Japan 18th November 2013 

12月27日（金）～12月30日（月）の期間、店頭または通販にて、ジェネラル系のBeano, Tricone, Uxbridge, TRIAL, Wardour, ZION, MP, LUXOR等、プログレ系のAmity, Gravy Train, Virtuoso, Sigma, Sirene, Ayanami, Windmill、メタル系のShades, Power Gate, Rising Arrow, DTB, Langley、Calm & Storm, またこのコーナーの「Import Title」のアイテムを２枚ご購入頂いたお客様へのプレゼント･アイテムのアイテムのご紹介です。

★ただし、ご希望のお客様のみ対象とさせて頂きます。ご購入の際、電話、店頭、オーダー・フォーム、メールにてお申し付け下さい。
★同一タイトルの複数のご希望はご遠慮下さい。

先週リリースされた大好評だったオリジナル音源を使用したポールの東京ドーム3公演タイトル「COMPLETE TOKYO DOME 2013」の第二弾が登場です。前作は、同一テーパーによるスタンド席からの、やや遠目ながら良質な音源集でした。本作は、代わって、その全てがアリーナ席での録音音源を使用しており、その分、音像はより近く、スケール感満点の高品質サウンドが楽しめます。テーパーはそれぞれ別の方ですが、皆さま、録音慣れしているお馴染みのテーパーさん達ですので、安心して、ストレスなく当日のショウの全貌を楽しむことができます。まずはディスク1・２に収録された18日初日音源。本セットの顔と言える最初のEight Days A Weekの音の良さに「これがギフト？」と驚かれるのではないでしょうか。座席はB７ブロック5列目ということで、左スクリーンの前で左側PAの音を直に録音できる好ポジション。全体的に低音が大きすぎて音がバウンドしている感じだったのを大きく軽減し、適度なイコライズを施し、大変聴きやすいサウンドに仕上げています。とにかく音が近いので、当日の音のダイレクト感、ラウド感がリアルに体感できます。Bブロック前方というこで、臨場感とドーム特有のぼわっとした歓声が絶妙なバランスで録音されています。これは当日の記録として必聴・必携でしょう。続いてはディスク３・４に収録された、2日目19日音源。こちらはC15ブロック11列ということで、ステージに向かって右サイドからの録音であり、その分、初日音源より楽音が若干遠目の印象です。BよりCのほうが音が拡散し、オーディエンスノイズも多めになり、音の明度が下がるということが判ります。ただし、前述の通り、録音慣れしたテーパーによるテイクゆえ、音の安定感は抜群で、スタンド席録音程、楽音が歓声に邪魔されることもなく、一定した適度な音バランスで、ショウの全貌を楽しむことができます。最後はディスク５・６に収録された21日最終日音源。こちらはB18ブロックの3列目ということで、同じBブロックといっても、最良のポジションで録音された初日と違い、こちらは相当な右端。音の近さは初日程ではないが、2日目よりは近いといった感じで、座席の位置で想像される通りの音像です。しかしながら、ラウドに録音されすぎて、やや音像に揺れが生じている初日よりも、間違いなく安定した完成度の高い音像で録音されており、結果として、今回のポール3日間音源集の中では、最も優秀な録音テイクになっています。こちらも相当録音慣れしているテーパーによるテイクであることは明白であり、当店のお客様は、間違いなく大好きであろう、実に優れた録音です。自然で、ふくよか、適度な臨場感と耳に優しい楽音の響き・・・まさにこれぞオーディエンス録音！と聴いていて本当に嬉しくなってしまう最高のテイクです。個人的にはこういうのをプレスCD化して欲しいなと思うほどで、これを聴いて、感動しないポール・ファンは絶対にいないと思えるほどのお薦めのテイク。今回の「COMPLETE TOKYO DOME 2013」ギフトシリーズの3公演、計6テイクの中で、あらゆる視点から見て、ベストな録音です。オーディエンス録音っていいなーとしみじみ聴き入ってしまう感動のテイクです。是非、今週末は、本テイクでポール最終日を楽しんでほしいと思います。(やや遠いかもしれませんが、個人的にはこれぞPerfect Soundです。非常に良い音です。）全て優秀なオリジナル音源で構成されたポールの東京ドーム3日間の一大記録集。限定のリリースゆえ、ファンの方は、ぜひゲットして下さい。

Live at Tokyo Dome, Tokyo, Japan 18th November 2013

Disc 1 (79:51)
1. Intro 2. Eight Days A Week 3. Save Us 4. All My Loving 5. Listen To What The Man Said
6. Let Me Roll It 7. Paperback Writer 8. My Valentine 9. Nineteen Hundred And Eighty-Five
10. The Long And Winding Road 11. Maybe I’m Amazed 12. I’ve Just Seen A Face
13. We Can Work It Out 14. Another Day 15. And I Love Her 16. Blackbird 17. Here Today
18. New 19. Queenie Eye 20. Lady Madonna 21. All Together Now 22. Lovely Rita

Disc 2 (79:54)
1. Everybody Out There 2. Eleanor Rigby 3. Being For The Benefit Of Mr. Kite! 4. Something
5. Ob-La-Di, Ob-La-Da 6. Band On The Run 7. Back In The U.S.S.R. 8. Let It Be 9. Live And Let Die
10. Hey Jude 11. Day Tripper 12. Hi, Hi, Hi 13. Get Back 14. Yesterday 15. Helter Skelter
16. Golden Slumbers 17. Carry That Weight 18. The End

Live at Tokyo Dome, Tokyo, Japan 19th November 2013

Disc 3 (78:15)
1. Intro 2. Eight Days A Week 3. Save Us 4. All My Loving 5. Jet 6. Let Me Roll It
7. Paperback Writer 8. My Valentine 9. Nineteen Hundred And Eighty-Five
10. The Long And Winding Road 11. Maybe I’m Amazed 12. Things We Said Today 13. We Can Work It Out
14. Another Day 15. And I Love Her 16. Blackbird 17. Here Today 18. New 19. Queenie Eye
20. Lady Madonna 21. All Together Now

Disc 4(79:53)
1. Lovely Rita 2. Everybody Out There 3. Eleanor Rigby 4. Being For The Benefit Of Mr. Kite!
5. Something 6. Ob-La-Di, Ob-La-Da 7. Band On The Run 8. Back In The U.S.S.R.
9. Let It Be 10. Live And Let Die 11. Hey Jude 12. Day Tripper 13. Hi, Hi, Hi
14. I Saw Her Standing There 15. Yesterday 16. Helter Skelter 17. Golden Slumbers
18. Carry That Weight 19. The End

Live at Tokyo Dome, Tokyo, Japan 21st November 2013

Disc 5(79:59)
1. Intro. 2. Eight Days A Week 3. Save Us 4. All My Loving 5. Jet 6. Let Me Roll It
7. Paperback Writer 8. My Valentine 9. Nineteen Hundred And Eighty Five
10. The Long And Winding Road 11. Maybe I’m Amazed 12. Things We Said Today
13. We Can Work It Out 14. Another Day 15. And I Love Her 16. Blackbird 17. Here Today
18. New 19. Queenie Eye 20. Lady Madonna 21. All Together Now

Disc 6(79:59)
1. Lovely Rita 2. Everybody Out There 3. Eleanor Rigby 4. Being For The Benefit Of Mr. Kite!
5. Something 6. Ob-La-Di, Ob-La-Da 7. Band On The Run 8. Back In The U.S.S.R. 9. Let It Be
10. Live And Let Die 11. Hey Jude 12. Day Tripper 13. Hi Hi Hi 14. I Saw Her Standing There
15. Yesterday 16. Helter Skelter 17. Golden Slumbers 18. Carry That Weight 19. The End

Paul McCartney – Vocals, Bass, Guitar, Piano Rusty Anderson – Guitar, Backing Vocals
Brian Ray – Bass, Guitar, Backing Vocals Paul Wickens – Keyboards, Backing Vocals
Abe Laboriel, Jr. – Drums, Percussion, Backing Vocals