Rolling Stones / La Plata 2016 1st Night / 2CD

Rolling Stones / La Plata 2016 1st Night / 2CD / Non Label

Translated Text:
Estadio de La Plata, Buenos Aires, Argentina 7th February 2016

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The second day the 2016 America Latina Ole tour, Buenos Aires first day at the same time release! Here it is also based on the re-master the audience recording that appeared immediately after the performance. It seems whether you know anyone who has listened to the recording of the body in appeared in the beginning, but the exact opposite of the recording state here of recording and Santiago. Not just say that there is both the climax of the play and the audience had been captured by the fairly on sound image, a somewhat distant sound image is this also but is rare thing as audience recording of the 2016 remastered Upon this release by subjecting was, the contours of the sound image becomes sharp, of course, what to say even clearness is I was made a dramatically improved!
Good compelling a sense of realism Santiago was Arakure recording in the sense, but I have a wonderful thing, give off the exact opposite of this recording, is also really attractive delicate sense of realism and clearness. For listening to are Santiago, which was showing a put is a will likely be enthusiastic to here, it does not lose Buenos Aires. However, are born unique listening ease by the sense of distance of the sound image, the live of the latest Stones and is in the direction that you want, “calmly, slowly and carefully,” Kikikomi I would like to recommend here in Buenos Aires.

In Santiago climax it is good enough, but it was rather had begun between the audience to talk as if to ignore the play “Out of Control”, a large swell from the intro here, Buenos Aires. The point then of web voting song was a choice of “Street Fighting Man”, but does not deny a little anticlimactic feeling, towards the audience was raised in the “Out of ~” of the previous, after a long time of “Anybody Seen My Baby? the Babylon connection number has been playing that “would be the best timing. Because it is a repertoire that had already appeared in the web vote in Santiago, revival of surprise was finally realized for the mania around the world.
However, Mick song blank feeling you could see vividly. In the time from 1997 to 1998 of Babylon tour, Mick to live arrangements to sing from the studio take up octave can not be denied is a feeling that has been struggling, it is blank, coupled with dangerous tone this time. But really nostalgic lap of the second half of Bernard Fowler. Since this is for she revived much trouble, it is what I want you to polish your performance also featured in the stage in the future. Moreover, Santiago and Buenos Aires, neither is it anything interesting that rare number of Babylon connection has been or play.

Followed by “Paint It Black” is the best performance this day. Large chorus of the crowd as much as surpass even the Santiago, precisely because distant sound image, but rather the best climax is the point that has been captured in realistic wonderful! Ending is the chorus of Mick and the audience followed, and has a really emotional scene. Santiago whole live was a large chorus also, would take my hat off forced the special of the upsurge of here.
On the other hand, Keith if you whether you play at the tempo that was anything Mattari the “Can not Be Seen”, rather than from a position lowered the recent key to “Happy” in the hobbyhorse, play and pressed by the position of regular was accustomed to play started to cause us to be fun it shows alive and well the first time with Goofy. Two types of South America performances this time to be released, is a sound source, each with its own charm. Wilderness of Santiago and the clearness of Buenos Aires, Stones latest hottest stage has been engraved in the press CD limited to each!

2016年America Latina Oleツアーの二日目、ブエノスアイレス初日も同時にリリース！こちらも公演直後に現れたオーディエンス録音を元にリマスター。登場した当初で本体の音源を聴かれた人ならご存知かと思われますが、こちらの録音はサンチャゴとまったく正反対の録音状態。そちらが演奏と観客の盛り上がりの両方をかなりオンな音像で捉えていたというだけでなく、ややディスタントな音像がこれまた2016年のオーディエンス録音としては珍しいものですが、今回のリリースに当たりリマスターを施したことで、音像の輪郭がシャープになったのはもちろん、何といってもクリアネスが飛躍的に向上を遂げたのです！
いい意味での荒くれ録音だったサンチャゴの迫力満点な臨場感は素晴らしいものがあるのですが、まったく正反対なこの録音が醸し出す、繊細な臨場感やクリアネスも実に魅力的。聴いているこっちまで乗せられてしまいそうな熱狂を見せていたサンチャゴに対し、ブエノスアイレスも負けていません。しかしながら、音像の距離感によって独特の聴きやすさが生まれており、最新ストーンズのライブを「落ち着いて、じっくりと」聴き込みたいという向きにはこちらブエノスアイレスをおすすめしたいと思います。

サンチャゴでは盛り上がりがいま一つ、むしろ演奏を無視するかのようなお喋りまで客席の間で始まってしまった「Out of Control」でしたが、ここブエノスアイレスではイントロから大盛り上がり。その後のウェブ投票ソングが「Street Fighting Man」というチョイスだった点は、やや拍子抜け感が否めませんが、先の「Out of～」で盛り上がった観客に向けて、久々の「Anybody Seen My Baby?」というバビロンつながりナンバーが演奏されたのは最高のタイミングでしょう。既にサンチャゴでのウェブ投票でも登場していたレパートリーですので、世界中のマニアにとって驚きの復活が遂に実現しました。
ただし、ミックの歌はブランク感がありありと見て取れます。1997年から98年のバビロン・ツアーの際でも、スタジオ・テイクからオクターブ上げて歌うライブ・アレンジにミックが四苦八苦していた感が否めず、それが今回はブランクと相まって危うい調子。しかし後半のバーナード・ファウラーとのラップが本当に懐かしい。これはせっかく復活してくれたのだから、今後もステージで取り上げて演奏を磨き上げてほしいものです。しかもサンチャゴとブエノスアイレス、どちらもバビロンつながりのレア・ナンバーが演奏されたという点が何とも興味深いではありませんか。

続く「Paint It Black」はこの日最高の演奏。観客の大合唱はサンチャゴをも凌ぐほどで、ディスタントな音像だからこそ、むしろこの最高の盛り上がりがリアルに捉えられている点が素晴らしい！エンディングはミックと観客の合唱が続き、本当に感動的な場面となっているのです。ライブ全体が大合唱であったサンチャゴも、ここでの別格の盛り上がりには脱帽せざるを得ないでしょう。
一方でキースは「Can’t Be Seen」を何ともまったりしたテンポで演奏したかと思えば、十八番の「Happy」を最近のキーを下げた位置からではなく、弾きなれたレギュラーの位置で押さえて弾き始めてしまうずっこけで健在ぶりを示してくれるのも楽しい。今回リリースされる二種類の南米公演、それぞれが独自の魅力を持った音源です。ワイルダネスのサンチャゴとクリアネスのブエノスアイレス、それぞれにストーンズ最新のアツいステージが限定のプレスCDに刻み込まれました！

Disc 1 (70:02)
1. Intro. 2. Start Me Up 3. It’s Only Rock ‘n Roll 4. Tumbling Dice 5. Out of Control
6. Street Fighting Man 7. Anybody Seen My Baby? 8. Wild Horses 9. Paint It Black
10. Honky Tonk Women 11. Band Introductions 12. Can’t Be Seen 13. Happy

Disc 2 (78:10)
1. Midnight Rambler 2. Miss You 3. Gimme Shelter 4. Brown Sugar 5. Sympathy for the Devil
6. Jumping Jack Flash 7. You Can’t Always Get What You Want (with Grupo De Canto Coral)
8. Satisfaction