Bob Dylan / Another Take Of Bob Dylan / 1CD+2Bonus CDR

Bob Dylan / Another Take Of Bob Dylan / 1CD+2Bonus CDR / BDCL

Translated Text:
Columbia Studios, New York City, NY USA 9th June 1964 Plus Bonus CDR “The Emmett Grogan Acetates”.   SBD

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Another rare sound source end became a hot topic in the last year, it is a session of “ANOTHER SIDE OF BOB DYLAN”. Album carved termination and appearance of literally newborn Dylan of Real fork era might say that it was some sort of problem work. Actual history of Dylan It is mean that waiting even greater leap (Electric of) after this, because while still accompaniment of dramatic changes in the lyrics I was recorded in playing talking of acoustic guitar. But here the song was recorded in covered in later various artists “My Back Pages” and Dylan himself continued to play in many years live “It Is not Me, Babe” because I had a classic such as, again can not be ignored, I think than anyone of Dylan fans are aware that it is the presence of the album say even with the rather important.
And it’s this album, but it has been summarized from the stunt that what is at once recording a session of the day. Even before the later, Dylan’s is had to complete the album in one day only at this time. It is like adult circumstances to want will be submitted soon the album to record company was at stake, Dylan and listen to the finished album is the manner in which it was said that stand In response to it, you can also borrow the power of liquor ( singing voice but it is such a feeling) and I like had at once recording.

But not only Dylan’s voice, there are many take even that could not be complete response rate to listen to this time appeared in session sound source, it seems like playing you deserve to hear from those of failure take appeared at the end of last year. Moreover, I’m fun of Dylan session sound unique atmosphere also is the difference between every take. Among them, surprise in the album called “Black Crow Blues” which he debuted a piano playing talking had been tried in the usual guitar in the initial take. The song has been recorded by the end of the session, I might here to have a try to OK take on things and in (also received with advice of producer maybe) piano Dylan felt the Nitsumari in recording have been two of the take is might.
In the same way, “I Do not Believe You (She Acts Like We Never Have Met)” is also a place in the early take that had been played by feel close to the album of Dylan atmosphere of up to it, a more innovative by changing the arrangement is but it is indescribably interesting know that it had been changed to playing talking. And from that point, “I Shall Be Free No. 10” is something which the session was repeatedly played in tired of your state (laughs) that situation Dylan also indeed closer to the end, Dylan of tension is completely different by the take. Omakeni which take also I think because there was a up down in his song, it was plight and called to the album eventually by connecting the two takes.
The fact is that this that classic in the session “Mr. Tambourine Man” was also recorded, but began to take one that would be cut immediately, which is now excavated, turned good to join until there was Jack Elliott in teacher not hear only in loose play it (laughs) complete take 2 exerts is currently Released, but here is recording in mono mix from acetate. Then you’ll be able to enjoy this outtakes in analog Chick texture in a more U~omi.

Recording from the acetate can not remain in “Mr. Tambourine ~”. Was unreleased in the last year excavation sound source “All I Really Want To Do” also I have enjoyed in the unedited complete version from acetate. This song seems to have become the OK in one take, here to listen to the full version of and are jamming the Dylan places song, and chopped it is a surprise because he was raised tailoring the opening number of the album. The place to be overlaying more take it normally, well each and I think is what you decide in this take. Standard and not an exaggeration to say “It Is not Me, and Babe” is has been recorded in early in the session, but Waruagaki version that is take one that is now excavation was keep trying to stopped playing in the middle You can enjoy (laughs).
In this way, not only just to put together a sound source that appeared at the end of last year, also in combination acetate sound source that has been around from the previous, it was put together into a more complete album by take collection. Rather than the actual recording order with regard song order, another take is followed by further clarity in the form along the order of songs in the album. Of course sound quality is perfect, but still scratch noise via the LP of last year of sound source thoroughly cleanup. Everyone I appeared at the press CD limited to the culmination of the session sound source that wanted to hear in the CD title, wrapped in a package without Dylan fan satisfaction mistake in Jacquet both alongside the Royal Festival Hall Live!

昨年末に話題となったもう一つのレア音源、それは「ANOTHER SIDE OF BOB DYLAN」のセッションです。リアル・フォーク時代の終結と文字通りの新生ディランの姿を刻み込んだアルバムはある種の問題作だったと言えるかもしれません。実際ディランの歴史はこの後にさらに大きな飛躍（エレクトリック化）が待ち構えている訳であり、歌詞の劇的な変化の一方でまだ伴奏はアコースティック・ギターの弾き語りで録音したのですから。しかしここに収録された曲は後にさまざまなアーティストにカバーされた「My Back Pages」やディラン自身も長年ライブで演奏し続けた「It Ain’t Me, Babe」といった名曲があったのですから、やはり無視できない、むしろ重要とすら言える存在のアルバムであることはディラン・ファンの誰もが認知しているのではないでしょうか。
しかもこのアルバムですが、何と一日のセッションで一気にレコーディングされるという離れ業からまとめられています。後にも先にも、ディランが一日でアルバムを完成させてしまったのはこの時だけ。それはレコード会社にアルバムを早く提出してしまいたいという大人の事情が絡んでいたようですが、出来上がったアルバムを聴くとディランはそれに受けて立つと言った様子であり、お酒の力も借りて（歌声がそんな感じですよね）一気に録音してしまったようなのです。

しかしディランの声だけでなく、今回登場したセッション音源を聴くと完奏できなかったテイクも多々あり、それらの失敗テイクの中から聴くに値する演奏が昨年末に登場したように思えます。しかもテイクごとに雰囲気が違うのもディランのセッション音源ならではの楽しみですよね。中でもアルバムでは彼がピアノ弾き語りを初披露した「Black Crow Blues」が初期テイクではいつものギターで試されていたというサプライズ。この曲はセッションの終盤で録音されており、ここに収録された二つのテイクで煮詰まりを感じたディランが（もしかしたらプロデューサーの助言も受けて）ピアノでトライしてOKテイクをものにしたのかもしれません。
同じように「I Don’t Believe You (She Acts Like We Never Have Met)」も初期のテイクではそれまでのアルバムのディランの雰囲気に近い感じで演奏されていたところ、アレンジを変えてもっと斬新な弾き語りに変えていたことが解るのは何とも面白いですよね。その点「I Shall Be Free No. 10」はセッションが終盤に近づいてディランもさすがにお疲れなご様子（笑）そんな状況で演奏を繰り返したものだから、テイクによってディランのテンションが全然違います。おまけにどのテイクも彼の歌にアップダウンがあったからでしょうか、結局二つのテイクをつなげてアルバムに収録するという有様でした。
実はこのセッションであの名曲「Mr. Tambourine Man」も録音されていたのですが、今回発掘されたすぐにカットされてしまうテイク1を始め、師匠でもあったジャック・エリオットまで加わって酔いが回ったルーズな演奏にしか聴こえません（苦笑）完奏したテイク2は現在リリース済ですが、ここではアセテートからのモノ・ミックスにて収録。よりウォーミーでアナログチックな質感でこのアウトテイクを楽しんでいただけることでしょう。

そのアセテートからの収録は「Mr. Tambourine～」に留まりません。昨年発掘された音源には未収録だった「All I Really Want To Do」もアセテートからの未編集コンプリート・バージョンにて収めています。この曲は1テイクでOKとなったようですが、ここでの完全版を聴くとディランが所々歌をつっかえており、それを切り刻んでアルバムのオープニング・ナンバーに仕立て上げたのだから驚きです。本来ならもっとテイクを重ねるべきところを、よくぞこのテイクで決めたものですよね。スタンダードといっても過言ではない「It Ain’t Me, Babe」はセッションの序盤で録音されていますが、今回発掘されたテイク1は途中で演奏が止まったのに続けようとしたという悪あがきバージョンが楽しめます（笑）。
こうして昨年末に登場した音源をまとめるだけに留まらず、以前から出回っていたアセテート音源も組み合わせ、よりコンプリートなアルバム別テイク集へとまとめ上げました。曲順に関しても実際の録音順ではなく、アルバムの曲順に沿った形でさらに解りやすく別テイクが続きます。もちろん音質は完璧ですが、やはり昨年の音源のLPを経由したスクラッチノイズは徹底的にクリーンナップ。ロイヤル・フェスティバル・ホールのライブと並んで誰もがCDで聴きたかったセッション音源の集大成がタイトル、ジャケ共にディラン・ファン満足間違いなしのパッケージに包まれた限定のプレスCDにて登場します！

(62:53)
1. All I Really Want To Do (take 1 unedited version from acetate) 2. Black Crow Blues (take 1)
3. Black Crow Blues (take 2) 4. Spanish Harlem Incident (take 3)
5. Spanish Harlem Incident (take 4) 6. Chimes Of Freedom (take 1) 7. Chimes Of Freedom (take 3)
8. I Shall Be Free No 10 (take 1) 9. I Shall Be Free No 10 (take 2)
10. I Shall Be Free No 10 (take 3) 11. I Shall Be Free No 10 (take 4)
12. I Shall Be Free No 10 (take 5 unedited version from acetate)
13. I Don’t Believe You (She Acts Like We Never Have Met) (take 1)
14. I Don’t Believe You (She Acts Like We Never Have Met) (take 3)
15. Ballad In Plain D (take 2) 16. It Ain’t Me, Babe (take 1)
17. Mr. Tambourine Man (with Jack Elliot take 1)
18. Mr. Tambourine Man (with Jack Elliot take 2 rough mono mix from acetate)
19. Denise

BDCL 2193
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Bob Dylan / The Emmett Grogan Acetates / 2CDR / Non Label

Translated Text:
Columbia Studios, New York City, New York, USA 9th June 1964

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Another is to Take not only last year appeared in session new sound source, is also acetate sound source that has been around from previous use. This is intended to acetate Emmett Gurogan actor there was Dylan and friendship of folk era was handed from Dylan has leaked become death of him, in between the fan had been called Emmett Gurogan acetate. There is not only “ANOTHER SIDE OF BOB DYLAN”, the album is been recorded two albums of sound source of “HIGHWAY 61 REVISITED” flying one, it was called the topic is in circulation among traders in the mid-90s . The was recorded there mainly in the album take rough mono mix, differences and degree except take that was recorded in this time “ANOTHER TAKE” that contains the producer of the announcement before you play, “HIGHWAY 61 Toward the “Ending has accounted for many mix of state that does not fade out.
Those of course are a number of items at that time that was distributed because it is rare sound source but had been released, they are that the nature of the original is acetate, it was recorded in the equalization that held down the scratch noise emitted more than normal analog vinyl was just. Is it but I similar even “ANOTHER TAKE” of this time, actually those who listened the state was recorded honestly acetate without the equalization will not than not very many. So I will have to included with this first release worth a version as its acetate state.
Certainly scratch noise because it is acetate will enter the frequent, but still also certainly there is a charm of U~omi sound quality unique raw. Its texture is I will think even with than hear fresh rather. In addition to them not only “ANOTHER SIDE ~” period, because I have been recorded until the rare sound of a electric heyday “HIGHWAY 61 ~”, the contents of rich enough to not think for the first time only gift Dylan I will ensure that CD-R fans very happy. Please enjoy together also this acetate sound source in the first minute.

Another Takeには昨年登場したセッション新音源だけでなく、以前から出回っていたアセテート音源も使われています。これはフォーク時代のディランと親交があった俳優のエメット・グローガンがディランから譲り受けたアセテートが彼の没後になって流出したもので、ファンの間ではエメット・グローガン・アセテートと呼ばれていました。そこには「ANOTHER SIDE OF BOB DYLAN」だけでなく、アルバムが一枚飛んで「HIGHWAY 61 REVISITED」の二枚のアルバムの音源が収録され、90年代半ばにトレーダー間で流通して話題を呼びました。そこに収録されたのは主にアルバム収録テイクのラフ・モノ・ミックスで、今回「ANOTHER TAKE」に収録したテイク以外は演奏する前にプロデューサーのアナウンスが入っている程度の違いや、「HIGHWAY 61」の方ではエンディングがフェイドアウトしない状態のミックスが多くを占めています。
もちろんレアな音源ですので流通した当時でアイテムはいくつもリリースされていましたが、それらは元がアセテートという性質上、通常のアナログ・ビニール以上に発せられるスクラッチノイズを抑え込んだイコライズで収録されたものばかりでした。それは今回の「ANOTHER TAKE」でも同様なのですが、実はそのイコライズなしのアセテートを素直に収録した状態を聴かれた方はあまり多くないのではないでしょうか。そこで今回の初回リリース分に付属するのがそのアセテート状態そのままのバージョンなのです。
確かにアセテートですのでスクラッチノイズは頻繁に入ってしまいますが、それでも生のままのウォーミーな音質ならではの魅力があるのも確か。むしろその質感が新鮮に聴こえるのではとすら思えてしまいます。それらに加えて「ANOTHER SIDE～」期だけでなく、エレクトリック絶頂期である「HIGHWAY 61～」のレア音源まで収録されているのですから、初回オンリーのギフトとは思えないほど充実した内容はディラン・ファン大満足のCD-Rことを保証します。ぜひ初回分でこのアセテート音源も一緒にお楽しみください。

Disc 1(42:12)
Another Side Of Bob Dylan sessions
Columbia Studios, New York City, New York, USA 9th June 1964

1. I Don’t Believe You 2. Chimes Of Freedom 3. Motorpsycho Nightmare
4. Mr. Tambourine Man w/Ramblin’ Jack Elliot 5. All I Really Want To Do
6. Black Crow Blues 7. I Shall be Free No.10 #1 8. I Shall be Free No.10 #2
9. All I Really Want To Do (Live at Newport Folk Festival 26th July 1964)

Disc 2(70:07)
Highway 61 Revisited sessions
Columbia Studios, New York City, New York, USA 30th July – 4th August 1965

1. Tombstone Blues #1 2. From A Buick 6 #1 3. Queen Jane Approximately #1
4. Positively 4th Street #1 5. Desolation Row　6. Just Like Tom Thumb’s Blues
7. It Takes A Lot To Laugh, It Takes A Train To Cry 8. Highway 61 Revisited
9. Tombstone Blues #2 10. From A Buick 6 #2 11. Can You Please Crawl Out Your Window
12. Queen Jane Approximately #2 13. Ballad Of A Thin Man 14. Positively 4th Street #2