GiGinJapan Artwork of Japanese CDs (mostly) 
Live at Tokyo Dome, Tokyo, Japan 6th March 2014 TRULY PERFECT SOUND (from Original Masters) concert in Japan this time of the physical condition of Keith and retrospect Only performances of March 6 is the last day to the third day the first day that his members other than jazzed by was hit by accident that bad, and the second day, was rejuvenated him by demodulation are this time It may be said that it went live to become the culmination of. It was a great live by the Stones will be released upset Keith like the first day, and from the disturbance of the Mick, such as on the second day, challenged in the best pitching in Japan last day earnestly. Enjukumi is, of course, that the momentum Stones which have been game by reducing the support members of he did? “We’re the! Ze it’ll work still even the last tour” and was felt in more than two days before this day of or would not have been a charm. It is appropriate for the good acting round out their performance in Japan in 2014. Taper the same as two days ago has dared to record from the A11 block right front speakers of the arena this day. Stunning balance proud record in the state of exceptional freshness and outstanding sound images on as usual. Tour sound of the original 2012 and later became a hot topic is the concept to reduce the number of support members on the stage, and get over the sound of the venue Sutajimu class playing the Stones body only. It would be this recording was me see beautifully captured that balance and sound pressure. Sound quality mild attentive stuff immune to excessive digital smell this day. Should people who want to enjoy the live sound of the Stones recording in what good these harsh in many cases. Only such people, I think I want to watch others carefully Tokyo Dome three performances this time our store has released at a press CD limited. On this day, never better show off the Stones “Ruby Tuesday” in the acoustic selection in the first half, including Keith. We were E becomes the Ruby Chuzudei literally if played on Tuesday of March 4, but the mind is not occurring? Turn up there indeed, it has been showing off to (laughs) Thursday this time. Moreover, because it is about to divide as “Angie” the popularity of Stones ballad in Japan in the song was played at this position in three days, people would you delight in playing here there were many. Until delicacy also caught firmly by the high-quality recording of such performance as ever. I think that was a good performance and can be the most of all three days as a result of playing the 4th was a catastrophe “Doom And Gloom”. there was a scene that still disturbed yet it is true that, when compared to what happened to the performance of two days ago will those cute (laughs). This request is corner, which lasted from there, but that the results had been making waves in Japan, most of the performances this time still fresh in memory. Air and a sense of people who delight in the unexpectedness of the collaboration, the Stones core fans that can not hide the embarrassment is handed down in this recording actually. But likes and dislikes aside, since had been played as collaboration for number of guitarist on tour so far, not so much as feel uncomfortable and if listening to only the sound. I think point Norinori playing itself rather that’s unique to this day. It will be that Mick Taylor was standing on the big stage of the Tokyo Dome for the first time through a visit to Japan this time also enjoyed the highest the stage. It is a thing that can be said of the incandescent guitar he played on this day in the “Midnight Rambler” on the evidence that’s best bar none in three days. Those fierce barrel and Hayabiki he listened where the tempo of the performance was up again, among others. It was a scene showing me that to be a rolled play still Taylor becomes the mind. It is expected to be was me see you leading the group at the height of the tension of not be more in that last day is also Mick Jagger in the same Mick. I can not help remember the excitement in the figure which I will try fueled crowd violently even “Satiscfaction” and “Miss You” is played every night. How to blast the ad lib and shout “Aiyaiyaiyai!” At the end of the latter in particular is the best part. And in the encore was plainly represents the most favorable of the Stones of this day “You Can’t Always Get What You Want”. Development performance full of room in reversal from Goofy happening four days wonderfully, to reprise performance that ended once while swing or is also the moment as well as a moment when the goose bumps, it was me showing off a state of never better Stones were. Mick as much as you are likely to will not be able to introduce the chorus that you put too much heat to the performance, who participated. Good acting of such last day, we will release in the best sound quality that has a reputation for it already. Early Sold Out so expect a language: Do not miss it! ★ 200 limited edition, will be released in the sticker numbering into. Disc 1 (56:07) 1. BGM 2. Opening SE 3. Jumping Jack Flash 4. You Got Me Rocking 5. It’s Only Rock ‘N Roll 6. Tumbling Dice 7. Ruby Tuesday 8. Doom And Gloom 9. Respectable 10 . Honky Tonk Women 11. Band Introductions 12. Slipping Away (with Mick Taylor) 13. Before They Make Me Run Disc 2 (75:30) 1. Midnight Rambler (with Mick Taylor) 2. Miss You 3. Paint It Black 4 . Gimme Shelter …. 5 Start Me Up 6 Sympathy For The Devil 7 Brown Sugar You Can not Always 8 Get What You Want . 9 Satisfaction (with Mick Taylor) Mick Jagger – Vocals, Guitar, Harmonica Keith Richards – Guitars, Vocals Charlie Watts – Drums Ronnie Wood – Guitars Mick Taylor-Guitars, Backing Vocal Darryl Jones – Bass, Vocal Bobby Keys – Tenor Saxophone Chuck Leavell – Keyboards, Backing Vocals Lisa Fischer – Backing Vocals, Percussion Bernard Fowler – Backing Vocals, Percussion Tim Ries – Horns, Organ Matt Clifford – French Horn
