Rolling Stones / Rome 2014 / 2CD

Rolling Stones / Rome 2014 / 2CD / Non Label

Translated text:
Live at Circo Massimo, Rome, Italy 22nd June 2014.

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Sound source that audience recording using MD unusual nowadays appeared on the net with respect to this day. Recording the Rome concert of June 22 from the most recent European tour of the topic is playing to heat up to live each, this board is it has turned into CD based. in addition to the fact that you have used the media earlier, would have had the problem of recording position, the original sound that is up to the net, 2014 European Tour title with our shop came released so far was the sound of the impression a fuzzy little compared with. noise, such as a bad connection of the microphone to the left channel occasionally even has entered, at this stage, it was a sound that can not be said that the best way. this time, such the completed version of the best restoration, anyone can enjoy without stress thoroughly sound source, we Kogitsuke to the CD of this time.

As a feature of the original sound, middle and high sound is emphasized when you listen to one, it is the sound quality bass is thin, but the entire range has been recorded firmly in fact, we had been recording and poor balance from such directivity of the microphone , by mixing it in thick bass, bass has been recorded originally is restored, it is finished in the sound image to overturn the impression of high rise of the original sound. attrition compared to the sound of the snare, the sound of the three-quarters-string guitar in particular from the fact that it has been recorded line in without being crushed in the bass solo of “Miss You” and. allows you to accurately recognize their differences, while recording an excellent practice, the impression of unsatisfactory for the balance that was recorded bad if, adjust the cause, we are subjected to equalize to draw out the sound quality of the original.

You have me to catch firmly the dynamism of performance with increased sense of speed in Europe, and yet have evolved to the state easy to hear Gazen by restoration that was mentioned earlier., Such as contact sound and microphone noise especially some you are able to thoroughly relaxation and removal in pinpoint for, powerful than anything, it was improved by this re-master and.’ll be amazed at the change in the state with certainty if person when it was that it was listen to the original sound source Please listen to the sound that is. we are sublimated to the sound of a whole new different dimension that everyone surprised “This is that MD sound source?” he said. not even if you have to play around with recording useless, but this recording recording firmly quite ex-and since it is, it became a perfect sample of “good recording by applying a precise equalization process, it becomes a thing of only this” and.

Played on this day in peak condition anymore actually! Momentum of Stones is handed down clearly can that be said to be a world of difference between Zurich just heard the stunning “Let’s Spend The Night Together” first. Yet was not likely ever ballad time in the first half of “Streets Of Love” select a surprise that does not feel the blank while playing after a long time in that (it is decades ago almost … time is of too it is early to say it) and that song is relatively up-to-date appearance.. Moreover humming along with Mick climax the audience chorus parts of the’s a poignant rendition indeed. as you can see from its climax, this sound source watch playing chorus of audience. would say its “climax a U~omi” is a big attraction and because they are caught in the balance does not feel the stress that would prevent the concentration to be.
But slapstick is happening even in the first half that was Mise skip at a good clip it to play always the “Respectable” and appeared (not an exaggeration to say that promise longer) John Mayer this day. Place seems Stones but, there is no interference at all from the beginning of the performance was whether that. in instability, such as if it were steeped in Iyamoni trouble after a long time, song of Mick ended up lacking in excitement as it if it had been tempted by it to play, especially were. it can be said to be a world of difference and the third day Tokyo Dome.
But playing thrilling to regain momentum again turned into European standards from “Out Of Control”. Was exploded under such circumstances has a positive effect on finally participation of Mick Taylor is the beginning of the year “Midnight Rambler” originally. deployment. it unfolds even this day to play a thrilling addition There is expanded, it has since the beginning of the Europe, intense performance as if reminiscent of the ’73 what it is like the first half of the drum of Charlie rampaging it was a. and climax a U~omi again the venue becomes a peak concluded live in “Satisfaction”, it will be wrapped in peaceful indescribably large chorus. this feeling what is realistic thing seems to live in Europe, thus you are listening to the sound source audience and continue to chorus riff of the song even after. Stones became a scene, such as become a happy alone was salvaged, and sound quality of the best Rome performances that would be counted in wonderful performances in Europe this tour definitely it is determined by the release. limited press CD definitive title at was of recorded music media!

ﾗｲﾌﾞごとにﾋｰﾄｱｯﾌﾟする演奏が話題の最新ﾖｰﾛｯﾊﾟﾂｱｰから6月22日のﾛｰﾏ公演を収録｡この日に関しては今時珍しいMDを使ったｵｰﾃﾞｨｴﾝｽ録音という音源がﾈｯﾄ上に登場し､本盤はそれを元にCD化しています｡先のﾒﾃﾞｨｱを使用したことに加え､録音ﾎﾟｼﾞｼｮﾝの問題もあったのでしょう､ﾈｯﾄにｱｯﾌﾟされた原音は､これまで当店がﾘﾘｰｽして来た2014年ﾖｰﾛｯﾊﾟﾂｱｰ･ﾀｲﾄﾙと比べるとややﾌｧｼﾞｰな印象を受ける音でした｡さらにたまに左ﾁｬﾝﾈﾙにﾏｲｸの接続不良のようなﾉｲｽﾞも入っており､この段階では､決してﾍﾞｽﾄと言えないｻｳﾝﾄﾞだったのです｡このたび､そんな音源を徹底的にﾚｽﾄｱ､誰もがｽﾄﾚｽなく楽しめる最良のｳﾞｧｰｼﾞｮﾝを完成させ､今回のCD化へとこぎつけました｡

原音の特徴として､一聴すると中高音が強調され､低音が薄い音質ですが､実際は全音域がしっかりと収録されており､ﾏｲｸの指向性からこのようなﾊﾞﾗﾝｽの良くない録音となっていましたが､低音を厚めにﾐｯｸｽする事により､本来収録されている低音が復元され､原音のﾊｲ上がりな印象を覆す音像に仕上がっています｡特にｽﾈｱの音､ｷﾞﾀｰの3/4弦の音を比較すればその違いを的確に認識できます｡そして｢Miss You｣のﾍﾞｰｽｿﾛでﾗｲﾝが潰れずに収録されていることからも､実際は優れた録音ながら､ﾊﾞﾗﾝｽが悪く収録された為に今一つの印象､その原因を調整し､本来の音質を引きだすｲｺﾗｲｽﾞを施しています｡

ﾖｰﾛｯﾊﾟでｽﾋﾟｰﾄﾞ感を増した演奏のﾀﾞｲﾅﾐｽﾞﾑをしっかりとｷｬｯﾁしてくれていますし､しかも先に触れたﾚｽﾄｱによって俄然聞きやすい状態へと進化しています｡特にいくつかのﾉｲｽﾞやﾏｲｸの接触音などに関してはﾋﾟﾝﾎﾟｲﾝﾄでの削除や緩和を徹底しておりますので､元の音源を聴かれた方でしたらば確実にその状態の変化に驚かれることでしょう｡そして何より､このﾘﾏｽﾀｰにより向上した迫力のあるｻｳﾝﾄﾞを聴いて下さい｡｢これがあのMD音源？｣と誰もが驚く全く新しい別次元のｻｳﾝﾄﾞに昇華しています｡ﾀﾞﾒな録音はいじってもﾀﾞﾒですが､この録音は元が結構しっかり録音されているので､｢良い録音は的確なｲｺﾗｲｽﾞ処理を施すことで､これだけのものになるのだ｣という絶好のｻﾝﾌﾟﾙとなりました｡

実際にこの日の演奏はもう絶好調！まずﾁｭｰﾘｯﾋとは雲泥の差と言える出来が見事な｢Let’s Spend The Night Together｣を聴いただけでもｽﾄｰﾝｽﾞの勢いがはっきり伝わってきます｡しかも前半のﾊﾞﾗｰﾄﾞ･ﾀｲﾑでは今までありそうでなかった｢Streets Of Love｣という驚きのｾﾚｸﾄが登場｡比較的最新の曲（とはいってもほとんど十年前です…時間が過ぎるのは早いですね）ということで久々の演奏ながらﾌﾞﾗﾝｸを感じさせません｡しかもﾐｯｸと共にﾊﾐﾝｸﾞのﾊﾟｰﾄを観客が合唱する盛り上がりが実に感動的な演奏なのです｡その盛り上がりからも分かるように､この音源はその｢ｳｫｰﾐｰな盛り上がり｣が大きな魅力だと言えるでしょう｡観客の合唱が演奏を鑑賞する集中力を妨げるようなｽﾄﾚｽを感じさせないﾊﾞﾗﾝｽでｷｬｯﾁされているからです｡
しかし快調に飛ばしてみせた前半においてもﾄﾞﾀﾊﾞﾀが起きるのはｽﾄｰﾝｽﾞらしいところ｡この日は（もはやお約束と言っても過言ではない）ｼﾞｮﾝ･ﾒｲﾔｰが登場していつもの｢Respectable｣を演奏するのですが､どうしたことか演奏の序盤から全然しまりがありません｡特にﾐｯｸの歌は久々のｲﾔﾓﾆ･ﾄﾗﾌﾞﾙに苛まれたかのような不安定さで､演奏までそれに釣られたかのごとく盛り上がりに欠けてしまいました｡東京ﾄﾞｰﾑ三日目とは雲泥の差と言えるでしょう｡
しかしﾖｰﾛｯﾊﾟ･ｽﾀﾝﾀﾞｰﾄﾞと化した｢Out Of Control｣から再び勢いを取り戻します｡そんな中で炸裂したのが｢Midnight Rambler｣｡元々ﾐｯｸ･ﾃｲﾗｰの参加が今年に入っていよいよﾌﾟﾗｽに作用したｽﾘﾘﾝｸﾞな演奏が展開され､それがﾖｰﾛｯﾊﾟに入ってからはさらにｽﾘﾘﾝｸﾞな演奏へと展開｡それがこの日も繰り広げられ､ﾁｬｰﾘｰのﾄﾞﾗﾑが暴れまわる前半などはそれこそ73年を彷彿させるかのような激しい演奏となりました｡そしてﾗｲﾌﾞを締めくくった｢Satisfaction｣では会場の再びｳｫｰﾐｰな盛り上がりがﾋﾟｰｸとなり､何とも和やかな大合唱に包まれます｡この感じこそﾖｰﾛｯﾊﾟのﾗｲﾌﾞらしい臨場感もので､こうして音源を聴いているだけでもﾊｯﾋﾟｰになれるような場面となりました｡ｽﾄｰﾝｽﾞが引き揚げた後も同曲のﾘﾌを観客が合唱し続けるなど､間違いなく今回のﾖｰﾛｯﾊﾟﾂｱｰにおける名演に数えられるであろうﾛｰﾏ公演を最良の音質で音盤化した決定版ﾀｲﾄﾙ｡限定ﾌﾟﾚｽCDにてﾘﾘｰｽ決定です！

Disc 1 (74:32)
1. Intro 2. Jumping Jack Flash 3. Let’s Spend The Night Together 4. It’s Only Rock’n Roll
5. Tumbling Dice 6. Streets Of Love (with Mick Taylor) 7. Doom And Gloom 
8. Respectable (with John Mayer) 9. Out Of Control 10. Honky Tonk Women
11. Band Introductions 12. You Got The Silver 13. Can’t Be Seen
14. Midnight Rambler (with Mick Taylor)

Disc 2(55:21)
1. Miss You 2. Gimme Shelter 3. Start Me Up 4. Sympathy For The Devil 5. Brown Sugar
6. You Can’t Always Get What You Want (with Coro Giovanil Italiano)
7. Satisfaction (with Mick Taylor)