Roger Waters / The Happiest Days Of Our Lives / 4CDR

Roger Waters / The Happiest Days Of Our Lives / 4CDR / Lem

Translated Text:

The 02 Arena, Greenwich, London, UK, 14th & 17th May 2011.

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It is London O2 Arena performance on May 12 where the collaboration with Dave Gilmore was a big topic, but this main board will be live on the 3rd and 5th day of London, May 14th and 17th after that Completely recorded with super high sound quality audience recording. The recording person is the same person as the taper of “THE WALL BACK TO NASSAU” which recorded Nassau / Colosseum performance for the first time in 30 years (NY) with ultra high sound quality on both days. Both tapers are turning two recorders at the same time for two days, and both microphones are Schoeps MK 4 and SP-CMC-8 on both days. This board has succeeded in synchronizing two sources, and reproducing show with the best sound. Both performances are wonderful sounds, the image of the sound is different from the two performances, and on the 14th was only recorded at “B” of Section B2, the sound is very close, full of direct feeling that is awesome It is recorded with sound quality. Take on the 17th seems to be a position slightly away from the stage compared to the 14th, but if it listens only to this, it is a very good recording with that. As the best document of 14th and 17th of Roger’s six consecutive London performances remaining in the history of Floyd, which are excellent as each other is superior to each other, though considering from the synthesis point though there is a difference in the character of each sound, So, on both days it is worth adding to the collection absolutely, you can say it is a very good recording board.

★ It is a review summary of beatleg magazine vol.133 (August 2011 issue). For your information.

“The Happiest Days Of Our Lives” which couple 14th and 17th. According to Maker Info, the sound source used is due to the taper that recorded the sound source used for “The Wall Back To Nassau (LEM 011)”. I recorded the two recorders with a microphone called Schoeps MK 4 and SP – CMC – 8 respectively, and synchronized them and mixed it. Personally I will be attracted to the gift DVD titled “The Wall Back To London” rather than the main board. This was taken on September 17 from the audience with a handy camera called Sony made HDR – CX 520V, but it was filmed in high definition (and recorded in AVCHD format so that it can be copied to Blu – ray or DVD). While the amateur shoots with only one Handycam, it exceeds the Chicago performance, which is the definitive version of the audience image on last year’s North American tour, with a quality that would be nailed in front of the television from the beginning to the end of the show.

★ LEM series remained in history, superb champion title is long-awaited limited reprint. The high-quality sound quality / picture calls a big topic, the decision board of 2011 Roger Waters’ London live video title.

★ In 2011, only 20 sets were released, and the name sound source title that gained popularity from fans and media has been re-released for the first time in 7 years.

デイブ・ギルモアとの共演が大きな話題を呼んだ5月12日のロンドンO2アリーナ公演ですが、本盤はそれ以降の、ロンドン3日目と5日目、5月14日と17日のライブを超高音質オーディエンス録音で完全収録しています。録音者は、両日ともに、30年ぶりのナッソー・コロシアム公演(NY)を超高音質で収録した「THE WALL BACK TO NASSAU」のテーパーと同一人物。テーパーは2日間とも、2台の録音機を同時に回しており、使用マイクは両日ともSchoeps MK4とSP-CMC-8。本盤は、ふたつのソースを、シンクロさせ、最良のサウンドでショウを再現することに成功しています。両公演とも素晴らしいサウンドながら、音のイメージは2公演とも異なっており、14日はSection B2の「row B」で録音されただけあって、音が非常に近く、ダイレクト感に満ちたそれは凄まじい最高音質で収録されています。対して17日テイクは、14日に比べて、若干ステージから離れていたポジションのようですが、これだけ聴くなら、それはそれで大変優れた録音です。それぞれの音のキャラクターに違いはあるものの総合点から考えるに、お互いが甲乙つけがたい程優秀であり、フロイド史に残るロジャーの6連続ロンドン公演の14日及び17日の最良のドキュメントとして、ファンならば、両日ともにコレクションに加える価値は絶対にある、大変優れた録音盤と言えるでしょう。

★beatleg誌 vol.133(2011年8月号)のレビュー要約です。ご参考まで。

14日と17日をカップリングした『The Happiest Days Of Our Lives』。メーカーインフォによると使用された音源は、『The Wall Back To Nassau(LEM 011)』に使用された音源を録音したテーパーによるもの。2台のレコーダーにそれぞれSchoeps MK4とSP-CMC-8というマイクを装着して録音し、それらを同期させてミックスしたとのことだ。個人的には本盤よりも『The Wall Back To London』と題されたギフトDVDにどうしても惹かれてしまう。これは17日の公演を客席からSony製HDR-CX520Vというハンディカメラで撮影したものなのだが、ハイビジョンで撮影(かつブルーレイやDVDにコピーできるようにAVCHDフォーマットで記録)されている。アマチュアがたった1台のハンディカムで撮影した映像ながら、ショーの最初から最後までテレビの前に釘付けにされてしまうほどのクオリティで、昨年の北米ツアーにおけるオーディエンス映像の決定版であるシカゴ公演を超える。

★LEMシリーズ史上に残る、超名盤タイトルが待望の限定復刻。そのクオリティの高い音質・映像が、大きな話題を呼んだ、2011年ロジャー・ウォーターズのロンドン・ライブ映像タイトルの決定盤。

★2011年に限定20セットがリリースされ、ファン・メディアから好評を博した名音源タイトルが7年ぶりに再リリース決定です。

Live at The O2 Arena, Greenwich, London, UK 14th May 2011

Disc 1
1. Intro 2. Outside The Wall Intro 3. In The Flesh? 4. The Thin Ice
5. Another Brick In The Wall Part 1 6. The Happiest Days Of Our Lives
7. Another Brick In The Wall Part 2 8. Roger Speaks 9. Mother 10. Goodbye Blue Sky
11. Empty Spaces 12. What Shall We Do Now 13. Young Lust 14. One Of My Turns
15. Don’t Leave Me Now 16. Another Brick In The Wall Part 3 17. The Last Few Bricks
18. Goodbye Cruel World

Disc 2
1. Hey You 2. Is There Anybody Out There 3. Nobody Home 4. Vera 5. Bring The Boys Back Home
6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell
10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall

Live at The O2 Arena, Greenwich, London, UK 14th May 2011

Disc 3
1. Intro 2. Outside The Wall Intro 3. In The Flesh? 4. The Thin Ice
5. Another Brick In The Wall Part 1 6. The Happiest Days Of Our Lives
7. Another Brick In The Wall Part 2 8. Roger Speaks 9. Mother 10. Goodbye Blue Sky
11. Empty Spaces 12. What Shall We Do Now 13. Young Lust 14. One Of My Turns
15. Don’t Leave Me Now 16. Another Brick In The Wall Part 3 17. The Last Few Bricks
18. Goodbye Cruel World

Disc 4
1. Hey You 2. Is There Anybody Out There 3. Nobody Home 4. Vera 5. Bring The Boys Back Home
6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell
10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall

LEM 023

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