GiGinJapan Artwork of Japanese CDs (mostly) Pink Floyd / Chicago 1973 / 2CD / Sigma
Translated Text:
Live At International Amphitheatre, Chicago, Illinois, USA 7th March 1973
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Yeeshkul! The spear I was! This weekend finally, label debut sound source will be released long-awaited from Sigma! 73 年 March 7 album “THE DARK SIDE OF THE MOON” US tour the 4th hitting the release time of eyes Chicago performances, is the new work was recorded fascination with superb AUD recording! label first appearance of the sound source, yet things sound good so far in ’73 but I think there are things that are unbearable to the fan, our label with the city has been able to deliver a fruitful title of ’73 after a long time is also joy in you’re soaring in this way! because, although we have sent out a number of Floyd name title from Sigma far, projects in the It is because there was actually a 1973 title for release the small number of Te. Now only a small 4 title even overlooking the back catalog of the Sigma more than 130 without, not only become Sirene boards and free gift board is also about 10 titles, including the predecessor. This factor and that the number of sound sources of ’73 that is extant is small compared to those of other years, was that a big reason quite there is no high-quality recording of only commensurate with the issue from the small sound source as a press . Of course, but the show itself of this day was to see the light of day in the past from other label under the title “ILLUSIONS OF CHILDHOOD’S END (Highland HL219 / 220)”, it is reluctant to give even our label from the mediocre sound quality that it was Idei would enjoy you might expect. But this is to say to the contrary, is also a testament had been occupied only by those that boast the ever Sigma is ’73 title is none excellent sound quality that has been put out. “MARYLAND 1973 (Sigma 57)” and “BOSTON 1973 (Sigma73)” is to exactly was the title was embody it, and sound quality is also playing well, the person you are recording also are flying Warped best “YEESHKUL (Sigma 80) is led to the “is beyond the framework of ’73, has become a Among Sigma all title one of the best finest quality board (※ and best good board Kai board!). This work is to new work of arranging the ‘ 73 title back our shoulders of those select few, is a translation can be delivered in what the press board because they have a sufficient response is potential to their expectations!
Be those of the which has been recently net public has become the source of this work, which 1st Gen of cassette tape (※ TDK SA90 / 1982 year ~ ’84 production type) and digital conversion in 24bit / 96kHz becomes the original It has. The conversion is done carefully using a high-quality deck and focus light made of audio interface running stability preeminent three head made of technics, the cut falls between songs here and there or for the remaining tape sparing Even in no way, the sound is the instantaneous power of the master (※ probably the reel tape) the original tough lush sound was those containment in the best of condition. This alone and I was equipped with a height of sufficient quality, but there is our label to stick to thoroughly sound quality . for well to listen and sweetness of stuffed to trace and sound scrutiny of analog-specific noise has been scattered, is subjected to a thorough noise removal and sound pitch correction to the extent that does not affect the original sound in the high-end equipment of label owned and published and it has realized the sound image with high accuracy more than sound. Also on the performance not only good sound quality that is also the contents of the awards in charm, in the example of March 73 tour includes a very good version of valuable did not play only a few times in the beginning, “Childhood’s End” and it does not miss that show of opening begins with “Echoes”. “Childhood’s End” is changed to “sun Hymn” by fall set after this, “Echoes” from will be the classic that it is transferred to the end of the show the first half of “Obscured By Clouds” adorn the opening, this title set’s a great centerpiece also point to experience the ’73 tour very early rare program was the fluid !! (※ exceptionally “Eugene” is opening as of one week after, March 14 of this performance There was also the day that decorated, this I have you pleasure in “BOSTON 1973 (Sigma73)”!)
Shaw but is kick off translation in “Echoes” ish early like that ’73 spring tour, impassioned sound will come and go from all directions in the transparency outstanding sound with depth, and vivid is near but hiss felt that It will be a nailed from ride to in the recorded sound. In addition it should you think that the “parent?” From singing out part of the beginning, but the interesting thing to this day has no side vocal of Rick acting as harmony, it has become a rare performance of solo Gilmore through song. The flow from the quiet scene in the post-albatross of cries in finale also, that in and with such excitement beat of the song comes into direct body that captures the movement of the dampers that each instrument emits almost perfect , It is a perfect score respond listen. “Obscured By Clouds” of this day to be a followed by the second performance in yesterday’s premiere will be ushered in the synth sound of the bagpipe-style, put the image of such burning of iron- intensive the guitar was burnt like a long tone while, to provoke hand listening in the expression of the transition to slide into slowly dissolved. “When You’re In” in the interlaced with guitar and synth nearby dazzling sound overlap with jam, and then strongly stimulated the sensibility of who the shade rich gradation listen. “Childhood’s End” has come out bleeding atmosphere seems even ’73 spring being showcased in this position, but here in the wide sound of width can feel the richness of the range, in melody and rhythm is pure beauty how Yuku response has captured the Katsuaki. It is usually tend to put a diffuse impression lightly a little more sound When overlaying the generator, but here in the gloss of the tone of moist organ to dense the Kyokuso is, and from say what guitar (※ especially 5 minutes 56 seconds of lead part) uplifting feeling of precisely because a tone that clear contours and the weight is equipped doubles as is felt in, will enjoy your pleasure playing the harshness and beauty is to live freely. Also in the song before the start tuning scene in it are playing trial a number of phrases, which also has become a little far from listening. “Eugene” has become a music that tied the bright afterimage in hand to hear also this day, scourge of the day it will spread repeated in the dense sound of the 1st generator unique. Field of air feeling tension that exists between the sound and the sound also firmly felt, reverberation clash is linear melody and rhythm from each instrument toward the finale from Screaming, and superbly musical driving force Please try your pleasure the fascination of sound picked up by all means.
Show the second half is, of course “crazy” songs reproduced. “Breathe” is appear in position metallic guitar sound is closer than the representation was recorded album, singing to ride it has become close to the album version, performance imbalance feeling pleasant is attractive. I do not know, “On The Run” in equipment malfunctioning whether intentional, but for some reason this day (is the array that is the Piropiro) synth of automatic performance sound that is synchronized with the rhythm machine without, instead The advanced solo in the SE and synth alone are close-up also is an interesting scene of this day unique. “Time” In stands out guitar sound again, sharp reverberation sense of Gilmore unique has become a captivating sound that echoes in good sound image of outlook . Especially solo that road in the middle of the video evoked force would fan must listen. “The Great Gig In The Sky” is female chorus of muffled of force is the rise along with the pleasant stretch of treble, and who can feel the bass of high quality punch in motion while you Yuku move the music in the back is one song. Piano sounds in the introduction has also been recorded in the lush sound with Gleam, 1st generator seems richness of pitch will spread full ear. “Money” will proceed in the funky sound is no Sachs Rashiku ’73 spring, while in the guitar solo is to develop a fairly aggressive approach, dark unique concerted dialogue density will pop out in superb sound. Similarly, “Us And Them” also sax is not entered , midfield proceeds in deployment organ of sound take the lead, state in which depth and Hana increases in performance by female chorus comes at stake at strategic points You will enjoy it to feel firmly. “Brain Damage” has a rewind of the moment by the shirttail of sound in 2 minutes 16 seconds, when there are skipping for a few seconds with the same 50 seconds, this was dropped in the 1st generator of this work use from the master It would be evidence of the resulting copy mistakes. Although it was also thought to be part compensated digital restoration from another source, Ikansen because of differences in sound quality is intense here is not tampered with to change, we dare recorded remains of the original in order to take advantage of the high-quality sound and vividness of the 1st generator. In “One Of These Days” of Angkor, sound clarity scale that not Kyooto also each other sounded free key sound also Tanmari is to us to report the tremendous “tragedy” is also on this day, it is not to be dependent on lyrics, playing force of Floyd to let spacious feel the charm of the line spacing of the sound has become a sharp came out Meien.
In the play surrounding “madness” for the avid Floyd fans, is high of popular songs played as a prototype version was doing in the last year of the ’72 winter of the European tour, but this March 73 that became the album month of ” madness “is now just elan pervade charm is what maximum of pleasure Mel point a representation of the current progressive form the completed form you have arrived. But the impression that few songs from previous work” cloud shadow “which was on the other hand show the first half of the set-in is shines also strong, contrast is live music and songs incorporating the new repertoire and songs also continued to play last year in charm it seems this time has seeped even to the point it is in relief. Try surprisingly the ’73 version of crazy little release in us this work. joy that show just before the historic album is born revives in Toku-jo sound of 1st generator is to is joy itself hear fresh songs that had been knows, than even a small late what you listen to the sound of the bell of “Eclipse” When you have finished, that album is not difference to resound in the chest as feeling it was about to enter at this time exactly maximum period. This work such album release at the time, also feverish Floyd sound of that era, ‘s the latest of ’73 title Fukisusabu to mind as the storm!
Yeeshkul! The spear I was! This weekend finally, label debut sound source will be released long-awaited from Sigma! 73 年 March 7 album “THE DARK SIDE OF THE MOON” US tour the 4th hitting the release time of eyes Chicago performances, is the new work was recorded fascination with superb AUD recording! label first appearance of the sound source, yet things sound good so far in ’73 but I think there are things that are unbearable to the fan, our label with the city has been able to deliver a fruitful title of 1973 after a long time is also joy in you’re soaring in this way! because, although we have sent out a number of Floyd name title from Sigma far, projects in the It is because there was actually a 1973 title for release the small number of Te. Now only a small 4 title even overlooking the back catalog of the Sigma more than 130 without, not only become Sirene boards and free gift board is also about 10 titles, including the predecessor. This factor and that the number of sound sources of ’73 that is extant is small compared to those of other years, was that a big reason quite there is no high-quality recording of only commensurate with the issue from the small sound source as a press. Of course, but the show itself of this day was to see the light of day in the past from other label under the title “ILLUSIONS OF CHILDHOOD’S END (Highland HL219 / 220)”, it is reluctant to give even our label from the mediocre sound quality that it was Idei would enjoy you might expect. But this is to say to the contrary, is also a testament had been occupied only by those that boast the ever Sigma is ’73 title is none excellent sound quality that has been put out. “MARYLAND 1973 (Sigma 57)” and “BOSTON 1973 (Sigma73)” is to exactly was the title was embody it, and sound quality is also playing well, the person you are recording also are flying Warped best “YEESHKUL (Sigma 80 ) is led to the “is beyond the framework of ’73, has become a Among Sigma all title one of the best finest quality board (※ and best good board Kai board!). This work is to new work of arranging the ’73 title back our shoulders of those select few, is a translation can be delivered in what the press board because they have a sufficient response is potential to their expectations!
Be those of the which has been recently net public has become the source of this work, which 1st Gen of cassette tape (※ TDK SA90 / 1982 year ~ ’84 production type) and digital conversion in 24bit / 96kHz becomes the original It has. The conversion is done carefully using a high-quality deck and focus light made of audio interface running stability preeminent three head made of technics, the cut falls between songs here and there or for the remaining tape sparing Even in no way, the sound is the instantaneous power of the master (※ probably the reel tape) the original tough lush sound was those containment in the best of condition. This alone and I was equipped with a height of sufficient quality, but there is our label to stick to thoroughly sound quality. for well to listen and sweetness of stuffed to trace and sound scrutiny of analog-specific noise has been scattered, is subjected to a thorough noise removal and sound pitch correction to the extent that does not affect the original sound in the high-end equipment of label owned and published and it has realized the sound image with high accuracy more than sound. Also on the performance not only good sound quality that is also the contents of the awards in charm, in the example of March 73 tour includes a very good version of valuable did not play only a few times in the beginning, “Childhood’s End” and it does not miss that show of opening begins with “Echoes”. “Childhood’s End” is changed to “sun Hymn” by fall set after this, “Echoes” from will be the classic that it is transferred to the end of the show the first half of “Obscured By Clouds” adorn the opening, this title set’s a great centerpiece also point to experience the ’73 tour very early rare program was the fluid !! (※ exceptionally “Eugene” is opening as of one week after, March 14 of this performance There was also the day that decorated, this I have you pleasure in “BOSTON 1973 (Sigma73)”!)
Shaw but is kick off translation in “Echoes” ish early like that ’73 spring tour, impassioned sound will come and go from all directions in the transparency outstanding sound with depth, and vivid is near but hiss felt that It will be a nailed from ride to in the recorded sound. In addition it should you think that the “parent?” From singing out part of the beginning, but the interesting thing to this day has no side vocal of Rick acting as harmony, it has become a rare performance of solo Gilmore through song . The flow from the quiet scene in the post-albatross of cries in finale also, that in and with such excitement beat of the song comes into direct body that captures the movement of the dampers that each instrument emits almost perfect, It is a perfect score respond listen. “Obscured By Clouds” of this day to be a followed by the second performance in yesterday’s premiere will be ushered in the synth sound of the bagpipe-style, put the image of such burning of iron-intensive the guitar was burnt like a long tone while, to provoke hand listening in the expression of the transition to slide into slowly dissolved. “When You’re In” in the interlaced with guitar and synth nearby dazzling sound overlap with jam, and then strongly stimulated the sensibility of who the shade rich gradation listen. “Childhood’s End” has come out bleeding atmosphere seems even ’73 spring being showcased in this position, but here in the wide sound of width can feel the richness of the range, in melody and rhythm is pure beauty how Yuku response has captured the Katsuaki. It is usually tend to put a diffuse impression lightly a little more sound When overlaying the generator, but here in the gloss of the tone of moist organ to dense the Kyokuso is, and from say what guitar (※ especially 5 minutes 56 seconds of lead part) uplifting feeling of precisely because a tone that clear contours and the weight is equipped doubles as is felt in, will enjoy your pleasure playing the harshness and beauty is to live freely. Also in the song before the start tuning scene in it are playing trial a number of phrases, which also has become a little far from listening. “Eugene” has become a music that tied the bright afterimage in hand to hear also this day, scourge of the day will spread repeated in the dense sound of the 1st generator unique. Field of air feeling tension that exists between the sound and the sound also firmly felt, reverberation clash is linear melody and rhythm from each instrument toward the finale from Screaming, and superbly musical driving force Please try your pleasure the fascination of sound picked up by all means.
Show the second half is, of course “crazy” songs reproduced. “Breathe” is appear in position metallic guitar sound is closer than the representation was recorded album, singing to ride it has become close to the album version, performance imbalance feeling pleasant is attractive. I do not know, “On The Run” in equipment malfunctioning whether intentional, but for some reason this day (is the array that is the Piropiro) synth of automatic performance sound that is synchronized with the rhythm machine without, instead The advanced solo in the SE and synth alone are close-up also is an interesting scene of this day unique. “Time” In stands out guitar sound again, sharp reverberation sense of Gilmore unique has become a captivating sound that echoes in good sound image of outlook. Especially solo that road in the middle of the video evoked force would fan must listen. “The Great Gig In The Sky” is female chorus of muffled of force is the rise along with the pleasant stretch of treble, and who can feel the bass of high quality punch in motion while you Yuku move the music in the back is one song. Piano sounds in the introduction has also been recorded in the lush sound with Gleam, 1st generator seems richness of pitch will spread full ear. “Money” will proceed in the funky sound is no Sachs Rashiku ’73 spring, while in the guitar solo is to develop a fairly aggressive approach, dark unique concerted dialogue density will pop out in superb sound. Similarly, “Us And Them” also sax is not entered, midfield proceeds in deployment organ of sound take the lead, state in which depth and Hana increases in performance by female chorus comes at stake at strategic points You will enjoy it to feel firmly. “Brain Damage” has a rewind of the moment by the shirttail of sound in 2 minutes 16 seconds, when there are skipping for a few seconds with the same 50 seconds, this was dropped in the 1st generator of this work use from the master It would be evidence of the resulting copy mistakes. Although it was also thought to be part compensated digital restoration from another source, Ikansen because of differences in sound quality is intense here is not tampered with to change, we dare recorded remains of the original in order to take advantage of the high-quality sound and vividness of the 1st generator . In “One Of These Days” of Angkor, sound clarity scale that not Kyooto also each other sounded free key sound also Tanmari is to us to report the tremendous “tragedy” is also on this day, it is not to be dependent on lyrics , playing force of Floyd to let spacious feel the charm of the line spacing of the sound has become a sharp came out Meien.
In the play surrounding “madness” for the avid Floyd fans, is high of popular songs played as a prototype version was doing in the last year of the ’72 winter of the European tour, but this March 73 that became the album month of “madness” is now just elan pervade charm is what maximum of pleasure Mel point a representation of the current progressive form the completed form you have arrived. But the impression that few songs from previous work “cloud shadow” which was on the other hand show the first half of the set-in is shines also strong, contrast is live music and songs incorporating the new repertoire and songs also continued to play last year in charm it seems this time has seeped even to the point it is in relief. Try surprisingly the ’73 version of crazy little release in us this work. joy that show just before the historic album is born revives in Toku-jo sound of 1st generator is to is joy itself hear fresh songs that had been knows, than even a small late what you listen to the sound of the bell of “Eclipse” When you have finished, that album is not difference to resound in the chest as feeling it was about to enter at this time exactly maximum period. This work such album release at the time, also feverish Floyd sound of that era,’s the latest of ’73 title Fukisusabu to mind as the storm!
Disc 1 (58:56)
1. Echoes 2. Obscured By Clouds 3. When You’re In 4. Childhood’s End 5. Careful With That Axe, Eugene
Disc 2 (57:24)
The Dark Side Of The Moon
1. Speak To Me 2. Breathe 3. On The Run 4. Time 5. Breathe (Reprise)
6. The Great Gig In The Sky 7. Money 8. Us And Them 9. Any Colour You Like
10. Brain Damage 11. Eclipse
12. One Of These Days
Sigma 132
